Brokeback Mountain:
GBS_insertPreviewButtonPopup('ISBN:9780748633838);Upon its release in 2005, Brokeback Mountain became a major cultural event and a milestone in independent American filmmaking. Based on the short story by Annie Proulx and directed by Ang Lee, Brokeback Mountain situated a love story between two...
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
Schriftenreihe: | American Indies : AMIN
|
Schlagwörter: | |
Links: | https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 https://doi.org/10.1515/9780748633845 |
Zusammenfassung: | GBS_insertPreviewButtonPopup('ISBN:9780748633838);Upon its release in 2005, Brokeback Mountain became a major cultural event and a milestone in independent American filmmaking. Based on the short story by Annie Proulx and directed by Ang Lee, Brokeback Mountain situated a love story between two closeted cowboys at the heart of American mythology, film spectatorship and genre. Brokeback Mountain offered an independent and queer revision of the conventions and clichés of the western and the melodrama through a studied exploration of homophobia and the closet. This book examines Brokeback Mountain in relation to indie cinema, genre, spectatorship, editing, and homosexuality. In doing so it brings film studies and queer theory into dialogue with one another and explains the importance of Brokeback Mountain as both a contemporary independent and queer film.Key FeaturesProvides an overview of Focus Features as a hybrid company operating across both the mainstream and independent cinema sectors.Analyses Brokeback Mountain as a Western and places it within an enduring historical and cultural context of relations between homosexuality and the genre.Analyses Brokeback Mountain as a melodrama examining the film's relationship to concepts of pathos, backward feeling and passivity.Proposes a new way of thinking about gay spectatorship that takes into account how editing and cruising relate to one another. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
Umfang: | 1 Online-Ressource (152 pages) 11 B/W illustrations |
ISBN: | 9780748633845 |
DOI: | 10.1515/9780748633845 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV047868822 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 220308s2022 xx a||| o|||| 00||| eng d | ||
020 | |a 9780748633845 |9 978-0-7486-3384-5 | ||
024 | 7 | |a 10.1515/9780748633845 |2 doi | |
035 | |a (ZDB-23-DGG)9780748633845 | ||
035 | |a (OCoLC)1304480250 | ||
035 | |a (DE-599)BVBBV047868822 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 791 |2 22 | |
100 | 1 | |a Needham, Gary |e Verfasser |4 aut | |
245 | 1 | 0 | |a Brokeback Mountain |c Gary Needham |
264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
264 | 4 | |c © 2010 | |
300 | |a 1 Online-Ressource (152 pages) |b 11 B/W illustrations | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a American Indies : AMIN | |
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) | ||
520 | |a GBS_insertPreviewButtonPopup('ISBN:9780748633838);Upon its release in 2005, Brokeback Mountain became a major cultural event and a milestone in independent American filmmaking. Based on the short story by Annie Proulx and directed by Ang Lee, Brokeback Mountain situated a love story between two closeted cowboys at the heart of American mythology, film spectatorship and genre. Brokeback Mountain offered an independent and queer revision of the conventions and clichés of the western and the melodrama through a studied exploration of homophobia and the closet. This book examines Brokeback Mountain in relation to indie cinema, genre, spectatorship, editing, and homosexuality. In doing so it brings film studies and queer theory into dialogue with one another and explains the importance of Brokeback Mountain as both a contemporary independent and queer film.Key FeaturesProvides an overview of Focus Features as a hybrid company operating across both the mainstream and independent cinema sectors.Analyses Brokeback Mountain as a Western and places it within an enduring historical and cultural context of relations between homosexuality and the genre.Analyses Brokeback Mountain as a melodrama examining the film's relationship to concepts of pathos, backward feeling and passivity.Proposes a new way of thinking about gay spectatorship that takes into account how editing and cruising relate to one another. | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
650 | 4 | |a Homosexuality in motion pictures | |
650 | 4 | |a Western films |x History and criticism | |
650 | 4 | |a Western films | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780748633845 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033251315 | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780748633845 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1824423698081251328 |
---|---|
adam_text | |
any_adam_object | |
author | Needham, Gary |
author_facet | Needham, Gary |
author_role | aut |
author_sort | Needham, Gary |
author_variant | g n gn |
building | Verbundindex |
bvnumber | BV047868822 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780748633845 (OCoLC)1304480250 (DE-599)BVBBV047868822 |
dewey-full | 791 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791 |
dewey-search | 791 |
dewey-sort | 3791 |
dewey-tens | 790 - Recreational and performing arts |
