Verfügbarkeit: Imaging the scenes of war | Technische Universität München

Imaging the scenes of war: aesthetic crossovers in American visual culture

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Bibliographische Detailangaben
Beteilige Person:	Decker, Christof (VerfasserIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	Bielefeld transcript [2022]
Schriftenreihe:	American culture studies volume 38
Schlagwörter:	Geschichte 1930-1950 Zerstörung > Motiv Krieg > Motiv Film USA Photography Visual Culture World War II Media America Image American Studies Visual Studies Cultural Studies
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033628158&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	157 Seiten Illustrationen 22.5 cm x 14.8 cm, 258 g
ISBN:	9783837662023

Internformat

MARC


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Datensatz im Suchindex

_version_	1819356776263319552
adam_text	ACKNOWLEDGEMENTS .................................................................................................... 7 INTRODUCTION .................................................................................................................. 9 1 TRAUMA NARRATIVES, MIXED MEDIA, AND THE MEDITATION ON THE INVISIBLE .. 15 TWO PHOTOGRAPHS ........................................................................................................ 15 CONCEPTUALIZING MIXED MEDIA ..................................................................................... 18 HEMINGWAY, CRANE, AND THE DIALECTIC OF WOUND CULTURES ....................................... 20 PAINTING, PHOTOGRAPHY, AND WORLD WAR II ................................................................... 24 MIXING DIGITAL AND ANALOGUE MEDIA ......................................................................... 27 THE PRACTICE OF WITNESSING ........................................................................................ 31 2 IMAGING AXIS TERROR: WAR PROPAGANDA AND THE 1943 THE NATURE OF THE ENEMY EXHIBITION AT ROCKEFELLER CENTER ....................... 35 FIGHTING THE NAZI METHOD ......................................................................................... 36 THE NATURE OF THE ENEMY EXHIBITION AT ROCKEFELLER CENTER ...................................... 41 EMPATHY VS. VICARIOUS EXPERIENCE ........................................................................... 46 CONCENTRATION CAMPS ON DISPLAY ............................................................................... 50 FRAMING THE HORRORS OF WAR ........................................................................................ 54 3 IN SEARCH OF A COMMON VISION: BEN SHAHN, PHOTOGRAPHY, AND THE FAMILY OF MAN EXHIBITION IN 1955 ............................................ 61 THE ART OF PHOTOGRAPHY ............................................................................................... 62 PHOTOGRAPHY VS. PAINTING: THE NEW YORK TIMES DEBATE .......................................... 64 PHOTOGRAPHY AS VISIONS OF CONTACT ........................................................................... 68 SHAHN S BOONE COUNTY PHOTOGRAPH ............................................................................. 71 CREATING RELATABLE SYMBOLS ........................................................................................ 78 EMBEDDED PHOTOGRAPHS: ITALIAN LANDSCAPE (1943/44) ............................................. 81 4 TRANSNATIONAL ROMANCE: LOVE AND POLITICS IN THE CINEMA OF THE 1930S AND 1940S ............................................................................ 91 ROMANCE, TRANSNATIONALISM, AND THE CINEMA .......................................................... 93 PERFORMING AMERICANNESS .......................................................................................... 95 FANTASIES OF LOVE AND FREEDOM ................................................................................. 99 CREATING ROMANTIC COUPLES .................................................................................... 103 5 POETRY AND FILM, FILM AS POETRY: NOTES ON A HISTORY OF CREATIVE INTERACTIONS ........................................................................ 109 POEMS ABOUT THE CINEMA, FILMS ABOUT POETS ......................................................... ILL POETRY AS A NARRATIVE ELEMENT .................................................................................. 113 FILMS AS POETRY ........................................................................................................... 117 VIDEOPOETRY .................................................................................................................. 119 POETIC SEQUENCES ....................................... : .............................................................. 122 6 SCREENING HOLOCAUST: AMERICAN TELEVISION AND THE DISCOURSE ON VICTIM CULTURES IN WEST GERMANY ................................................. 131 PRESENTING HOLOCAUST ................................................................................................ 135 THE RECEPTION OF HOLOCAUST AND A NEW PEDAGOGY OF SUFFERING ........................... 137 ENVISIONING VICTIM CULTURES ..................................................................................... 