Feel-bad postfeminism: impasse, resilience and female subjectivity in popular culture
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Schriftenreihe: | Library of gender and popular culture
|
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections |
| Abstract: | "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott’s analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls’ and women’s culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism." |
| Umfang: | 1 Online-Ressource (xiii, 255 Seiten) Illustrationen |
| ISBN: | 9781350225015 9781350225008 9781350224995 |
| DOI: | 10.5040/9781350225015 |
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| 520 | 3 | |a "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott’s analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls’ and women’s culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism." | |
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Datensatz im Suchindex
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| isbn | 9781350225015 9781350225008 9781350224995 |
| language | English |
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| spelling | McDermott, Catherine Verfasser (DE-588)1254633774 aut Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 1 Online-Ressource (xiii, 255 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Library of gender and popular culture "In Feel-Bad Postfeminism, Catherine McDermott provides crucial insight into what growing up during empowerment postfeminism feels like, and outlines the continuing postfeminist legacy of resilience in girlhood coming-of-age narratives. McDermott’s analysis of Gone Girl (2012), Girls (2012-2017) and Appropriate Behaviour (2012) illuminates a major cultural turn in which the pleasures of postfeminist empowerment curdle into a profound sense of rage and resentment. By contrast, close examination of The Hunger Games (2008-2010), Girlhood (2014) and Catch Me Daddy (2014) reveals that contemporary genres are increasingly constructing girls as uniquely capable of resiliently overcoming and adapting to unforgiving social conditions. She develops an affective vocabulary to better understand contemporary modes of defiant, transformative and relational resilience, as well as a framework through which to expand on further modes that are specific to the genres they emerge within. Overall, the book suggests that exploration of the affective dimensions of girls’ and women’s culture can offer new insights into how coming-of-age, girlhood and femininity are culturally produced in the aftermath of postfeminism." Massenkultur (DE-588)4125858-7 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf Feminist theory Popular culture Sex role Mass media and women Popular Culture Théorie féministe Culture populaire Rôle selon le sexe Médias et femmes popular culture sex role Feminismus (DE-588)4222126-2 s Massenkultur (DE-588)4125858-7 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-22498-8 https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McDermott, Catherine Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Massenkultur (DE-588)4125858-7 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4125858-7 (DE-588)4222126-2 |
| title | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_auth | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_exact_search | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture |
| title_full | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_fullStr | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_full_unstemmed | Feel-bad postfeminism impasse, resilience and female subjectivity in popular culture Catherine McDermott |
| title_short | Feel-bad postfeminism |
| title_sort | feel bad postfeminism impasse resilience and female subjectivity in popular culture |
| title_sub | impasse, resilience and female subjectivity in popular culture |
| topic | Massenkultur (DE-588)4125858-7 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | Massenkultur Feminismus |
| url | https://doi.org/10.5040/9781350225015?locatt=label:secondary_bloomsburyCollections |
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