The political in Rimsky-Korsakov's operas:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishers
2022
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033268908&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xii, 254 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781527577732 |
Internformat
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Datensatz im Suchindex
| _version_ | 1819343453518036992 |
|---|---|
| adam_text | Table of Contents Acknowledgements......................................................................................x Chapter 1...................................................................................................... 1 Introduction Censorship as the autocratic response.....................................................3 Censorship and the theatre......................................................................6 The complex question of‘national identity’.......................................... 9 Rimsky-Korsakov’s political journey................................................... 15 Orthodoxy as an element of‘national identity’.....................................17 The significance of the abolition of the Imperial Theatre Monopoly .. 20 Summajy...............................................................................................23 Chapter 2....................................................................................................25 The Maid ofPskov - Rimsky-Korsakov ventures into politics Government service the mainstay of the family................................... 25 The recluse of Tikhvin..........................................................................27 Two different sons ֊ or were they?...................................................... 30 Nikolai, the navy and music................................................................. 33 The political climate of the time...........................................................39 Politics and the arts at the time of The Maid ofPskov........................ 53 The
Maid and its reception....................................................................59 Rimsky-Korsakov challenges the State................................................61 Chapter 3....................................................................................................63 A questioning of Russia’s attitude to Ukraine and Poland - May Night, Christmas Eve and Pan Voyevoda Introduction..........................................................................................63 Interest in the Dikanka stories by Russian and Ukrainian composers.... 64 Life as play-acting and discontent - the background to Gogol............ 67 The significance of Gogol’s Ukraine....................................................72 Evenings Near the Village ofDikanka.................................................75 Rimsky-Korsakov and Gogol...............................................................79 Characterisations and interpretations....................................................85 Pan Voyevoda and the Polish uprisings................................................89 Why highlight controversial tsarist policies?....................................... 95
viii Table of Contents Chapter 4.................................................................................................... 98 Rimsky-Korsakov questions Orthodoxy as a definition in Official Nationality’ Pagan and Christian influences........................................................... 102 The Orthodox Church and pagan traditions...................................... 104 The Orthodox Church and the skomorokhi....................................... 107 The skomorokhi in Rimsky-Korsakov’soperas................................... 109 Influences on Rimsky-Korsakov’s viewsof Orthodoxy.................... 115 Church chant in Rimsky-Korsakov’s seasonal operas and Sadko..... 120 Rimsky-Korsakov and his relationship with the Old Believers........ 128 The Legend of the Invisible City ofKitezh and the Maiden Fevronia...................................................................................... 133 Rimsky-Korsakov questions Russian Orthodoxy’.............................138 Chapter 5.................................................................................................. 139 Criticism of Tsar Nicholas II - from Sadko to The Golden Cockerel The politics of performance and the Imperial Theatre Monopoly....142 Theatre access for the many rather than the few............................... 145 The reluctant tsar................................................................................ 147 Concern over the attitude of Nicholas II.............................................149 The significance of the Old Believer’ merchants and Moscow....... 151 Rimsky-
Korsakov and Mamontov - the doors open at last.............. 154 Kashchei the Immortal - political and student unrest........................ 159 Rimsky-Korsakov turns to the radical writers for support..................169 Pushkin - the most damning criticism of the tsar...............................172 Summary............................................................................................. 182 Chapter 6.................................................................................................. 184 Rimsky-Korsakov’s legacy and his contribution to a Russian national identity Phases in the life and works of Rimsky-Korsakov.............................184 Autocracy criticised............................................................................188 Russian society and religion ֊ views on orthodoxy............................190 Rimsky-Korsakov’s concept of nationality.........................................193 List of Illustrations................................................................................... 199 Additional Notes...................................................................................... 201 Bibliography 202
The Political in Rimsky-Korsakov’s Operas ix Appendix 1...............................................................................................216 People mentioned in the text Appendix 2...............................................................................................241 Operas seen by Rimsky-Korsakov during his studies at the Cadet School Appendix 3...............................................................................................245 Imperial Manifesto concerning Poland Appendix 4...............................................................................................247 Operas performed at Mamontov’s Private Opera, 1885-1909, showing librettist and Abramtsevo artists involved Appendix 5...............................................................................................249 Performances of Rimsky-Korsakov Operas at the Mariinsky Theatre 1903-06 Appendix 6...............................................................................................250 Alexander Pushkin poems: The Prophet and The Upas Tree Appendix 7........................................................................................ Premières of Rimsky-Korsakov’s operas in St. Petersburg, Moscow and abroad 253
|
| any_adam_object | 1 |
| author | Nelson, John |
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| building | Verbundindex |
| bvnumber | BV047886706 |
| classification_rvk | LP 65390 |
| ctrlnum | (OCoLC)1314902062 (DE-599)BVBBV047886706 |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV047886706 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:31:21Z |
| institution | BVB |
| isbn | 9781527577732 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033268908 |
| oclc_num | 1314902062 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xii, 254 Seiten Illustrationen, Notenbeispiele |
| psigel | BSB_NED_20220428 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cambridge Scholars Publishers |
| record_format | marc |
| spellingShingle | Nelson, John The political in Rimsky-Korsakov's operas Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Oper (DE-588)4043582-9 gnd Politik Motiv (DE-588)4202544-8 gnd |
| subject_GND | (DE-588)118601067 (DE-588)4043582-9 (DE-588)4202544-8 |
| title | The political in Rimsky-Korsakov's operas |
| title_auth | The political in Rimsky-Korsakov's operas |
| title_exact_search | The political in Rimsky-Korsakov's operas |
| title_full | The political in Rimsky-Korsakov's operas by John Nelson |
| title_fullStr | The political in Rimsky-Korsakov's operas by John Nelson |
| title_full_unstemmed | The political in Rimsky-Korsakov's operas by John Nelson |
| title_short | The political in Rimsky-Korsakov's operas |
| title_sort | the political in rimsky korsakov s operas |
| topic | Rimskij-Korsakov, Nikolaj 1844-1908 (DE-588)118601067 gnd Oper (DE-588)4043582-9 gnd Politik Motiv (DE-588)4202544-8 gnd |
| topic_facet | Rimskij-Korsakov, Nikolaj 1844-1908 Oper Politik Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033268908&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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