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The Soul of a nation reader: writings by and about Black American artists, 1960-1980

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Bibliographische Detailangaben
Weitere beteiligte Personen:	Godfrey, Mark 19XX- (HerausgeberIn), Biswas, Allie (HerausgeberIn)
Format:	Buch
Sprache:	Englisch
Veröffentlicht:	New York, NY Gregory R. Miller & Co. 2021
Schlagwörter:	Geschichte 1960-1980 Künstler Person of Color Black power Schwarze Kunstsoziologie USA African American art / 20th century African American artists / History / 20th century Art and society / United States / History / 20th century Black power / United States / History / 20th century Black Arts movement Arts / Political aspects / United States African American art African American artists Art and society Arts ; Political aspects Art criticism Essays History United States Aufsatzsammlung
Links:	http://swbplus.bsz-bw.de/bsz1764923049inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032935674&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Abstract:	"A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is "Black art"? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what "Black art" meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as "Black art" in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
Beschreibung:	Includes bibliographical references
Umfang:	627 Seiten Illustrationen 23 cm
ISBN:	9781941366325 1941366325

Internformat

MARC


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Datensatz im Suchindex

_version_	1819276913494982656
adam_text	CONTENTS NOTE TO THE READER FOREWORD INTRODUCTION THE READER 1959 1964 1965 1966 1967 1968 MARK GODFREY AND ALLIE BISWAS MARK GODFREY MARION PERKINS, PROBLEMS OF THE NEGRO ARTI S T CLEBERT FORD , BLACK NATIONALISM AND TH E ART S SPIRAL: FIRST GROUP SHOWING (WORKS IN BLACK AND WHITE) (UN S I G N D T A T M NT) LAWRENCE [LARRY] NEAL , THE BLACK R E VOLUTION IN ART: A C ONV E R A TI O N WITHJOE OVERSTREET JEANNE SIEGEL, WHY SPIRAL? NOAH PURIFOY, THE ART OF COMMUNICATION AS A CR E ATIV E A C T , A ND SIGNPOSTS THAT POINT THE WAY (UNSIGNED R E VIEW) ISHMAEL REED , THE BLACK ARTIST: CALLING A SPAD E A SPAD E RAYMOND SAUNDERS, BLACK IS A COLOR ORGANIZATION OF BLACK AMERICAN CULTURE (OBAC) , BLA C K H E RO S ; GWENDOLYN BROOKS, THE WALL ; AND DON L. LEE , TH E WALL WALL OF RESPECT (UNSIGNED ARTICLE IN EBONY) ROBERT NEWMAN, AMERICAN PEOPLE: FAITH RINGGOLD AT SP E CTRUM JAY JACOBS, TWO MRO-AMERICAN ARTISTS IN AN INTERVI E W WITH JAY JA CO B LARRY NEAL, THE BLACK ARTS MOVEMENT EVANGELINE J. MONTGOMERY, WHY NEW PERSPECTIVES IN BLACK ART? AND PAUL MILLS, UNTITLED TEXT, NEW PERSPECTIVES: BLACK ART EARL ROGER MANDLE, INTRODUCTION, 30 CONTEMPORARY BLACK ARTIST EMORY DOUGLAS, POSITION PAPER 1 ON REVOLUTIONARY ART EDWARD CL ARK, UN MUSEE POUR HARLEM RALPH ELLISON, INTRODUCTION, ROMARE BEARDEN: PAINTINGS AND PROJ EC TION 11 12 16 42 48 50 52 55 60 64 