Early film theories in Italy, 1896-1922:
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Schriftenreihe: | Film theory in media history
|
| Schlagwörter: | |
| Links: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 |
| Abstract: | This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life |
| Umfang: | 1 Online-Ressource (516 Seiten) |
| ISBN: | 9048527104 9789048527106 |
| Zugangsbedingungen: | Open Access |
Internformat
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| 245 | 1 | 0 | |a Early film theories in Italy, 1896-1922 |c edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
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| 490 | 0 | |a Film theory in media history | |
| 505 | 8 | 0 | |t The Throb of the Cinematograph |r Francesco Casetti -- |t Section 1 -- |t Cinema and Modern Life |r Francesco Casetti -- |t Cinematography |r Edipi -- |t The Philosophy of Cinematograph |r Giovanni Papini -- |t Summertime Spectacles: The Cinema |r Gaio -- |t Why I Love the Cinema |r Maffio Maffii -- |t The Movie Theatre Audience |r Giovanni Fosse -- |t The Art of Celluloid |r Crainquebille -- |t The Triumph of the Cinema |r Ricciotto Canudo -- |t The Death of the Word |r Fausto Maria Martini -- |t Section 2 -- |t Film in Transition |r Francesco Casetti -- |t The Museum of the Fleeting Moment |r Lucio d'Ambra -- |t The Woman and the Cinema |r Haydee -- |t Darkness and Intelligence |r Emanuele Toddi -- |t A Spectatrix is Speaking to You |r Matilde Serao -- |t Motion Pictures in Provincial Towns |r Emilio Scaglione -- |t Cinematic Psychology |r Edoardo Coli -- |t The Cinematograph Doesn't Exist |r Silvio d'Amico -- |t The Cinema: School of the Will and of Energy |r Giovanni Bertinetti -- |t The Close-up |r Alberto Orsi -- |t The Soul of Titles |r Ernesto Quadrone -- |t Section 3 -- |t Cinema at War |r Luca Mazzei -- |t The War, from Up Close |r Nino Salvaneschi -- |t That Poor Cinema |r Renato Giovannetti -- |t Families of Soldiers |r Luigi Lucatelli -- |t War for the Profit of Industry |r Renato Giovannetti -- |t The War and Cinematograph |r g.pr. -- |t Max Linder Dies in The War |r Lucio d'Ambra -- |t Cinema of War |r Saverio Procida -- |t Section 4 -- |t Politics, Morality, Education |r Silvio Alovisio -- |
| 505 | 8 | 0 | |t The Motion Pictures and Education |r Domenico Orano -- |t The Intuitive Method in Religious Education |r Romano Costetti -- |t The Cinema and Its Influence on the Education of the People |r Giovanni Battista Avellone -- |t The Cinematograph in the Schools |r Francesco Orestano -- |t Speech at the People's Theatre |r Vittorio Emanuele Orlando -- |t Cinema for the Cultivation of the Intellect |r Angelina Buracci -- |t Educational Cinema |r Ettore Fabietti -- |t Section 5 -- |t Film, Body, Mind |r Silvio Alovisio -- |t Collective Psychology |r Pasquale Rossi -- |t About Some Psychological Observations Made During Film Screenings |r Mario Ponzo -- |t Concerning the Effects of Film Viewing on Neurotic Individuals |r Giuseppe d'Abundo -- |t The Ongoing Battle between Gesture and Word |r Mariano Luigi Patrizi -- |t The Cinematograph in the Field of Mental Illness and Criminality: Notes |r Giuseppe Vidoni -- |t Cinema and Juvenile Delinquency |r Mario Ponzo -- |t Section 6 -- |t The Aesthetic Side |r Luca Mazzei -- |t Problems of Art: Expression and Movement in Sculpture |r Corrado Ricci -- |t Scenic Impressionism |r Sebastiano Arturo Luciani -- |t The Aesthetics of Cinema |r Goffredo Bellonci -- |t The Poetics of Cinema |r Sebastiano Arturo Luciani -- |t Manifesto for a Cinematic Revolution |r Goffredo Bellonci -- |t Theatre and the Cinema |r Antonio Gramsci -- |t The Futurist Cinematography |r Remo Chiti -- |t In the Beginning Was Sex |r Antonio Gramsci -- |
