Horn, or the counterside of media:

"Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dalí to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces."--

Gespeichert in:
Bibliographische Detailangaben
Beteilige Person: Schmidgen, Henning 1965- (VerfasserIn)
Weitere beteiligte Personen: Schott, Nils F. ca. 20./21. Jh (ÜbersetzerIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: Durham Duke University Press 2022
Schriftenreihe:Sign, storage, transmission
Schlagwörter:
Links:http://doi.org/10.1215/9781478022343?locatt=mode:legacy
http://doi.org/10.1215/9781478022343?locatt=mode:legacy
https://doi.org/10.1515/9781478022343
http://doi.org/10.1215/9781478022343
Zusammenfassung:"Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dalí to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces."--
Beschreibung:Includes bibliographical references and index
The Captured Unicorn -- Impressions of Modernity -- Rhinoceros Cybernetics -- A Surface Medium par Excellence -- Horn and Time
Umfang:1 Online-Ressource (viii, 308 Seiten) Illustrationen
ISBN:9781478022343
1478022345
DOI:10.1215/9781478022343