68 72 76 78 80 84 88 90 92 95 98 1969 1970 FREDERICK FISKE, REFLECTIONS FROM WITHIN-WITHOUT: THE BLACK ARTIST, 104 AND VICTORIA ROSENWALD , THE BLACK MURALS OF BOSTON JAMES T . STEWART , THE DEVELOPMENT OF THE BLACK REVOLUTIONARY ARTIST 111 ROMARE BEARDEN , SAM GILLIAM , RICHARD HUNT , JACOB LAWRENCE , TOM LLOYD , WILLIAM T. WILLIAMS , AND HALE WOODRUFF , THE BLACK ARTIST IN AM E RICA: A SYMPOSIUM 114 BENNY ANDREWS AND CLIFF JOSEPH FOR TH E BLACK EMERGENCY CULTURAL 134 C OALITION (BE C C) (UNTITLED STATEMENT) ROY WILKINS , PREFAC E, AND CARROLL GREENE , 1969: TWELVE AIRO-AMERICAN 136 AR TISTS IN P E RSPECTIVE , 1969 : TWELVE AIRO-AMERICAN ARTISTS FRANK BOWLING , DI S CUSSION ON BLACK ART , DISCUSSION ON BLACK ART-H , 139 AND BLACK ART ILL JAMES R. MELLOW , THE BLACK ARTIST, THE BLACK COMMUNITY , THE WHITE 148 ART WORLD DANA CHANDLER JR. , UNTITL E D TEXT , 12 BLA C K ARTISTS FROM BOSTON 151 LARRY NEAL , Y DAY NOW: BLACK ART AND BLACK LIBERATION 153 EISA HONIG FINE , THE MRO-AMERICAN ARTIST: A S E ARCH FOR ID E NTITY 160 AMEER [AMIRIJ BARAKA , THE BLACK AE S TH E TIC 162 ROY DECARAVA: THRU BLACK EYES (UNSIGN E D TEXT) 165 EDWARD K. TAYLOR , FOREWORD , AND JOE OVERSTREET, UNTITLED STATEMENT , 167 NEW BLACK ART I STS LAWRENCE ALLOWAY AND SAM HUNTER , INTRODUCTION ; FRANK BOWLING , 170 NOT ES FROM A WORK IN PROGR E SS ; AND WILLIAM T. WILLIAMS , JACK WHITTEN , MELVIN EDWARDS , AI LOVING , DANIEL LARUE JOHNSON , AND FRANK BOWLING , UNTITLED STATEMENTS , 5+1 FRANK BOWLING , :RO E OVERSTREET 174 SAMELLA S. LEWIS , INTRODUCTION ; RUTH G. WADDY , INTRODUCTION ; AND 176 GARY RICKSON , DAVID HAMMONS , JOHN OUTTERBRIDGE , BET YE SAAR , DANA CHANDLER , CLIFF JOSEPH , MARIE JOHNSON , DAVID BRADFORD, DAVID DRISKELL , PHILLIP MASON, SAMELLA LEWIS , AND ROBERT SENGSTACKE , UNTITLED STATEMENTS , BLACK ART I ST S ON ART CLAUDE BOOKER FOR THE BLACK ARTS COUNCIL (BAC), LETTER SOLICITING MEMBER S, 181 AND CHARLES WHITE , ART AND SOUL AND UNTITLED STATEMENT , WANTED POSTER SERIES AI LOVING, UNTITLED STATEMENT , AI LOVING 185 ROBERT NEWMAN , AM E RICA BLACK: FAITH RINGGO L D AT SP E CTRUM DEBBIE BUTTERFIELD , CONTEMPORARY BLACK ART , AND SAMELLA LEWIS , EPILOGUE , DIMENSIONS OF BLACK 187 189 1971 MELVIN EDWARDS , UNTITLED STATEMENT, AND WILLIAM T. WILLIAMS , W ILLIAM T. ON M . E., MEJVIN EDWARDS: WORK S A. D. COLEMAN , ROY DECARAVA: THRU BLACK EYES OBJECT: DIVERSITY (UNSIGNED ARTICLE IN TIM E) WAITER JONES , CRITIQUE TO BLACK ARTIST S CARROLL GREENE , PERSPECT IV E: THE BLACK ARTI S T IN AMERICA, AND BLACK ART: WHAT IS IT? (QUESTIONNAIRE) DORE ASHTON , INTRODUCTION , AND SMOKEHOUSE ASSOCIATES , MOK USING WALLS (OUTDOORS) AFRICOBRA 1: TEN IN SEARCH OF A NATION (UNSIGNED T AT M NT) BENNY ANDREWS , THE BLACK EMERG E N CY CULTURAL OA LITI ON EDMUND B. GAITHER , INTRODUCTION, AIRO - AM E RI CA N ARTI T : N W YORK AND BOSTON HILTON KRAMER , B LA CK ARTIST S SHOW ON VI W IN TON, TRYING TO DEFINE B L ACK ART : MUST WE GO BACK TO SO I A L R