| 505 | 8 | 0 | |t Rectangle-Film (25 x 19) |r Emanuele Toddi -- |t The Proscenium Arch of My Cinema |r Anton Giulio Bragaglia -- |t My Views on the Cinematograph |r Lucio d'Ambra -- |t Meditations in the Dark |r Michele Biancale -- |t Section 7 -- |t Theory in a Narrative Form |r Luca Mazzei -- |t Colour Film |r Roberto Tanfani -- |t At the Cinema |r Luigia Cortesi -- |t A Phantom Pursued |r Alberto Lumbroso -- |t Miopetti's Duel |r Aldo Borelli -- |t Pamela-Films |r Guido Gozzano -- |t Feature Film |r Pio Vanzi -- |t Me, Riri, and Love in Slippers |r Luciano Doria -- |t A Cinematic Performance |r Federigo Tozzi -- |t Life, a Glass Theatre |r Pier Maria Rosso di San Secondo -- |t The Shears' Reflection |r Guido Gozzano |
| 506 | 0 | |a Open Access |5 EbpS | |
| 520 | 3 | |a This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life | |
| 546 | |a Undetermined | ||
| 648 | 7 | |a Geschichte 1896-1922 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Cinéma et arts | |
| 650 | 7 | |a Cinéma |2 Aspect social | |
| 650 | 7 | |a Cinéma |2 Esthétique | |
| 650 | 7 | |a Cinéma |2 Histoire | |
| 650 | 7 | |a Cinéma |2 Philosophie | |
| 650 | 4 | |a Film theory and criticism | |
| 650 | 4 | |a Film, TV and radio | |
| 650 | 4 | |a Films, cinema | |
| 650 | 4 | |a Intellectual life | |
| 650 | 4 | |a Motion pictures and the arts | |
| 650 | 4 | |a Motion pictures | |
| 650 | 7 | |a Motion pictures |2 Aesthetics | |
| 650 | 7 | |a Motion pictures |2 Philosophy | |
| 650 | 7 | |a Motion pictures |2 Social aspects | |
| 650 | 7 | |a PERFORMING ARTS |2 Film & Video | |
| 650 | 7 | |a PERFORMING ARTS |2 Reference | |
| 650 | 4 | |a The arts | |
| 650 | 4 | |a Motion pictures and the arts |z Italy | |
| 650 | 4 | |a Motion pictures |x Social aspects |z Italy | |
| 650 | 4 | |a Motion pictures |z Italy |x Aesthetics | |
| 650 | 4 | |a Motion pictures |z Italy |x History | |
| 650 | 4 | |a Motion pictures |z Italy |x Philosophy | |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
| 653 | |a Cinema and philosophy | ||
| 653 | |a Cinema and psychology | ||
| 653 | |a Cinema and war | ||
| 653 | |a Early film theories | ||
| 653 | |a Social impact of cinema | ||
| 653 | 4 | |a 1900-1999 | |
| 653 | 2 | |a Italy / Intellectual life / 20th century | |
| 653 | 2 | |a Italie / Vie intellectuelle / 20e siècle | |
| 653 | 2 | |a Italy | |
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| 653 | 6 | |a History | |
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| 700 | 1 | |a Alovisio, Silvio |d 1968- |e editor |4 oth | |
| 700 | 1 | |a Casetti, Francesco |e editor |4 oth | |
| 700 | 1 | |a Mazzei, Luca |e editor |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Early Film Theories in Italy, 1896-1922 |d Amsterdam : Amsterdam University Press, 2017 |
| 856 | 4 | 0 | |u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 |x Verlag |z kostenfrei |3 Volltext |
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Datensatz im Suchindex
| _version_ | 1820975505153720320 |
|---|---|
| adam_text | |
| any_adam_object | |
| author2 | Alovisio, Silvio 1968- Casetti, Francesco Mazzei, Luca |
| author2_role | edt edt edt |
| author2_variant | s a sa f c fc l m lm |
| author_additional | Francesco Casetti -- Edipi -- Giovanni Papini -- Gaio -- Maffio Maffii -- Giovanni Fosse -- Crainquebille -- Ricciotto Canudo -- Fausto Maria Martini -- Lucio d'Ambra -- Haydee -- Emanuele Toddi -- Matilde Serao -- Emilio Scaglione -- Edoardo Coli -- Silvio d'Amico -- Giovanni Bertinetti -- Alberto Orsi -- Ernesto Quadrone -- Luca Mazzei -- Nino Salvaneschi -- Renato Giovannetti -- Luigi Lucatelli -- g.pr. -- Saverio Procida -- Silvio Alovisio -- Domenico Orano -- Romano Costetti -- Giovanni Battista Avellone -- Francesco Orestano -- Vittorio Emanuele Orlando -- Angelina Buracci -- Ettore Fabietti -- Pasquale Rossi -- Mario Ponzo -- Giuseppe d'Abundo -- Mariano Luigi Patrizi -- Giuseppe Vidoni -- Corrado Ricci -- Sebastiano Arturo Luciani -- Goffredo Bellonci -- Antonio Gramsci -- Remo Chiti -- Anton Giulio Bragaglia -- Michele Biancale -- Roberto Tanfani -- Luigia Cortesi -- Alberto Lumbroso -- Aldo Borelli -- Guido Gozzano -- Pio Vanzi -- Luciano Doria -- Federigo Tozzi -- Pier Maria Rosso di San Secondo -- Guido Gozzano |