143 HOLOCAUST AND BEYOND ................................................................................................ 147 INDEX ........................................................................................................................... 155 Contents Acknowledgements...................................................... 7 Introduction.................................................................................. 9 1 Trauma Narratives, Mixed Media, and the Meditation on the Invisible .. 15 Two Photographs........................................................................... 15 Conceptualizing Mixed Media................................... 18 Hemingway, Crane, and the Dialectic of Wound Cultures............................ 20 Painting, Photography, and World War II...................... 24 Mixing Digital and Analogue Media....................................................... 27 The Practice of Witnessing................................................................ 31 2 Imaging Axis Terror: War Propaganda and the 1943 The Nature of the Enemy Exhibition at Rockefeller Center................. 35 Fighting the “Nazi Method ................................................................ 36 The Nature of the Enemy Exhibition at Rockefeller Center........................... 41 Empathy vs. Vicarious Experience...................................................... 46 Concentration Camps on Display......................................................... 50 Framing the Horrors of War............................................................... 54 In Search of a Common Vision: Ben Shahn, Photography, and The Family of Han Exhibition in 1955................................ 61 The Art of Photography............................................................ 62 Photography vs. Painting: The New York Times Debate............................... 64 Photography as Visions of Contact....................................................... 68 3 Shahn s Boone County Photograph.......................................................... 71 Creating Relatable Symbols.................................................................. 78 Embedded Photographs: Italian Landscape (1943/44).................................. 81 4 Transnational Romance: Love and Politics in the Cinema of the 1930s and 1940s......................................................... 91 Romance, Transnationalism, and the Cinema............................................ 93 Performing Americanness.................................................................... 95 Fantasies of Love and Freedom............................................................. 99 Creating Romantic Couples............................................................... 103 Poetry and Film, Film as Poetry: Notes on a History of Creative Interactions..................................................... 109 Poems About the Cinema, Films About Poets ..................... 111 Poetry as a Narrative Element .......................................................... 113 Filmsas Poetry.......... .......................................................... ;.......... 117 Videopoetry...................................................................................... 119 Poetic Sequences............................................................................. 122 5 Screening Holocaust: American Television and the Discourse on *Victim Cultures in West Germany.................................... 131 Presenting Holocaust........................................................................ 135 The Reception of Holocaust anda New Pedagogy of Suffering............. ........ 137 Envisioning Victim Cultures............. ...... ........................................... 143 Holocaust and Beyond........................................................................ 147 6 Index............................................................................................. 155
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spellingShingle	Decker, Christof Imaging the scenes of war aesthetic crossovers in American visual culture American culture studies Zerstörung Motiv (DE-588)4222883-9 gnd Krieg Motiv (DE-588)4136410-7 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4222883-9 (DE-588)4136410-7 (DE-588)4017102-4 (DE-588)4078704-7
title	Imaging the scenes of war aesthetic crossovers in American visual culture
title_auth	Imaging the scenes of war aesthetic crossovers in American visual culture
title_exact_search	Imaging the scenes of war aesthetic crossovers in American visual culture
title_full	Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker
title_fullStr	Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker
title_full_unstemmed	Imaging the scenes of war aesthetic crossovers in American visual culture Christof Decker
title_short	Imaging the scenes of war
title_sort	imaging the scenes of war aesthetic crossovers in american visual culture
title_sub	aesthetic crossovers in American visual culture
topic	Zerstörung Motiv (DE-588)4222883-9 gnd Krieg Motiv (DE-588)4136410-7 gnd Film (DE-588)4017102-4 gnd
topic_facet	Zerstörung Motiv Krieg Motiv Film USA
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