Film Criticism as Cultural Fantasy: The Perpetual French Discovery of Australian Cinema
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Bern
Peter Lang AG, Internationaler Verlag der Wissenschaften
2011
|
| Ausgabe: | 1st, New ed |
| Schlagwörter: | |
| Links: | https://www.peterlang.com/view/product/43493?format=EPDF https://www.peterlang.com/view/product/43493?format=EPDF |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Umfang: | 1 Online-Ressource (315 Seiten) |
| ISBN: | 9783035100310 |
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| 250 | |a 1st, New ed | ||
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| 505 | 8 | |a This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture | |
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Datensatz im Suchindex
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| author | McGregor, Andrew |
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| contents | This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture |
| ctrlnum | (ZDB-114-LAC)9783035100310 (OCoLC)1317692456 (DE-599)BVBBV048208524 |
| edition | 1st, New ed |
| era | Geschichte 1955-2001 gnd |
| era_facet | Geschichte 1955-2001 |
| format | Electronic eBook |
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| geographic_facet | Frankreich Australien |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:38:30Z |
| institution | BVB |
| isbn | 9783035100310 |
| language | English |
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| publishDate | 2011 |
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| spelling | McGregor, Andrew Verfasser aut Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema Andrew McGregor 1st, New ed Bern Peter Lang AG, Internationaler Verlag der Wissenschaften 2011 ©2010 1 Online-Ressource (315 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture Geschichte 1955-2001 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Australien (DE-588)4003900-6 g Film (DE-588)4017102-4 s Rezeption (DE-588)4049716-1 s Frankreich (DE-588)4018145-5 g Geschichte 1955-2001 z DE-604 Erscheint auch als Druck-Ausgabe 9783034300537 https://www.peterlang.com/view/product/43493?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McGregor, Andrew Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4049716-1 (DE-588)4018145-5 (DE-588)4003900-6 |
| title | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema |
| title_auth | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema |
| title_exact_search | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema |
| title_full | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema Andrew McGregor |
| title_fullStr | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema Andrew McGregor |
| title_full_unstemmed | Film Criticism as Cultural Fantasy The Perpetual French Discovery of Australian Cinema Andrew McGregor |
| title_short | Film Criticism as Cultural Fantasy |
| title_sort | film criticism as cultural fantasy the perpetual french discovery of australian cinema |
| title_sub | The Perpetual French Discovery of Australian Cinema |
| topic | Film (DE-588)4017102-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Film Rezeption Frankreich Australien |
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