| author_facet | Alovisio, Silvio 1968- Casetti, Francesco Mazzei, Luca |
| building | Verbundindex |
| bvnumber | BV048279371 |
| collection | ZDB-4-EOAC |
| contents | The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection |
| ctrlnum | (OCoLC)1030821311 (DE-599)BVBBV048279371 |
| era | Geschichte 1896-1922 gnd |
| era_facet | Geschichte 1896-1922 |
| format | Electronic eBook |
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tag="505" ind1="8" ind2="0"><subfield code="t">Rectangle-Film (25 x 19)</subfield><subfield code="r">Emanuele Toddi --</subfield><subfield code="9"></subfield><subfield code="t">The Proscenium Arch of My Cinema</subfield><subfield code="r">Anton Giulio Bragaglia --</subfield><subfield code="9"></subfield><subfield code="t">My Views on the Cinematograph</subfield><subfield code="r">Lucio d'Ambra --</subfield><subfield code="9"></subfield><subfield code="t">Meditations in the Dark</subfield><subfield code="r">Michele Biancale --</subfield><subfield code="9"></subfield><subfield code="t">Section 7 --</subfield><subfield code="9"></subfield><subfield code="t">Theory in a Narrative Form</subfield><subfield code="r">Luca Mazzei --</subfield><subfield code="9"></subfield><subfield code="t">Colour Film</subfield><subfield code="r">Roberto Tanfani --</subfield><subfield code="9"></subfield><subfield code="t">At the Cinema</subfield><subfield code="r">Luigia Cortesi --</subfield><subfield code="9"></subfield><subfield code="t">A Phantom Pursued</subfield><subfield code="r">Alberto Lumbroso --</subfield><subfield code="9"></subfield><subfield code="t">Miopetti's Duel</subfield><subfield code="r">Aldo Borelli --</subfield><subfield code="9"></subfield><subfield code="t">Pamela-Films</subfield><subfield code="r">Guido Gozzano --</subfield><subfield code="9"></subfield><subfield code="t">Feature Film</subfield><subfield code="r">Pio Vanzi --</subfield><subfield code="9"></subfield><subfield code="t">Me, Riri, and Love in Slippers</subfield><subfield code="r">Luciano Doria --</subfield><subfield code="9"></subfield><subfield code="t">A Cinematic Performance</subfield><subfield code="r">Federigo Tozzi --</subfield><subfield code="9"></subfield><subfield code="t">Life, a Glass Theatre</subfield><subfield code="r">Pier Maria Rosso di San Secondo --</subfield><subfield code="9"></subfield><subfield code="t">The Shears' Reflection</subfield><subfield code="r">Guido Gozzano</subfield><subfield code="9"></subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="5">EbpS</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. 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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV048279371 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-11T17:46:09Z |
| institution | BVB |
| isbn | 9048527104 9789048527106 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033659536 |
| oclc_num | 1030821311 |
| open_access_boolean | 1 |
| owner | DE-355 DE-BY-UBR DE-Po75 |
| owner_facet | DE-355 DE-BY-UBR DE-Po75 |
| physical | 1 Online-Ressource (516 Seiten) |
| psigel | ZDB-4-EOAC |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| record_format | marc |
| series2 | Film theory in media history |
| spelling | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei Amsterdam Amsterdam University Press ©2017 1 Online-Ressource (516 Seiten) txt rdacontent c rdamedia cr rdacarrier Film theory in media history The Throb of the Cinematograph Francesco Casetti -- Section 1 -- Cinema and Modern Life Francesco Casetti -- Cinematography Edipi -- The Philosophy of Cinematograph Giovanni Papini -- Summertime Spectacles: The Cinema Gaio -- Why I Love the Cinema Maffio Maffii -- The Movie Theatre Audience Giovanni Fosse -- The Art of Celluloid Crainquebille -- The Triumph of the Cinema Ricciotto Canudo -- The Death of the Word Fausto Maria Martini -- Section 2 -- Film in Transition