Byron and the Baroque:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Frankfurt a.M.
Peter Lang GmbH, Internationaler Verlag der Wissenschaften
2013
|
| Edition: | 1st, New ed |
| Subjects: | |
| Links: | https://www.peterlang.com/view/product/17286?format=EPDF https://www.peterlang.com/view/product/17286?format=EPDF |
| Item Description: | Online resource; title from title screen (viewed June 10, 2019) |
| Physical Description: | 1 Online-Ressource (174 Seiten) |
| ISBN: | 9783653028386 |
Staff View
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| 505 | 8 | |a Byron's mannerist digressive style and his 'theatricality' are a method of literary and cultural discourse based on the concepts of irony, paradox and reflectivity that were practised in seventeenth-century literature and culture. This results in the discursive split in the poetic language, which prefers to speak about the heavenly and the divine by reference to deformity and monstrosity. It is marked in a Romantic manner by the presence of the lyrical persona with a deep consciousness of previous literary texts based on the philosophy of this type of discourse, in which voices are echoed against each other. If we accept the Baroque, and seventeenth-century literature and culture, as sources of Byron's literary dialogue with cultural tradition, we may cease to perceive the writer as an author suspended between two mutually exclusive interpretational systems, either as the liberal satirist or as the grandiose gothic seducer | |
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| contents | Byron's mannerist digressive style and his 'theatricality' are a method of literary and cultural discourse based on the concepts of irony, paradox and reflectivity that were practised in seventeenth-century literature and culture. This results in the discursive split in the poetic language, which prefers to speak about the heavenly and the divine by reference to deformity and monstrosity. It is marked in a Romantic manner by the presence of the lyrical persona with a deep consciousness of previous literary texts based on the philosophy of this type of discourse, in which voices are echoed against each other. If we accept the Baroque, and seventeenth-century literature and culture, as sources of Byron's literary dialogue with cultural tradition, we may cease to perceive the writer as an author suspended between two mutually exclusive interpretational systems, either as the liberal satirist or as the grandiose gothic seducer |
| ctrlnum | (ZDB-114-LAC)9783653028386 (OCoLC)1317697976 (DE-599)BVBBV048207168 |
| discipline | Anglistik / Amerikanistik |
| edition | 1st, New ed |
| format | Electronic eBook |
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| spelling | Modrzewska, Miroslawa Verfasser aut Byron and the Baroque Miroslawa Modrzewska 1st, New ed Frankfurt a.M. Peter Lang GmbH, Internationaler Verlag der Wissenschaften 2013 1 Online-Ressource (174 Seiten) txt rdacontent c rdamedia cr rdacarrier Online resource; title from title screen (viewed June 10, 2019) Byron's mannerist digressive style and his 'theatricality' are a method of literary and cultural discourse based on the concepts of irony, paradox and reflectivity that were practised in seventeenth-century literature and culture. This results in the discursive split in the poetic language, which prefers to speak about the heavenly and the divine by reference to deformity and monstrosity. It is marked in a Romantic manner by the presence of the lyrical persona with a deep consciousness of previous literary texts based on the philosophy of this type of discourse, in which voices are echoed against each other. If we accept the Baroque, and seventeenth-century literature and culture, as sources of Byron's literary dialogue with cultural tradition, we may cease to perceive the writer as an author suspended between two mutually exclusive interpretational systems, either as the liberal satirist or as the grandiose gothic seducer Byron, George Gordon Byron Baron 1788-1824 (DE-588)118518208 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Byron, George Gordon Byron Baron 1788-1824 (DE-588)118518208 p Romantik (DE-588)4050491-8 s DE-604 Erscheint auch als Druck-Ausgabe 9783631631317 https://www.peterlang.com/view/product/17286?format=EPDF Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Modrzewska, Miroslawa Byron and the Baroque Byron's mannerist digressive style and his 'theatricality' are a method of literary and cultural discourse based on the concepts of irony, paradox and reflectivity that were practised in seventeenth-century literature and culture. This results in the discursive split in the poetic language, which prefers to speak about the heavenly and the divine by reference to deformity and monstrosity. It is marked in a Romantic manner by the presence of the lyrical persona with a deep consciousness of previous literary texts based on the philosophy of this type of discourse, in which voices are echoed against each other. If we accept the Baroque, and seventeenth-century literature and culture, as sources of Byron's literary dialogue with cultural tradition, we may cease to perceive the writer as an author suspended between two mutually exclusive interpretational systems, either as the liberal satirist or as the grandiose gothic seducer Byron, George Gordon Byron Baron 1788-1824 (DE-588)118518208 gnd Romantik (DE-588)4050491-8 gnd |
| subject_GND | (DE-588)118518208 (DE-588)4050491-8 (DE-588)4143413-4 |
| title | Byron and the Baroque |
| title_auth | Byron and the Baroque |
| title_exact_search | Byron and the Baroque |
| title_full | Byron and the Baroque Miroslawa Modrzewska |
| title_fullStr | Byron and the Baroque Miroslawa Modrzewska |
| title_full_unstemmed | Byron and the Baroque Miroslawa Modrzewska |
| title_short | Byron and the Baroque |
| title_sort | byron and the baroque |
| topic | Byron, George Gordon Byron Baron 1788-1824 (DE-588)118518208 gnd Romantik (DE-588)4050491-8 gnd |
| topic_facet | Byron, George Gordon Byron Baron 1788-1824 Romantik Aufsatzsammlung |
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