A LI M? AND BLACK ART AND EXPEDIENT POLITIC S ; BENNY ANDREWS , N UNDERSTANDING BLACK ART ; DOUGLAS DAVIS , WHAT I S BLACK ART? ; AND HENRI GHENT , BLACK CREATIVITY IN QUEST OF AN AUDIENCE MARGARET G. BURROUGHS , TO MAKE A PAINT E R BLA C K BAYARD RUSTIN, THE ROLE OF THE ARTIST IN TH E FREEDOM S TRU GG L , AND JACOB LAWRENCE , THE ARTIST R ESPO ND S LEGRACE G. BENSON , SAM GILLIAM: CERTAIN ATTITUD ES BARBARA ROSE , B L ACK ART IN AMERICA JOSEPH E. YOUNG , LOS ANGELES (INTERVIEW WITH DAVID HAMM ON JEFF DONALDSON , AFRICOBRA 1: 10 IN SEARCH OF A NATION ROBERT H. GLAUBER , I NTRODU CTION, AND RALPH ARNOLD , SAM GILLIAM , A ND JOSEPH B. ROSS JR. , UNTITLED STATEMENTS, BLACK AMERICAN ARTI T :/ 1971 JOSEPH E. YOUNG , THREE GRAP HI C ARTISTS: CHARLES WHIT E, DAVID HAMMONS, TIMOTHY WASHINGTON EDWARD SPRIGGS , PREFACE, AND DAVID DRISKELL , INTRODUCTION , BLACK DIMENSIONS IN CONTEMPORARY AMERICAN ART CHARLES CHILDS , LARRY OCEAN SWIMS THE NIL E, MISSISSIPPI AND OTHER RIV R EUGENE EDA , MARK ROGOVIN , WILLIAM WALKER , AND JOHN WEBER , TH ARTI T STATEMENT, AND WILLIAM WALKER , UNTITLED STATEMENT, MURALS FOR TH E PEOPL KEITH MORRISON , BLACK EXPERIENCE CARROLL GREENE , ROMARE BEARDEN: THE PREVA L ENCE OF RITUAL NOAH PURIFOY, STATEMENT BY THE ARTIST, NIGGERS AIN T GONNA NEVER EVER B E NOTHIN -AJJ THEY WANT TO DO IS DRINK AND FUCK 1 72 FRANK BOWLING, IT S NOT ENOUGH TO SAY BLACK IS BEAUTIFUL 326 ROBERT DOTY, INTRODUCTION, CONTEMPORARY BLACK ARTISTS IN AMERICA; 333 BLACK EMERGENCY CULTURAL COALITION (BECC), UNTITLED STATEMENT; NIGEL JACKSON , UNTITLED INTRODUCTION, AND UNSIGNED FOREWORD, REBUTTAL TO THE WHITNEY MUSEUM EXHIBITION: BLACK ARTISTS IN REBUTTAL; AND JOHN DOWELL , SAM GILLIAM, DANIEL JOHNSON, JOE OVERSTREET , MELVIN EDWARDS, RICHARD HUNT , AND WILLIAM T. WILLIAMS, POLITICAL COMMUNICATIONS (LETTER TO ARTFORUM) MELVIN EDWARDS , NOTES ON BLACK ART 341 TOM LLOYD , INTRODUCTION ; MELVIN DIXON , W HITE CRITIC-BLACK ART??? ; 344 TOM LLOYD , B LACK ART-WHITE CULTURAL INSTITUTIONS ; IMAMU AMIRI BARAKA, COUNTER STATEMENT TO WHITNEY RITZ BROS ; JEFF DONALDSON , THE ROLE WE WANT FOR BLACK ART ; BING DAVIS, WHITE ART HISTORIANS-BLACK ART ; RAY ELKINS, REBUTTA L TO THE WHITNEY MUSEUM S INTRODUCTION ; FRANCIS AND VAL GRAY WARD , THE BLACK ARTIST-HIS ROLE IN THE STRUGGLE ; AND BABATUNDE FOLAYEMI, THE RE-DEFINING OF BLACK ART, BLACK ART NOTES HENRI GHENT, NOTES TO THE YOUNG BLACK ARTIST: REVOLUTION OR EVOLUTION? 362 STEVE CANNON , INTRODUCTION, AND CONVERSATION WITH PETER BRADLEY, 366 CURATOR OF THE DE LUXE SHOW, THE DE LUXE SHOW STEVE SMITH, BLACK ART: THE BLACK EXPERIENCE 373 EDWARD SPRIGGS, AN INTERMEDIARILY PRO/POSITION, AND CHERILYN C. 377 WRIGHT , TEN IN SEARCH OF A NATION-EXHIBITION REVIEW, AFRLCOBRA II SAMELLA S. LEWIS , FOREWORD ; RUTH G. WADDY, FOREWORD ; SAMELLA S. 381 LEWIS , INTRODUCTION ; AND BENNY ANDREWS , NELSON STEVENS , NOAH PURIFOY , CLEVELAND BELLOW, AND ELIZABETH CATLETT , UNTITLED STATEMENTS, BLACK ARTISTS ON