Translating Humour in Audiovisual Texts:
Gespeichert in:
| Weitere beteiligte Personen: | , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
|
| Ausgabe: | 1st, New ed |
| Schlagwörter: | |
| Links: | https://www.peterlang.com/view/product/46385?format=EPDF https://www.peterlang.com/view/product/46385?format=EPDF |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Umfang: | 1 Online-Ressource (533 Seiten) |
| ISBN: | 9783035107401 |
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| 505 | 8 | |a Humour found in audiovisual products is, of course, performative in nature. If we consider instances of humour - any droll moment occurring in today's fare of mixed-genre products as a composite of cognition, emotion, interaction and expression - we see that the verbal code becomes just one component of four equally significant elements. And, as 'expression' is not limited to verbal output alone, humour may of course be created in absence of a verbal code. Translating humour for audiovisuals is not too different from translating verbal humour tout court. What makes humour occurring within audiovisual texts more problematic is the fact that it may be visually anchored; in other words a gag or a joke may pivot on verbal content directed at a specific element that is present within the graphic system of the same text. As the term itself suggests, audiovisuals contain two overlying structures: a visual and an auditory channel each of which contain a series of both verbal and non-verbal elements which inextricably cross-cut one another. The contributors in this collection of essays present a series of case studies from films and video-games exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations | |
| 505 | 8 | |a «Der dreisprachige Sammelband "Translating Humour in Audiovisual Texts" verschafft eine nützliche Übersicht über die theoretischen Grundlagen des Humorübersetzens in audiovisuellen Werken sowie über die Richtungen der empirischen Untersuchungen in diesem Bereich. [...] Die [...] Publikation von Peter Lang stellt eine beeindruckende, über 500 Seiten umfassende Sammlung von theoretischen Ansätzen und Beispielen der empirischen Untersuchungen dar.» (Kwiryna Proczkowska, Studia Translatorica 8/2018) Vollständige Rezension hier lesen | |
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Datensatz im Suchindex
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| author2 | De Rosa, Gian Luigi Bianchi, Francesca De Laurentiis, Antonella Perego, Elisa |
| author2_role | edt edt edt edt |
| author2_variant | r g l d rgl rgld f b fb l a d la lad e p ep |
| author_facet | De Rosa, Gian Luigi Bianchi, Francesca De Laurentiis, Antonella Perego, Elisa |
| building | Verbundindex |
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| contents | Humour found in audiovisual products is, of course, performative in nature. If we consider instances of humour - any droll moment occurring in today's fare of mixed-genre products as a composite of cognition, emotion, interaction and expression - we see that the verbal code becomes just one component of four equally significant elements. And, as 'expression' is not limited to verbal output alone, humour may of course be created in absence of a verbal code. Translating humour for audiovisuals is not too different from translating verbal humour tout court. What makes humour occurring within audiovisual texts more problematic is the fact that it may be visually anchored; in other words a gag or a joke may pivot on verbal content directed at a specific element that is present within the graphic system of the same text. As the term itself suggests, audiovisuals contain two overlying structures: a visual and an auditory channel each of which contain a series of both verbal and non-verbal elements which inextricably cross-cut one another. The contributors in this collection of essays present a series of case studies from films and video-games exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations «Der dreisprachige Sammelband "Translating Humour in Audiovisual Texts" verschafft eine nützliche Übersicht über die theoretischen Grundlagen des Humorübersetzens in audiovisuellen Werken sowie über die Richtungen der empirischen Untersuchungen in diesem Bereich. [...] Die [...] Publikation von Peter Lang stellt eine beeindruckende, über 500 Seiten umfassende Sammlung von theoretischen Ansätzen und Beispielen der empirischen Untersuchungen dar.» (Kwiryna Proczkowska, Studia Translatorica 8/2018) Vollständige Rezension hier lesen |
| ctrlnum | (ZDB-114-LAC)9783035107401 (OCoLC)1317694698 (DE-599)BVBBV048208982 |
| discipline | Sprachwissenschaft Literaturwissenschaft |
| edition | 1st, New ed |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:38:31Z |
| institution | BVB |
| isbn | 9783035107401 |
| language | English |
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| publishDate | 2014 |
