Nomadic Narratives, Visual Forces: Gwen John's Letters and Paintings
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Peter Lang Inc., International Academic Publishers
2010
|
| Ausgabe: | 1st, New ed |
| Schlagwörter: | |
| Links: | https://www.peterlang.com/view/product/28468?format=EPDF https://www.peterlang.com/view/product/28468?format=EPDF |
| Beschreibung: | Online resource; title from title screen (viewed June 10, 2019) |
| Umfang: | 1 Online-Ressource (209 Seiten) |
| ISBN: | 9781453900291 |
Internformat
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| 505 | 8 | |a Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis of epistolary and visual narratives. This book focuses in particular on Gwen John's letters and paintings. It offers an innovative theoretical approach to narrative analysis by drawing on Foucault's theory of power, Deleuze and Guattari's analytics of desire, and Cavarero's concept of the narratable self. Furthermore, it examines the use of letters as documents of life in narrative research and highlights the dynamics of spatiality in the constitution of the female self in art. This study brings together theoretical insights that emerge from the analysis of life documents - some of them previously unpublished - combining innovative research with specific methodological suggestions on doing narrative analysis | |
| 505 | 8 | |a «The most thoughtful integration of paintings and epistolary narrative that I know. 'Nomadic Narratives, Visual Forces' shows how letters do more than depict the 'real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the 'narrative turn' in social research in exciting directions.» (Catherine Kohler Riessman, Boston College) | |
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Datensatz im Suchindex
| _version_ | 1818989438376607744 |
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| any_adam_object | |
| author | Tamboukou, Maria |
| author_facet | Tamboukou, Maria |
| author_role | aut |
| author_sort | Tamboukou, Maria |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV048207999 |
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| contents | Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis of epistolary and visual narratives. This book focuses in particular on Gwen John's letters and paintings. It offers an innovative theoretical approach to narrative analysis by drawing on Foucault's theory of power, Deleuze and Guattari's analytics of desire, and Cavarero's concept of the narratable self. Furthermore, it examines the use of letters as documents of life in narrative research and highlights the dynamics of spatiality in the constitution of the female self in art. This study brings together theoretical insights that emerge from the analysis of life documents - some of them previously unpublished - combining innovative research with specific methodological suggestions on doing narrative analysis «The most thoughtful integration of paintings and epistolary narrative that I know. 'Nomadic Narratives, Visual Forces' shows how letters do more than depict the 'real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the 'narrative turn' in social research in exciting directions.» (Catherine Kohler Riessman, Boston College) |
| ctrlnum | (ZDB-114-LAC)9781453900291 (OCoLC)1317688599 (DE-599)BVBBV048207999 |
| edition | 1st, New ed |
| format | Electronic eBook |
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| id | DE-604.BV048207999 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:38:29Z |
| institution | BVB |
| isbn | 9781453900291 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033588876 |
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| physical | 1 Online-Ressource (209 Seiten) |
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| publishDate | 2010 |
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| publisher | Peter Lang Inc., International Academic Publishers |
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| spelling | Tamboukou, Maria Verfasser aut Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings Maria Tamboukou 1st, New ed New York Peter Lang Inc., International Academic Publishers 2010 1 Online-Ressource (209 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis of epistolary and visual narratives. This book focuses in particular on Gwen John's letters and paintings. It offers an innovative theoretical approach to narrative analysis by drawing on Foucault's theory of power, Deleuze and Guattari's analytics of desire, and Cavarero's concept of the narratable self. Furthermore, it examines the use of letters as documents of life in narrative research and highlights the dynamics of spatiality in the constitution of the female self in art. This study brings together theoretical insights that emerge from the analysis of life documents - some of them previously unpublished - combining innovative research with specific methodological suggestions on doing narrative analysis «The most thoughtful integration of paintings and epistolary narrative that I know. 'Nomadic Narratives, Visual Forces' shows how letters do more than depict the 'real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the 'narrative turn' in social research in exciting directions.» (Catherine Kohler Riessman, Boston College) John, Gwen 1876-1939 (DE-588)119115697 gnd rswk-swf Brief (DE-588)4008240-4 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Narrativität (DE-588)4379691-6 gnd rswk-swf John, Gwen 1876-1939 (DE-588)119115697 p Malerei (DE-588)4037220-0 s Brief (DE-588)4008240-4 s Narrativität (DE-588)4379691-6 s DE-604 Erscheint auch als Druck-Ausgabe 9781433108600 https://www.peterlang.com/view/product/28468?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tamboukou, Maria Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings Nomadic Narratives, Visual Forces explores issues, questions, and problems emerging in the analysis of epistolary and visual narratives. This book focuses in particular on Gwen John's letters and paintings. It offers an innovative theoretical approach to narrative analysis by drawing on Foucault's theory of power, Deleuze and Guattari's analytics of desire, and Cavarero's concept of the narratable self. Furthermore, it examines the use of letters as documents of life in narrative research and highlights the dynamics of spatiality in the constitution of the female self in art. This study brings together theoretical insights that emerge from the analysis of life documents - some of them previously unpublished - combining innovative research with specific methodological suggestions on doing narrative analysis «The most thoughtful integration of paintings and epistolary narrative that I know. 'Nomadic Narratives, Visual Forces' shows how letters do more than depict the 'real' painter; the analysis problematizes the relations between visual and written texts. Insights from the author's meticulous archival research with autobiographical materials engage dynamically with Gwen John's art work, resulting in a dialogic narrative about the complex subjectivity of a woman artist working in a male-dominated world. Drawing on contemporary theory, Maria Tamboukou offers a new analytic perspective on the relation between the visual and the epistolary, which will push the 'narrative turn' in social research in exciting directions.» (Catherine Kohler Riessman, Boston College) John, Gwen 1876-1939 (DE-588)119115697 gnd Brief (DE-588)4008240-4 gnd Malerei (DE-588)4037220-0 gnd Narrativität (DE-588)4379691-6 gnd |
| subject_GND | (DE-588)119115697 (DE-588)4008240-4 (DE-588)4037220-0 (DE-588)4379691-6 |
| title | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings |
| title_auth | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings |
| title_exact_search | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings |
| title_full | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings Maria Tamboukou |
| title_fullStr | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings Maria Tamboukou |
| title_full_unstemmed | Nomadic Narratives, Visual Forces Gwen John's Letters and Paintings Maria Tamboukou |
| title_short | Nomadic Narratives, Visual Forces |
| title_sort | nomadic narratives visual forces gwen john s letters and paintings |
| title_sub | Gwen John's Letters and Paintings |
| topic | John, Gwen 1876-1939 (DE-588)119115697 gnd Brief (DE-588)4008240-4 gnd Malerei (DE-588)4037220-0 gnd Narrativität (DE-588)4379691-6 gnd |
| topic_facet | John, Gwen 1876-1939 Brief Malerei Narrativität |
| url | https://www.peterlang.com/view/product/28468?format=EPDF |
| work_keys_str_mv | AT tamboukoumaria nomadicnarrativesvisualforcesgwenjohnslettersandpaintings |