Verfügbarkeit: "Padron mio colendissimo ..." | Technische Universität München

"Padron mio colendissimo ...": letters about music and the stage in the 18th century

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Bibliographische Detailangaben
Körperschaft:	Colóquio internacional "Padron mio colendissimo ...": Cartas Sobre a Música e o Espectáculo no Século XVIII Queluz (VerfasserIn)
Weitere beteiligte Personen:	Yordanova, Iskrena (HerausgeberIn), Fernandes, Cristina 20./21. Jh (HerausgeberIn)
Format:	Tagungsbericht Buch
Sprache:	Englisch
Veröffentlicht:	Wien Hollitzer [2021]
Schriftenreihe:	Specula Spectacula 13 Cadernos de Queluz 4
Schlagwörter:	Geschichte 1700-1800 Aufführung Theaterproduktion Musikproduktion Aufklärung Brief Europa Cadernos de Queluz Iskrena Yordanova Cristina Fernandes epistolary exchanges Europe Konferenzschrift > Palacio nacionalde Queluz > 29.06.2018-01.07.2018 > Queluz
Links:	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033263364&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	XII, 804 Seiten Illustrationen 24.5 cm x 17.5 cm
ISBN:	9783990129555 3990129554

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Datensatz im Suchindex

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adam_text	CONTENTS XI Introduction Iskrena Yordanova — Cristina Fernandes 1 Lettere dal passato: testimoni poco attendibili e tuttavia insostituibili Raffaele Mellace PART I THE LETTERS OF PIETRO METASTASIO 17 I codici e il racconto: per l’edizione dell’epistolario di Metastasio Alberto Beniscelli 35 Esercizi di stile: le lettere del giovane Metastasio da Napoli Francesco Cotticelli — Paologiovanni Maione PART II THE IMPERIAL COURT IN VIENNA AND ROME 57 «...un sommo profitto sotto la direzione del nostro Signor Bononcini»: Giovanni Bononcini e la serenata Sacrificio a Venere (Roma, 1714) Federico Lanzellotti 135 Fra editi-inediti del carteggio Durazzo—Favart: scenografi parigini a Vienna per gli spettacoli del 1760 Armando Fabio Ivaldi PART III LISBON 187 La politica del teatro e il teatro della politica: le lettere del Nunzio apostolico e altri carteggi sulla musica a Lisbona (1742—1755) Giuseppina Raggi 239 Um espectáculo preso por um fio José Camões PART IV CENTRAL ITALY 255 «Questo è l’unico mio divertimento»: notizie musicali da Roma, Napoli, Milano e Venezia nelle lettere del Conte Francesco Maria Zambeccari (1701-1744) Sergio Monferrini 319 Patrimoni, matrimoni e tresche di virtuose, cantanti, canterine e figlie da camera attraverso le lettere di supplica ai loro Serenissimi Padroni Valentina Anzani 347 Epistolary Triangles between Bologna and Madrid: Bernacchi, Farinelli, Raaff, and Martini’s Storia della musica Elisabetta Pasquini 371 Teatro a Bologna tra villeggiatura e accademie: questioni di prassi scenica dai carteggi di Francesco Albergati Capacelli Elena Zilotti 389 II carteggio di Violante di Baviera come fonte di studio dello spettacolo italiano ed europeo del primo Settecento Leonardo Spinelli PART V NAPLES 405 La «corrispondenza» dei Conservatori Napoletani nel XVIII secolo Marta Columbro — Chiara Macor 431 Notizie su strumenti musicali a Napoli da epistolari della seconda metà del Settecento Francesco Nocerino PART VI VENICE AND SPLIT 451 «Lettera a Noi»: Su alcuni casi di lettere-recensioni nella Gazzetta Urbana Veneta del 1789 Lorenzo Mattei — Giovanni Polin 481 The European Enlightenment Spirit in the Correspondence of the Croatian polyhistor and composer Julije Bajamonti Ivana Tomič Ferió 519 «.. .dove sono le belle melodie de’ nostri antichi.. pratiche musicali ed estetica ancien regime nei carteggi di Giovanni Battista Perucchini Maria Rosa De Luca ֊ Carlida Steffan PART VII NORTHERN ITALY 539 Appalti, subappalti, suppliche e divieti: scorci di vita concreta al Regio Ducal Teatro di Milano Alessandra Mignatti 585 Riflessi del teatro d’opera nel carteggio dei fratelli Pietro e Alessandro Verri Cesare Fertonani 599 Sull’utilità della musica nella «Moderna educazione» (1771) Paola Besutti 635 Organi «spiritosi» nel secondo Settecento sabaudo, tra scrittura cembalo-organistica, musica sacra e trattatistica musicale Paolo Cavallo 655 Chronicles of two Piedmontese in Paris: The stage designer Ignazio Degotti and the composer Gian Battista Viotti Elisa Cazzato PART VIII HAMBURG 707 The repertoire of the Hamburg Theater in the letters of Friedrich Ludwig Schröder to Friedrich Wilhelm Gotter Sonia Bellavia PART IX BETWEEN THE OLD AND THE NEW WORLD 721 Cartas sobre teatro para um salão literário setecentista Marta Brites Rosa 737 The Letters ofJoseph Quesnel and the Creation of the First Canadian Opera Kurt Sven Markstrom APPENDIX 767 INDEX OF PERSONS 799 LIST OF ILLUSTRATIONS
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title	"Padron mio colendissimo ..." letters about music and the stage in the 18th century
title_auth	"Padron mio colendissimo ..." letters about music and the stage in the 18th century
title_exact_search	"Padron mio colendissimo ..." letters about music and the stage in the 18th century
title_full	"Padron mio colendissimo ..." letters about music and the stage in the 18th century edited by Iskrena Yordanova, Cristina Fernandes
title_fullStr	"Padron mio colendissimo ..." letters about music and the stage in the 18th century edited by Iskrena Yordanova, Cristina Fernandes
title_full_unstemmed	"Padron mio colendissimo ..." letters about music and the stage in the 18th century edited by Iskrena Yordanova, Cristina Fernandes
title_short	"Padron mio colendissimo ..."
title_sort	padron mio colendissimo letters about music and the stage in the 18th century
title_sub	letters about music and the stage in the 18th century
topic	Aufführung (DE-588)4143388-9 gnd Theaterproduktion (DE-588)4261186-6 gnd Musikproduktion (DE-588)4235850-4 gnd Aufklärung (DE-588)4003524-4 gnd Brief (DE-588)4008240-4 gnd
topic_facet	Aufführung Theaterproduktion Musikproduktion Aufklärung Brief Europa Konferenzschrift Palacio nacionalde Queluz 29.06.2018-01.07.2018 Queluz
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