doi_str_mv | 10.1515/9780748633845 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV047868822</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220308s2022 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780748633845</subfield><subfield code="9">978-0-7486-3384-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780748633845</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780748633845</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1304480250</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047868822</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Needham, Gary</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Brokeback Mountain</subfield><subfield code="c">Gary Needham</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (152 pages)</subfield><subfield code="b">11 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">American Indies : AMIN</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">GBS_insertPreviewButtonPopup('ISBN:9780748633838);Upon its release in 2005, Brokeback Mountain became a major cultural event and a milestone in independent American filmmaking. Based on the short story by Annie Proulx and directed by Ang Lee, Brokeback Mountain situated a love story between two closeted cowboys at the heart of American mythology, film spectatorship and genre. Brokeback Mountain offered an independent and queer revision of the conventions and clichés of the western and the melodrama through a studied exploration of homophobia and the closet. This book examines Brokeback Mountain in relation to indie cinema, genre, spectatorship, editing, and homosexuality. In doing so it brings film studies and queer theory into dialogue with one another and explains the importance of Brokeback Mountain as both a contemporary independent and queer film.Key FeaturesProvides an overview of Focus Features as a hybrid company operating across both the mainstream and independent cinema sectors.Analyses Brokeback Mountain as a Western and places it within an enduring historical and cultural context of relations between homosexuality and the genre.Analyses Brokeback Mountain as a melodrama examining the film's relationship to concepts of pathos, backward feeling and passivity.Proposes a new way of thinking about gay spectatorship that takes into account how editing and cruising relate to one another.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Homosexuality in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Western films</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Western films</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033251315</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780748633845</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047868822 |
illustrated | Illustrated |
indexdate | 2025-02-18T19:13:43Z |
institution | BVB |
isbn | 9780748633845 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033251315 |
oclc_num | 1304480250 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 Online-Ressource (152 pages) 11 B/W illustrations |
psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
series2 | American Indies : AMIN |
spelling | Needham, Gary Verfasser aut Brokeback Mountain Gary Needham Edinburgh Edinburgh University Press [2022] © 2010 1 Online-Ressource (152 pages) 11 B/W illustrations txt rdacontent c rdamedia cr rdacarrier American Indies : AMIN Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) GBS_insertPreviewButtonPopup('ISBN:9780748633838);Upon its release in 2005, Brokeback Mountain became a major cultural event and a milestone in independent American filmmaking. Based on the short story by Annie Proulx and directed by Ang Lee, Brokeback Mountain situated a love story between two closeted cowboys at the heart of American mythology, film spectatorship and genre. Brokeback Mountain offered an independent and queer revision of the conventions and clichés of the western and the melodrama through a studied exploration of homophobia and the closet. This book examines Brokeback Mountain in relation to indie cinema, genre, spectatorship, editing, and homosexuality. In doing so it brings film studies and queer theory into dialogue with one another and explains the importance of Brokeback Mountain as both a contemporary independent and queer film.Key FeaturesProvides an overview of Focus Features as a hybrid company operating across both the mainstream and independent cinema sectors.Analyses Brokeback Mountain as a Western and places it within an enduring historical and cultural context of relations between homosexuality and the genre.Analyses Brokeback Mountain as a melodrama examining the film's relationship to concepts of pathos, backward feeling and passivity.Proposes a new way of thinking about gay spectatorship that takes into account how editing and cruising relate to one another. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Western films History and criticism Western films https://doi.org/10.1515/9780748633845 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Needham, Gary Brokeback Mountain Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Western films History and criticism Western films |
title | Brokeback Mountain |
title_auth | Brokeback Mountain |
title_exact_search | Brokeback Mountain |
title_full | Brokeback Mountain Gary Needham |
title_fullStr | Brokeback Mountain Gary Needham |
title_full_unstemmed | Brokeback Mountain Gary Needham |
title_short | Brokeback Mountain |
title_sort | brokeback mountain |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Homosexuality in motion pictures Western films History and criticism Western films |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Homosexuality in motion pictures Western films History and criticism Western films |
url | https://doi.org/10.1515/9780748633845 |
work_keys_str_mv | AT needhamgary brokebackmountain |