Francesco Casetti -- The Museum of the Fleeting Moment Lucio d'Ambra -- The Woman and the Cinema Haydee -- Darkness and Intelligence Emanuele Toddi -- A Spectatrix is Speaking to You Matilde Serao -- Motion Pictures in Provincial Towns Emilio Scaglione -- Cinematic Psychology Edoardo Coli -- The Cinematograph Doesn't Exist Silvio d'Amico -- The Cinema: School of the Will and of Energy Giovanni Bertinetti -- The Close-up Alberto Orsi -- The Soul of Titles Ernesto Quadrone -- Section 3 -- Cinema at War Luca Mazzei -- The War, from Up Close Nino Salvaneschi -- That Poor Cinema Renato Giovannetti -- Families of Soldiers Luigi Lucatelli -- War for the Profit of Industry Renato Giovannetti -- The War and Cinematograph g.pr. -- Max Linder Dies in The War Lucio d'Ambra -- Cinema of War Saverio Procida -- Section 4 -- Politics, Morality, Education Silvio Alovisio -- The Motion Pictures and Education Domenico Orano -- The Intuitive Method in Religious Education Romano Costetti -- The Cinema and Its Influence on the Education of the People Giovanni Battista Avellone -- The Cinematograph in the Schools Francesco Orestano -- Speech at the People's Theatre Vittorio Emanuele Orlando -- Cinema for the Cultivation of the Intellect Angelina Buracci -- Educational Cinema Ettore Fabietti -- Section 5 -- Film, Body, Mind Silvio Alovisio -- Collective Psychology Pasquale Rossi -- About Some Psychological Observations Made During Film Screenings Mario Ponzo -- Concerning the Effects of Film Viewing on Neurotic Individuals Giuseppe d'Abundo -- The Ongoing Battle between Gesture and Word Mariano Luigi Patrizi -- The Cinematograph in the Field of Mental Illness and Criminality: Notes Giuseppe Vidoni -- Cinema and Juvenile Delinquency Mario Ponzo -- Section 6 -- The Aesthetic Side Luca Mazzei -- Problems of Art: Expression and Movement in Sculpture Corrado Ricci -- Scenic Impressionism Sebastiano Arturo Luciani -- The Aesthetics of Cinema Goffredo Bellonci -- The Poetics of Cinema Sebastiano Arturo Luciani -- Manifesto for a Cinematic Revolution Goffredo Bellonci -- Theatre and the Cinema Antonio Gramsci -- The Futurist Cinematography Remo Chiti -- In the Beginning Was Sex Antonio Gramsci -- Rectangle-Film (25 x 19) Emanuele Toddi -- The Proscenium Arch of My Cinema Anton Giulio Bragaglia -- My Views on the Cinematograph Lucio d'Ambra -- Meditations in the Dark Michele Biancale -- Section 7 -- Theory in a Narrative Form Luca Mazzei -- Colour Film Roberto Tanfani -- At the Cinema Luigia Cortesi -- A Phantom Pursued Alberto Lumbroso -- Miopetti's Duel Aldo Borelli -- Pamela-Films Guido Gozzano -- Feature Film Pio Vanzi -- Me, Riri, and Love in Slippers Luciano Doria -- A Cinematic Performance Federigo Tozzi -- Life, a Glass Theatre Pier Maria Rosso di San Secondo -- The Shears' Reflection Guido Gozzano Open Access EbpS This collection is the first to bring together scholars to explore the ways in which various people and groups in Italian society reacted to the advent of cinema. Looking at the responses of writers, scholars, clergymen, psychologists, philosophers, members of parliament, and more, the pieces collected here from that period show how Italians developed a common language to describe and discuss this invention that quickly exceeded all expectations and transcended existing categories of thought and artistic forms. The result is a close-up picture of a culture in transition, dealing with a 'scandalous' new technology that appeared poised to thoroughly change everyday life Undetermined Geschichte 1896-1922 gnd rswk-swf Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Cinema and philosophy Cinema and psychology Cinema and war Early film theories Social impact of cinema 1900-1999 Italy / Intellectual life / 20th century Italie / Vie intellectuelle / 20e siècle Italy Electronic books History (DE-588)4135952-5 Quelle gnd-content Italien (DE-588)4027833-5 g Filmtheorie (DE-588)4071216-3 s Geschichte 1896-1922 z DE-604 Alovisio, Silvio 1968- editor oth Casetti, Francesco editor oth Mazzei, Luca editor oth Erscheint auch als Druck-Ausgabe Early Film Theories in Italy, 1896-1922 Amsterdam : Amsterdam University Press, 2017 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 Verlag kostenfrei Volltext |
