East Asian-German cinema: the transnational screen, 1919 to the present
Gespeichert in:
Bibliographische Detailangaben
Beteilige Person: Cho, Joanne Miyang 1959- (VerfasserIn, HerausgeberIn)
Format: Buch
Sprache:Englisch
Veröffentlicht: New York ; London Routledge, Taylor & Francis Group 2022
Schriftenreihe:Routledge studies in cultural history 114
Schlagwörter:
Links:http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033202138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Abstract:"This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations' cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children's literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres-feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions"
Umfang:xiii, 309 Seiten Illustrationen 24 cm
ISBN:9780367743772
9780367743789