A utopia of circulation: the International Society of Pictorial Photographers
Gespeichert in:
Beteilige Person: | |
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Format: | Paper |
Sprache: | Englisch |
Veröffentlicht: |
2022
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Schlagwörter: | |
Abstract: | This article, examining the circulation of prints, letters and ideas in the context of Pictorialism, deals with an ambitious but long-forgotten federation, the International Society of Pictorial Photographers. Founded in 1905 but almost immediately abandoned, this utopian project to simplify the organisation of international exhibitions did not alter the future of pictorial photography as it was intended to do. Studying its origins, creation and rules, and revealing the causes of its failure, this article sheds light on the politics of Pictorialism and examines one of its most ambivalent characteristics, namely the defence of national interests within a movement relying mostly on international collaboration. It also shows the central role played by Robert Demachy (1859–1936) and Alfred Stieglitz (1864–1946) in the matter. Despite its disappointing outcome, this story is that of a remarkable exchange of opinions, through sustained correspondence and texts, dealing mainly with the circulation of prints, among members of a global photographic network. |
Umfang: | Illustrationen |
ISSN: | 0308-7298 |
Internformat
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520 | 3 | |a This article, examining the circulation of prints, letters and ideas in the context of Pictorialism, deals with an ambitious but long-forgotten federation, the International Society of Pictorial Photographers. Founded in 1905 but almost immediately abandoned, this utopian project to simplify the organisation of international exhibitions did not alter the future of pictorial photography as it was intended to do. Studying its origins, creation and rules, and revealing the causes of its failure, this article sheds light on the politics of Pictorialism and examines one of its most ambivalent characteristics, namely the defence of national interests within a movement relying mostly on international collaboration. It also shows the central role played by Robert Demachy (1859–1936) and Alfred Stieglitz (1864–1946) in the matter. Despite its disappointing outcome, this story is that of a remarkable exchange of opinions, through sustained correspondence and texts, dealing mainly with the circulation of prints, among members of a global photographic network. | |
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Datensatz im Suchindex
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article_link | (DE-604)BV002672782 |
author | Faure-Conorton, Julien |
author_facet | Faure-Conorton, Julien |
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author_sort | Faure-Conorton, Julien |
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era_facet | Geschichte 1905-1920 |
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illustrated | Illustrated |
indexdate | 2024-12-20T19:39:28Z |
institution | BVB |
issn | 0308-7298 |
language | English |
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owner_facet | DE-255 |
physical | Illustrationen |
publishDate | 2022 |
publishDateSearch | 2022 |
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spelling | Faure-Conorton, Julien Verfasser aut A utopia of circulation the International Society of Pictorial Photographers Julien Faure-Conorton 2022 Illustrationen txt rdacontent n rdamedia nc rdacarrier This article, examining the circulation of prints, letters and ideas in the context of Pictorialism, deals with an ambitious but long-forgotten federation, the International Society of Pictorial Photographers. Founded in 1905 but almost immediately abandoned, this utopian project to simplify the organisation of international exhibitions did not alter the future of pictorial photography as it was intended to do. Studying its origins, creation and rules, and revealing the causes of its failure, this article sheds light on the politics of Pictorialism and examines one of its most ambivalent characteristics, namely the defence of national interests within a movement relying mostly on international collaboration. It also shows the central role played by Robert Demachy (1859–1936) and Alfred Stieglitz (1864–1946) in the matter. Despite its disappointing outcome, this story is that of a remarkable exchange of opinions, through sustained correspondence and texts, dealing mainly with the circulation of prints, among members of a global photographic network. Demachy, Robert 1859-1936 (DE-588)120779722 gnd rswk-swf Stieglitz, Alfred 1864-1946 (DE-588)118798847 gnd rswk-swf Geschichte 1905-1920 gnd rswk-swf Piktoralismus (DE-588)4421028-0 gnd rswk-swf Piktoralismus (DE-588)4421028-0 s Geschichte 1905-1920 z DE-604 Demachy, Robert 1859-1936 (DE-588)120779722 p Stieglitz, Alfred 1864-1946 (DE-588)118798847 p volume:45 number:1 year:2021 pages:53-63 History of photography Abingdon, 2022 Volume 45, issue 1 (2021), Seite 53-63 (DE-604)BV002672782 0308-7298 (DE-600)199333-1 |
spellingShingle | Faure-Conorton, Julien A utopia of circulation the International Society of Pictorial Photographers Demachy, Robert 1859-1936 (DE-588)120779722 gnd Stieglitz, Alfred 1864-1946 (DE-588)118798847 gnd Piktoralismus (DE-588)4421028-0 gnd |
subject_GND | (DE-588)120779722 (DE-588)118798847 (DE-588)4421028-0 |
title | A utopia of circulation the International Society of Pictorial Photographers |
title_auth | A utopia of circulation the International Society of Pictorial Photographers |
title_exact_search | A utopia of circulation the International Society of Pictorial Photographers |
title_full | A utopia of circulation the International Society of Pictorial Photographers Julien Faure-Conorton |
title_fullStr | A utopia of circulation the International Society of Pictorial Photographers Julien Faure-Conorton |
title_full_unstemmed | A utopia of circulation the International Society of Pictorial Photographers Julien Faure-Conorton |
title_short | A utopia of circulation |
title_sort | a utopia of circulation the international society of pictorial photographers |
title_sub | the International Society of Pictorial Photographers |
topic | Demachy, Robert 1859-1936 (DE-588)120779722 gnd Stieglitz, Alfred 1864-1946 (DE-588)118798847 gnd Piktoralismus (DE-588)4421028-0 gnd |
topic_facet | Demachy, Robert 1859-1936 Stieglitz, Alfred 1864-1946 Piktoralismus |
work_keys_str_mv | AT faureconortonjulien autopiaofcirculationtheinternationalsocietyofpictorialphotographers |