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| spelling | Translating Humour in Audiovisual Texts Gian Luigi De Rosa, Francesca Bianchi, Antonella De Laurentiis, Elisa Perego 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2014 ©2015 1 Online-Ressource (533 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Humour found in audiovisual products is, of course, performative in nature. If we consider instances of humour - any droll moment occurring in today's fare of mixed-genre products as a composite of cognition, emotion, interaction and expression - we see that the verbal code becomes just one component of four equally significant elements. And, as 'expression' is not limited to verbal output alone, humour may of course be created in absence of a verbal code. Translating humour for audiovisuals is not too different from translating verbal humour tout court. What makes humour occurring within audiovisual texts more problematic is the fact that it may be visually anchored; in other words a gag or a joke may pivot on verbal content directed at a specific element that is present within the graphic system of the same text. As the term itself suggests, audiovisuals contain two overlying structures: a visual and an auditory channel each of which contain a series of both verbal and non-verbal elements which inextricably cross-cut one another. The contributors in this collection of essays present a series of case studies from films and video-games exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations «Der dreisprachige Sammelband "Translating Humour in Audiovisual Texts" verschafft eine nützliche Übersicht über die theoretischen Grundlagen des Humorübersetzens in audiovisuellen Werken sowie über die Richtungen der empirischen Untersuchungen in diesem Bereich. [...] Die [...] Publikation von Peter Lang stellt eine beeindruckende, über 500 Seiten umfassende Sammlung von theoretischen Ansätzen und Beispielen der empirischen Untersuchungen dar.» (Kwiryna Proczkowska, Studia Translatorica 8/2018) Vollständige Rezension hier lesen Film (DE-588)4017102-4 gnd rswk-swf Humor (DE-588)4026170-0 gnd rswk-swf Synchronisierung (DE-588)4130847-5 gnd rswk-swf Untertitel Film (DE-588)4373404-2 gnd rswk-swf Übersetzung (DE-588)4061418-9 gnd rswk-swf Humor (DE-588)4026170-0 s Film (DE-588)4017102-4 s Übersetzung (DE-588)4061418-9 s Synchronisierung (DE-588)4130847-5 s Untertitel Film (DE-588)4373404-2 s DE-604 De Rosa, Gian Luigi edt Bianchi, Francesca edt De Laurentiis, Antonella edt Perego, Elisa edt Erscheint auch als Druck-Ausgabe 9783034315555 Erscheint auch als Druck-Ausgabe 9783035195286 Erscheint auch als Druck-Ausgabe 9783035195293 https://www.peterlang.com/view/product/46385?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Translating Humour in Audiovisual Texts Humour found in audiovisual products is, of course, performative in nature. If we consider instances of humour - any droll moment occurring in today's fare of mixed-genre products as a composite of cognition, emotion, interaction and expression - we see that the verbal code becomes just one component of four equally significant elements. And, as 'expression' is not limited to verbal output alone, humour may of course be created in absence of a verbal code. Translating humour for audiovisuals is not too different from translating verbal humour tout court. What makes humour occurring within audiovisual texts more problematic is the fact that it may be visually anchored; in other words a gag or a joke may pivot on verbal content directed at a specific element that is present within the graphic system of the same text. As the term itself suggests, audiovisuals contain two overlying structures: a visual and an auditory channel each of which contain a series of both verbal and non-verbal elements which inextricably cross-cut one another. The contributors in this collection of essays present a series of case studies from films and video-games exemplifying problems and solutions to audiovisual humour in the dubs and subs in a variety of language combinations «Der dreisprachige Sammelband "Translating Humour in Audiovisual Texts" verschafft eine nützliche Übersicht über die theoretischen Grundlagen des Humorübersetzens in audiovisuellen Werken sowie über die Richtungen der empirischen Untersuchungen in diesem Bereich. [...] Die [...] Publikation von Peter Lang stellt eine beeindruckende, über 500 Seiten umfassende Sammlung von theoretischen Ansätzen und Beispielen der empirischen Untersuchungen dar.» (Kwiryna Proczkowska, Studia Translatorica 8/2018) Vollständige Rezension hier lesen Film (DE-588)4017102-4 gnd Humor (DE-588)4026170-0 gnd Synchronisierung (DE-588)4130847-5 gnd Untertitel Film (DE-588)4373404-2 gnd Übersetzung (DE-588)4061418-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4026170-0 (DE-588)4130847-5 (DE-588)4373404-2 (DE-588)4061418-9 |
| title | Translating Humour in Audiovisual Texts |
| title_auth | Translating Humour in Audiovisual Texts |
| title_exact_search | Translating Humour in Audiovisual Texts |
| title_full | Translating Humour in Audiovisual Texts Gian Luigi De Rosa, Francesca Bianchi, Antonella De Laurentiis, Elisa Perego |
| title_fullStr | Translating Humour in Audiovisual Texts Gian Luigi De Rosa, Francesca Bianchi, Antonella De Laurentiis, Elisa Perego |
| title_full_unstemmed | Translating Humour in Audiovisual Texts Gian Luigi De Rosa, Francesca Bianchi, Antonella De Laurentiis, Elisa Perego |
| title_short | Translating Humour in Audiovisual Texts |
| title_sort | translating humour in audiovisual texts |
| topic | Film (DE-588)4017102-4 gnd Humor (DE-588)4026170-0 gnd Synchronisierung (DE-588)4130847-5 gnd Untertitel Film (DE-588)4373404-2 gnd Übersetzung (DE-588)4061418-9 gnd |
| topic_facet | Film Humor Synchronisierung Untertitel Film Übersetzung |
| url | https://www.peterlang.com/view/product/46385?format=EPDF |
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