The lure of the image: epistemic fantasies of the moving camera
The Lure of the Image shows how camera movement, long a neglected topic of study, poses challenges for key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Oakland, California
University of California Press
[2021]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1525/9780520975446?locatt=mode:legacy https://doi.org/10.1525/9780520975446 |
| Zusammenfassung: | The Lure of the Image shows how camera movement, long a neglected topic of study, poses challenges for key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera-and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image both exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style |
| Umfang: | 1 Online-Ressource (xii, 290 Seiten) Illustrationen |
| ISBN: | 9780520975446 |
| DOI: | 10.1525/9780520975446 |
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| isbn | 9780520975446 |
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| spelling | Morgan, Daniel 1977- Verfasser (DE-588)1031598634 aut The lure of the image epistemic fantasies of the moving camera Daniel Morgan Oakland, California University of California Press [2021] 1 Online-Ressource (xii, 290 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The Lure of the Image shows how camera movement, long a neglected topic of study, poses challenges for key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera-and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image both exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style Geschichte gnd rswk-swf PERFORMING ARTS / Film & Video / History & Criticism / bisacsh Cinematography Motion pictures Aesthetics Motion pictures Production and direction Film (DE-588)4017102-4 gnd rswk-swf Filmkamera (DE-588)4154362-2 gnd rswk-swf Film (DE-588)4017102-4 s Filmkamera (DE-588)4154362-2 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-520-34425-9 Erscheint auch als Druck-Ausgabe, Paperback 978-0-520-34427-3 https://doi.org/10.1525/9780520975446 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morgan, Daniel 1977- The lure of the image epistemic fantasies of the moving camera PERFORMING ARTS / Film & Video / History & Criticism / bisacsh Cinematography Motion pictures Aesthetics Motion pictures Production and direction Film (DE-588)4017102-4 gnd Filmkamera (DE-588)4154362-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4154362-2 |
| title | The lure of the image epistemic fantasies of the moving camera |
| title_auth | The lure of the image epistemic fantasies of the moving camera |
| title_exact_search | The lure of the image epistemic fantasies of the moving camera |
| title_full | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
| title_fullStr | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
| title_full_unstemmed | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
| title_short | The lure of the image |
| title_sort | the lure of the image epistemic fantasies of the moving camera |
| title_sub | epistemic fantasies of the moving camera |
| topic | PERFORMING ARTS / Film & Video / History & Criticism / bisacsh Cinematography Motion pictures Aesthetics Motion pictures Production and direction Film (DE-588)4017102-4 gnd Filmkamera (DE-588)4154362-2 gnd |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism / bisacsh Cinematography Motion pictures Aesthetics Motion pictures Production and direction Film Filmkamera |
| url | https://doi.org/10.1525/9780520975446 |
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