The selling sound: the rise of the country music industry
Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercial...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
2007
|
| Series: | Refiguring American music
|
| Subjects: | |
| Summary: | Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975 |
| Item Description: | Includes bibliographical references (p. [273]-286) and index. - Description based on print version record |
| Physical Description: | 1 Online-Ressource (x, 294 Seiten) ill |
| ISBN: | 9780822390305 0822390302 |
Staff View
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| id | DE-604.BV047850643 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:30:09Z |
| institution | BVB |
| isbn | 9780822390305 0822390302 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033233478 |
| oclc_num | 1302320098 |
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| physical | 1 Online-Ressource (x, 294 Seiten) ill |
| psigel | ZDB-198-DUP |
| publishDate | 2007 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Refiguring American music |
| spelling | Pecknold, Diane Verfasser aut The selling sound the rise of the country music industry Diane Pecknold Durham Duke University Press 2007 1 Online-Ressource (x, 294 Seiten) ill txt rdacontent c rdamedia cr rdacarrier Refiguring American music Includes bibliographical references (p. [273]-286) and index. - Description based on print version record Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975 Country music / History and criticism Music trade / United States Country music / Social aspects |
| spellingShingle | Pecknold, Diane The selling sound the rise of the country music industry Country music / History and criticism Music trade / United States Country music / Social aspects |
| title | The selling sound the rise of the country music industry |
| title_auth | The selling sound the rise of the country music industry |
| title_exact_search | The selling sound the rise of the country music industry |
| title_full | The selling sound the rise of the country music industry Diane Pecknold |
| title_fullStr | The selling sound the rise of the country music industry Diane Pecknold |
| title_full_unstemmed | The selling sound the rise of the country music industry Diane Pecknold |
| title_short | The selling sound |
| title_sort | the selling sound the rise of the country music industry |
| title_sub | the rise of the country music industry |
| topic | Country music / History and criticism Music trade / United States Country music / Social aspects |
| topic_facet | Country music / History and criticism Music trade / United States Country music / Social aspects |
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