OutKast reader: essays on race, gender, and the postmodern south
Gespeichert in:
| Weitere beteiligte Personen: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Athens, Georgia
University of Georgia Press
2021
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| Schriftenreihe: | Music of the American South
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033048056&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post–civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles’s "Formation" nor Joss Whedon’s sci-fi /western mashup Firefly could exist without OutKast’s collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group’s aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who’s who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown." -- |
| Umfang: | 268 Seiten Illustrationen 23 cm |
| ISBN: | 9780820360133 9780820360157 |
Internformat
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| 520 | 3 | |a "OutKast, the Atlanta-based hip-hop duo formed in 1992, is one of the most influential musical groups within American popular culture of the past twenty-five years. Through Grammy-winning albums, music videos, feature films, theatrical performances, and fashion, André "André 3000" Benjamin and Antwan "Big Boi" Patton have articulated a vision of postmodern, post–civil rights southern identity that combines the roots of funk, psychedelia, haute couture, R&B, faith and spirituality, and Afrofuturism into a style all its own. This postmodern southern aesthetic, largely promulgated and disseminated by OutKast and its collaborators, is now so prevalent in mainstream American culture (neither Beyoncé Knowles’s "Formation" nor Joss Whedon’s sci-fi /western mashup Firefly could exist without OutKast’s collage aesthetic) that we rarely consider how challenging and experimental it actually is to create a new southern aesthetic. An OutKast Reader, then, takes the group’s aesthetic as a lens through which readers can understand and explore contemporary issues of Blackness, gender, urbanism, southern aesthetics, and southern studies more generally. Divided into sections on regional influences, gender, and visuality, the essays collectively offer a vision of OutKast as a key shaper of conceptions of the twenty-first-century South, expanding that vision beyond long-held archetypes and cultural signifiers. The volume includes a who’s who of hip-hop studies and African American studies scholarship, including Charlie Braxton, Susana M. Morris, Howard Ramsby II, Reynaldo Anderson, and Ruth Nicole Brown." -- | |
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Datensatz im Suchindex
| _version_ | 1819283693824376832 |
|---|---|
| adam_text | Contents Acknowledgments vii Introduction. Stank of a Freedomland: OutKast Reckons with the Black New South і SECTION ! І» Tracing OutKast’s Southern Roots “Power Music Electric Revival”: Contemplating OutKast’s Southern Reconstruction and Its Impact on Black Music and the American Pop Mainstream Fredam Mareva Hadley 17 Andre’s Dread: Communicating Survival of Racial Terror Michelle S. Hite 37 SouthernplayalistiCADILLACmuzik: OutKast and the Automobility of the Post-Civil Rights South Langston C. Wilkins 51 ATLiens: OutKast and the Saliency of Place for Black Male Identity Rashawn Ray, SunAh M. Laybourn, and Melissa Brown 63 SouthernQueeralisticadillacMuzik: André 3000 and Big Bois Lyrical and Aesthetical Queering of Black Southern Masculinity Kaila Story tj Bringing the Church Back to Your Feet: Affirmations of Faith, Religion, and Community in the Music of OutKast Birgitta J. Johnson 89 When ATLiens Boarded tha Muthaship: Funk’s Influence on OutKast Charlie R. Braxton 114
Section II ► OutKasťs Country-Fried Futurities Stanklove: Hearing OutKasťs Afrofuturist Erotics James Edward Ford III 131 Stories from the Dungeon: OutKast, Future, and the Afrofuturistic Lineage of Organized Noize Clint Fluker and Reynaldo Anderson 146 Idlewild: Afrofuturism and the Hip-Hop Musical in the Twenty-First Century Susana M. Morris 160 Section III ► Tracing OutKasťs Lasting Legacy A Jazzy Belle ReTell: Betrayals of Black Girlhood, Method, and Southernness Jessica L. Robinson, Ruth Nicole Brown, Porshé R. Garner, and Blair E. Smith 177 Two Dope Boyz in a Visual World Tiffany E. Barber 192 Humble Mumble: Text Mining OutKast Kenton Rambsy and Howard Rambsy II 202 In the Forever Eva: An Artist Visualizes OutKasťs Southern Hip-Hop Utopia Stacey Robinson 214 Blurring Era and Aesthetic in OutKasťs Film and Video Imagery: A Conversation with Bryan Barber Joycelyn Wilson 225 Idlewild: Spatial Narratives and Noir Akil Houston 238 Outro. Preserving OutKasťs Legacy at the National Museum of African American History and Culture Timothy Anne Burnside 247 Contributors Index 257 251
|
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| id | DE-604.BV047663279 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:25:36Z |
| institution | BVB |
| isbn | 9780820360133 9780820360157 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033048056 |
| oclc_num | 1302316845 |
| open_access_boolean | |
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| owner_facet | DE-12 |
| physical | 268 Seiten Illustrationen 23 cm |
| psigel | BSB_NED_20220308 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | University of Georgia Press |
| record_format | marc |
| series2 | Music of the American South |
| spellingShingle | OutKast reader essays on race, gender, and the postmodern south OutKast Musikgruppe (DE-588)5518515-0 gnd |
| subject_GND | (DE-588)5518515-0 |
| title | OutKast reader essays on race, gender, and the postmodern south |
| title_auth | OutKast reader essays on race, gender, and the postmodern south |
| title_exact_search | OutKast reader essays on race, gender, and the postmodern south |
| title_full | OutKast reader essays on race, gender, and the postmodern south Regina N. Bradley, editor |
| title_fullStr | OutKast reader essays on race, gender, and the postmodern south Regina N. Bradley, editor |
| title_full_unstemmed | OutKast reader essays on race, gender, and the postmodern south Regina N. Bradley, editor |
| title_short | OutKast reader |
| title_sort | outkast reader essays on race gender and the postmodern south |
| title_sub | essays on race, gender, and the postmodern south |
| topic | OutKast Musikgruppe (DE-588)5518515-0 gnd |
| topic_facet | OutKast Musikgruppe |
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