The selling sound: the rise of the country music industry
Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercial...
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Durham
Duke University Press
2007
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Schriftenreihe: | Refiguring American music
|
Schlagwörter: | |
Zusammenfassung: | Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975 |
Beschreibung: | Includes bibliographical references (p. [273]-286) and index. - Description based on print version record |
Umfang: | 1 Online-Ressource (x, 294 Seiten) ill |
ISBN: | 9780822390305 0822390302 |
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650 | 4 | |a Country music / History and criticism | |
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id | DE-604.BV047850643 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:30:09Z |
institution | BVB |
isbn | 9780822390305 0822390302 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033233478 |
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physical | 1 Online-Ressource (x, 294 Seiten) ill |
psigel | ZDB-198-DUP |
publishDate | 2007 |
publishDateSearch | 2008 |
publishDateSort | 2008 |
publisher | Duke University Press |
record_format | marc |
series2 | Refiguring American music |
spelling | Pecknold, Diane Verfasser aut The selling sound the rise of the country music industry Diane Pecknold Durham Duke University Press 2007 1 Online-Ressource (x, 294 Seiten) ill txt rdacontent c rdamedia cr rdacarrier Refiguring American music Includes bibliographical references (p. [273]-286) and index. - Description based on print version record Commercialism and the cultural value of country music, 1920-1947 -- Country music becomes mass culture, 1940-1958 -- Country audiences and the politics of mass culture, 1947-1960 -- Masses to classes : the Country Music Association and the development of country format radio, 1958-1972 -- Commercialism and tradition, 1958-1970 -- Silent majorities : the country audience as commodity, constituency, and metaphor, 1961-1975 Country music / History and criticism Music trade / United States Country music / Social aspects |
spellingShingle | Pecknold, Diane The selling sound the rise of the country music industry Country music / History and criticism Music trade / United States Country music / Social aspects |
title | The selling sound the rise of the country music industry |
title_auth | The selling sound the rise of the country music industry |
title_exact_search | The selling sound the rise of the country music industry |
title_full | The selling sound the rise of the country music industry Diane Pecknold |
title_fullStr | The selling sound the rise of the country music industry Diane Pecknold |
title_full_unstemmed | The selling sound the rise of the country music industry Diane Pecknold |
title_short | The selling sound |
title_sort | the selling sound the rise of the country music industry |
title_sub | the rise of the country music industry |
topic | Country music / History and criticism Music trade / United States Country music / Social aspects |
topic_facet | Country music / History and criticism Music trade / United States Country music / Social aspects |
work_keys_str_mv | AT pecknolddiane thesellingsoundtheriseofthecountrymusicindustry |