| spellingShingle | Early film theories in Italy, 1896-1922 The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4071216-3 (DE-588)4027833-5 (DE-588)4135952-5 |
| title | Early film theories in Italy, 1896-1922 |
| title_alt | The Throb of the Cinematograph Section 1 -- Cinema and Modern Life Cinematography The Philosophy of Cinematograph Summertime Spectacles: The Cinema Why I Love the Cinema The Movie Theatre Audience The Art of Celluloid The Triumph of the Cinema The Death of the Word Section 2 -- Film in Transition The Museum of the Fleeting Moment The Woman and the Cinema Darkness and Intelligence A Spectatrix is Speaking to You Motion Pictures in Provincial Towns Cinematic Psychology The Cinematograph Doesn't Exist The Cinema: School of the Will and of Energy The Close-up The Soul of Titles Section 3 -- Cinema at War The War, from Up Close That Poor Cinema Families of Soldiers War for the Profit of Industry The War and Cinematograph Max Linder Dies in The War Cinema of War Section 4 -- Politics, Morality, Education The Motion Pictures and Education The Intuitive Method in Religious Education The Cinema and Its Influence on the Education of the People The Cinematograph in the Schools Speech at the People's Theatre Cinema for the Cultivation of the Intellect Educational Cinema Section 5 -- Film, Body, Mind Collective Psychology About Some Psychological Observations Made During Film Screenings Concerning the Effects of Film Viewing on Neurotic Individuals The Ongoing Battle between Gesture and Word The Cinematograph in the Field of Mental Illness and Criminality: Notes Cinema and Juvenile Delinquency Section 6 -- The Aesthetic Side Problems of Art: Expression and Movement in Sculpture Scenic Impressionism The Aesthetics of Cinema The Poetics of Cinema Manifesto for a Cinematic Revolution Theatre and the Cinema The Futurist Cinematography In the Beginning Was Sex Rectangle-Film (25 x 19) The Proscenium Arch of My Cinema My Views on the Cinematograph Meditations in the Dark Section 7 -- Theory in a Narrative Form Colour Film At the Cinema A Phantom Pursued Miopetti's Duel Pamela-Films Feature Film Me, Riri, and Love in Slippers A Cinematic Performance Life, a Glass Theatre The Shears' Reflection |
| title_auth | Early film theories in Italy, 1896-1922 |
| title_exact_search | Early film theories in Italy, 1896-1922 |
| title_full | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_fullStr | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_full_unstemmed | Early film theories in Italy, 1896-1922 edited by Francesco Casetti, with Silvio Alovisio and Luca Mazzei |
| title_short | Early film theories in Italy, 1896-1922 |
| title_sort | early film theories in italy 1896 1922 |
| topic | Cinéma et arts Cinéma Aspect social Cinéma Esthétique Cinéma Histoire Cinéma Philosophie Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures Motion pictures Aesthetics Motion pictures Philosophy Motion pictures Social aspects PERFORMING ARTS Film & Video PERFORMING ARTS Reference The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Cinéma et arts Cinéma Film theory and criticism Film, TV and radio Films, cinema Intellectual life Motion pictures and the arts Motion pictures PERFORMING ARTS The arts Motion pictures and the arts Italy Motion pictures Social aspects Italy Motion pictures Italy Aesthetics Motion pictures Italy History Motion pictures Italy Philosophy Filmtheorie Italien Quelle |
| url | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815503 |
| work_keys_str_mv | AT alovisiosilvio earlyfilmtheoriesinitaly18961922 AT casettifrancesco earlyfilmtheoriesinitaly18961922 AT mazzeiluca earlyfilmtheoriesinitaly18961922 |