Deconstruction, Feminism, Film:
Examines and critiques Derrida's work in relation to gender, sexuality and filmIncludes a detailed critique of Derrida's thinking about gender, sexuality, film and the visualAn active work of film philosophy, performing its general philosophical work through singular close readings Theoris...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagwörter: | |
| Links: | https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 https://www.degruyter.com/isbn/9781474434201 |
| Zusammenfassung: | Examines and critiques Derrida's work in relation to gender, sexuality and filmIncludes a detailed critique of Derrida's thinking about gender, sexuality, film and the visualAn active work of film philosophy, performing its general philosophical work through singular close readings Theorises and performs the possibilities of a deconstructive feminist film critical practiceOffers new feminist theories of key concerns of film studies including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the stillPlaces key deconstructive visual texts within their cinematic as well as philosophical contextsThe writings of Jacques Derrida have had a profound but complex influence on both film studies and on feminism. In the first work of its kind, Deconstruction, Feminism, Film explores the interconnections between these three fields through detailed filmic and philosophical close readings. Employing a dual feminist methodology of critique and generation, this book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. In theory and in practice, Deconstruction, Feminism, Film performs the possibilities of a new twenty-first century feminist spectatorship |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) |
| Umfang: | 1 Online-Ressource (184 Seiten) 30 B/W illustrations |
| ISBN: | 9781474434201 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | ||
| 520 | |a Examines and critiques Derrida's work in relation to gender, sexuality and filmIncludes a detailed critique of Derrida's thinking about gender, sexuality, film and the visualAn active work of film philosophy, performing its general philosophical work through singular close readings Theorises and performs the possibilities of a deconstructive feminist film critical practiceOffers new feminist theories of key concerns of film studies including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the stillPlaces key deconstructive visual texts within their cinematic as well as philosophical contextsThe writings of Jacques Derrida have had a profound but complex influence on both film studies and on feminism. In the first work of its kind, Deconstruction, Feminism, Film explores the interconnections between these three fields through detailed filmic and philosophical close readings. Employing a dual feminist methodology of critique and generation, this book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. In theory and in practice, Deconstruction, Feminism, Film performs the possibilities of a new twenty-first century feminist spectatorship | ||
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Datensatz im Suchindex
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| author | Dillon, Sarah |
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| building | Verbundindex |
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| dewey-full | 791.4301 |
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| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2025-02-18T19:14:37Z |
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| isbn | 9781474434201 |
| language | English |
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| spelling | Dillon, Sarah Verfasser aut Deconstruction, Feminism, Film Sarah Dillon Edinburgh Edinburgh University Press [2022] © 2018 1 Online-Ressource (184 Seiten) 30 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) Examines and critiques Derrida's work in relation to gender, sexuality and filmIncludes a detailed critique of Derrida's thinking about gender, sexuality, film and the visualAn active work of film philosophy, performing its general philosophical work through singular close readings Theorises and performs the possibilities of a deconstructive feminist film critical practiceOffers new feminist theories of key concerns of film studies including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the stillPlaces key deconstructive visual texts within their cinematic as well as philosophical contextsThe writings of Jacques Derrida have had a profound but complex influence on both film studies and on feminism. In the first work of its kind, Deconstruction, Feminism, Film explores the interconnections between these three fields through detailed filmic and philosophical close readings. Employing a dual feminist methodology of critique and generation, this book probes the feminist faultlines in Derrida's thought and generates original feminist insight into key concerns of contemporary film studies, including spectatorship, realism vs artifice, narrative, adaptation, auto/biography and the still. In theory and in practice, Deconstruction, Feminism, Film performs the possibilities of a new twenty-first century feminist spectatorship In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures Motion pictures Philosophy https://www.degruyter.com/isbn/9781474434201 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dillon, Sarah Deconstruction, Feminism, Film Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures Motion pictures Philosophy |
| title | Deconstruction, Feminism, Film |
| title_auth | Deconstruction, Feminism, Film |
| title_exact_search | Deconstruction, Feminism, Film |
| title_full | Deconstruction, Feminism, Film Sarah Dillon |
| title_fullStr | Deconstruction, Feminism, Film Sarah Dillon |
| title_full_unstemmed | Deconstruction, Feminism, Film Sarah Dillon |
| title_short | Deconstruction, Feminism, Film |
| title_sort | deconstruction feminism film |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Feminism and motion pictures Motion pictures Philosophy |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Feminism and motion pictures Motion pictures Philosophy |
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