In the beginning was the image: art and the Reformation Bible
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2021]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1093/oso/9780190074401.001.0001 https://ebookcentral.proquest.com/lib/maxweberstiftung-ebooks/detail.action?docID=6389651 https://doi.org/10.1093/oso/9780190074401.001.0001 https://doi.org/10.1093/oso/9780190074401.001.0001 |
| Abstract: | "This pioneering study focuses on the decisive contributions by Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger to the popular promotion of the printed Bible and, beyond that, to the evangelical impulses that transformed ecclesiastical art. The Renaissance, always recognized as a time of artistic and theological foment for Christianity, also witnessed a visual re-formation of the Bible. Material culture played its part since the printing press allowed proliferation of biblical images and texts on a previously unimaginable scale. Contrary to commonly accepted claims that the Reformation resulted in the atrophy of art, artists offered richly visual experiences for the biblical culture of the new Protestant churches. This book further explicitly explores the paradox of the Bible's cultural status. The Bible, authority for Christian culture, shattered the unity of Christianity with its divergent editions and translations. Reformation art required new approaches to accommodate confessional and textual diversity. Rulers, theologians, and artists created new Bibles as foundations for transformative socio-political movements. In Price's richly nuanced study, a new understanding emerges of how Dürer, Cranach, and Holbein invented biblical iconographies as they promoted the relationship of biblicism to faith and political authority" |
| Umfang: | 1 Online-Ressource (xxii, 411 Seiten) Illustrationen |
| ISBN: | 9780190074425 |
| DOI: | 10.1093/oso/9780190074401.001.0001 |
Internformat
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| 520 | 3 | |a "This pioneering study focuses on the decisive contributions by Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger to the popular promotion of the printed Bible and, beyond that, to the evangelical impulses that transformed ecclesiastical art. The Renaissance, always recognized as a time of artistic and theological foment for Christianity, also witnessed a visual re-formation of the Bible. Material culture played its part since the printing press allowed proliferation of biblical images and texts on a previously unimaginable scale. Contrary to commonly accepted claims that the Reformation resulted in the atrophy of art, artists offered richly visual experiences for the biblical culture of the new Protestant churches. This book further explicitly explores the paradox of the Bible's cultural status. The Bible, authority for Christian culture, shattered the unity of Christianity with its divergent editions and translations. Reformation art required new approaches to accommodate confessional and textual diversity. Rulers, theologians, and artists created new Bibles as foundations for transformative socio-political movements. In Price's richly nuanced study, a new understanding emerges of how Dürer, Cranach, and Holbein invented biblical iconographies as they promoted the relationship of biblicism to faith and political authority" | |
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| 653 | |a Bible | ||
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| 653 | 0 | |a Reformation | |
| 653 | 0 | |a Renaissance | |
| 653 | 4 | |a 1500-1699 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Dürer, Albrecht |d 1471-1528 |0 (DE-588)11852786X |D p |
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Datensatz im Suchindex
| _version_ | 1818989012627488768 |
|---|---|
| any_adam_object | |
| author | Price, David 1957- |
| author_GND | (DE-588)129843490 |
| author_facet | Price, David 1957- |
| author_role | aut |
| author_sort | Price, David 1957- |
| author_variant | d p dp |
| building | Verbundindex |
| bvnumber | BV047899584 |
| classification_rvk | LH 72140 |
| collection | ZDB-28-OSR ZDB-30-PQE |
| ctrlnum | (ZDB-28-OSR)9780190074401 (ZDB-30-PQE)EBC6389651 (OCoLC)1310243422 (DE-599)BVBBV047899584 |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.1093/oso/9780190074401.001.0001 |
| format | Electronic eBook |
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| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV047899584 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:31:43Z |
| institution | BVB |
| isbn | 9780190074425 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033281531 |
| oclc_num | 1310243422 |
| open_access_boolean | |
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| owner_facet | DE-Y3 DE-Y2 DE-Y7 |
| physical | 1 Online-Ressource (xxii, 411 Seiten) Illustrationen |
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| publisher | Oxford University Press |
| record_format | marc |
| spelling | Price, David 1957- Verfasser (DE-588)129843490 aut In the beginning was the image art and the Reformation Bible David H. Price New York, NY Oxford University Press [2021] © 2021 1 Online-Ressource (xxii, 411 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "This pioneering study focuses on the decisive contributions by Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger to the popular promotion of the printed Bible and, beyond that, to the evangelical impulses that transformed ecclesiastical art. The Renaissance, always recognized as a time of artistic and theological foment for Christianity, also witnessed a visual re-formation of the Bible. Material culture played its part since the printing press allowed proliferation of biblical images and texts on a previously unimaginable scale. Contrary to commonly accepted claims that the Reformation resulted in the atrophy of art, artists offered richly visual experiences for the biblical culture of the new Protestant churches. This book further explicitly explores the paradox of the Bible's cultural status. The Bible, authority for Christian culture, shattered the unity of Christianity with its divergent editions and translations. Reformation art required new approaches to accommodate confessional and textual diversity. Rulers, theologians, and artists created new Bibles as foundations for transformative socio-political movements. In Price's richly nuanced study, a new understanding emerges of how Dürer, Cranach, and Holbein invented biblical iconographies as they promoted the relationship of biblicism to faith and political authority" Holbein, Hans 1497-1543 (DE-588)118552953 gnd rswk-swf Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd rswk-swf Cranach, Lucas der Ältere 1472-1553 (DE-588)118522582 gnd rswk-swf Cranach, Lucas der Jüngere 1515-1586 (DE-588)118522590 gnd rswk-swf Bibel (DE-588)4006406-2 gnd rswk-swf Reformation (DE-588)4048946-2 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Ikonographie (DE-588)4026535-3 gnd rswk-swf Illustration (DE-588)4123412-1 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Bible / History / 16th century Bible / History / 17th century Renaissance Reformation Arts in the Bible / History Christianity and art / History Bible Arts in the Bible Christianity and art 1500-1699 History Dürer, Albrecht 1471-1528 (DE-588)11852786X p Cranach, Lucas der Ältere 1472-1553 (DE-588)118522582 p Cranach, Lucas der Jüngere 1515-1586 (DE-588)118522590 p Holbein, Hans 1497-1543 (DE-588)118552953 p Bibel (DE-588)4006406-2 u Ikonographie (DE-588)4026535-3 s Malerei (DE-588)4037220-0 s DE-604 Deutschland (DE-588)4011882-4 g Illustration (DE-588)4123412-1 s Christliche Kunst (DE-588)4010109-5 s Reformation (DE-588)4048946-2 s (DE-627) Erscheint auch als Druck-Ausgabe 978-0-19-007440-1 (DE-604)BV047092618 https://doi.org/10.1093/oso/9780190074401.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Price, David 1957- In the beginning was the image art and the Reformation Bible Holbein, Hans 1497-1543 (DE-588)118552953 gnd Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd Cranach, Lucas der Ältere 1472-1553 (DE-588)118522582 gnd Cranach, Lucas der Jüngere 1515-1586 (DE-588)118522590 gnd Bibel (DE-588)4006406-2 gnd Reformation (DE-588)4048946-2 gnd Christliche Kunst (DE-588)4010109-5 gnd Malerei (DE-588)4037220-0 gnd Ikonographie (DE-588)4026535-3 gnd Illustration (DE-588)4123412-1 gnd |
| subject_GND | (DE-588)118552953 (DE-588)11852786X (DE-588)118522582 (DE-588)118522590 (DE-588)4006406-2 (DE-588)4048946-2 (DE-588)4010109-5 (DE-588)4037220-0 (DE-588)4026535-3 (DE-588)4123412-1 (DE-588)4011882-4 |
| title | In the beginning was the image art and the Reformation Bible |
| title_auth | In the beginning was the image art and the Reformation Bible |
| title_exact_search | In the beginning was the image art and the Reformation Bible |
| title_full | In the beginning was the image art and the Reformation Bible David H. Price |
| title_fullStr | In the beginning was the image art and the Reformation Bible David H. Price |
| title_full_unstemmed | In the beginning was the image art and the Reformation Bible David H. Price |
| title_short | In the beginning was the image |
| title_sort | in the beginning was the image art and the reformation bible |
| title_sub | art and the Reformation Bible |
| topic | Holbein, Hans 1497-1543 (DE-588)118552953 gnd Dürer, Albrecht 1471-1528 (DE-588)11852786X gnd Cranach, Lucas der Ältere 1472-1553 (DE-588)118522582 gnd Cranach, Lucas der Jüngere 1515-1586 (DE-588)118522590 gnd Bibel (DE-588)4006406-2 gnd Reformation (DE-588)4048946-2 gnd Christliche Kunst (DE-588)4010109-5 gnd Malerei (DE-588)4037220-0 gnd Ikonographie (DE-588)4026535-3 gnd Illustration (DE-588)4123412-1 gnd |
| topic_facet | Holbein, Hans 1497-1543 Dürer, Albrecht 1471-1528 Cranach, Lucas der Ältere 1472-1553 Cranach, Lucas der Jüngere 1515-1586 Bibel Reformation Christliche Kunst Malerei Ikonographie Illustration Deutschland |
| url | https://doi.org/10.1093/oso/9780190074401.001.0001 |
| work_keys_str_mv | AT pricedavid inthebeginningwastheimageartandthereformationbible |