ART, VOLUME 2 ELTON C . FAX , PREFACE, SEVENTEEN BLACK ARTISTS 385 EDMUND B. GAITHER , THE AEA IDEA ; ABDUL HAKIM IBN ALKALIMAT , NOTES 388 ON ART AND LIBERATION ; JOANN WHATLEY, MEETING THE BLACK EMERGENCY CULTURA L COALITION ; AND EDMUND B. GAITHER, VIS UAL ART AND BLACK AESTHETICS ROBERT DOTY , UNTITLED INTERVIEW WITH FRANK BOWLING, FRANK BOWLING 397 JEFF DONALDSON , COMMENTARY, ELIZABETH CATLETT: PRINTS AND SCULPTURE 400 UNSIGNED INTRODUCTION; NOAH PURIFOY , ART FOR THE PEOPLE ; AND GLORIA BOHANON, DAVID BRADFORD, DAN CONCHOLAR , ALONZO DAVIS , DALE DAVIS, MARION EPTING, DAVID HAMMONS , MARIE JOHNSON , JOHN OUTTERBRIDGE , NOAH PURIFOY, AND TIMOTHY WASHINGTON, UNTITLED STATEMENTS, ELEVEN FROM CALIFORN IA 402 CARROLL GREENE JR. , LOS ANGELES 1972: A PANORAMA OF BLACK ARTISTS, AND 405 WILLIAM WILSON , COUNTY MUSEUM SHOWING WORK BY LOCAL BLACKS ALMA W. THOMAS , UNTITLED STATEMENT, ALMA W. THOMAS 410 DAVID HENDERSON , INTRODUCTION, JO E OVERSTREET 412 1973 1974 1975 KAY BROWN , WHERE WE AT BLACK WOMEN ARTISTS TONY EATON , LOU DRAPER , BEUFORD SMITH , RAY GIBSON , AND FRED BEAUFORD. A RAP ON PHOTOGRAPHY RAY GIBSON , ROY DECARAVA: MASTER PHOTOGRAPHER LOUIS DRAPER , THE KAMOINGE WORKSHOP SUE IRONS , CAPS GRANT-SCULPTURE: STATEM NT ON WORK FAITH RINGGOLD , A MESSAGE TO THE COULD BE POLITICAL ARTISTS OF TH WORLD FROM FAITH RINGGOLD 415 417 423 426 430 432 EDWARD SPRIGGS , SEARCH FOR A BLACK AESTHETIC 434 BARBARA JONES-HOGU , THE HISTORY, PHILOSOPHY AND AE TH TIC OF AFRI 439 COBRA, AND CAROLYN LAWRENCE , JAE JARRELL, BARBARA JONES-HOGU . FRANK SMITH , GERALD WILLIAMS , WADSWORTH JARRELL , HOWARD M ALLORY, NAPOLEON HENDERSON , AND NELSON STEVENS , UNTITL ED STATEMENT ,AFRI - COBRA /11 DIANE WEATHERS , KAY BROWN: AN ARTIST AND ACTIVI T 450 BET YE SAAR , BLACK MIRROR J CLAUDIA CHAPLINE , R F1 CTION ON BLACK 454 MIRROR, MARCH 31 -A PRIL22 J AND SAMELLA LEWIS , INTRODU CTION, AND JOSINE LANCO-STARRELS , UNTITLED TEXT, BETYE SAAR: E L ECTED WORK . 1964 1 973 BENNY ANDREWS , JOHN COPLANS , DANA CHANDLER , ADEMOLA OLUG EBEFO L A. 457 HOWARDENA PINDELL , AND WEE KIM , BLACK ARTISTSFWHITE CRITIC TONI MORRISON , FOREWORD, AND CLAYTON RILEY , INTRODUCTION, TH BLACK 468 PHOTOGRAPHERS ANNUAL 1973 MILTON W. BROWN , JACOB LAWRENCE JACK WHITTEN , FROM AN INTERVIEW WITH DAVID SHAPIRO, APRIL 1974 VIVIAN BROWNE, NORMAN LEWIS: INTERVIEW, AUGUST 29, 1974 LINDA G. BRYANT , INTR ODUCTION , DAVID HAMMONS: SELECTED WORK , 1968 - 1 974 MARTIN KILSON , ~DEBATE: THE BLACK AESTHETIC - OPPONENT AND ADDISON GAYLE , ~ D E BAT E: THE BLACK AESTHETIC-DEFENDE~ RANDY WILLIAMS , T HE BLACK ART INSTITUTION M~MI POSER , LINDA GOODE BRYANT , AND DAVID HAMMONS , JUST ABOV MIDTOWN GALLERY ALLAN M. GORDON , ALLAN M. GORDON INTERVIEWS HIMSELF: THE PHENOMENOLOGY OF A BLACK AESTHETIC; INTRODUCTORY REMARKS BENNY ANDREWS, JEMIMAS, MYSTICISM , AND MOJOS: THE ART OF BETYE SAAR LINDA GOODE BRYANT, GREASY BAGS AND BARB EC U E BONES ELIZABETH CATLETT, THE ROLE OF THE BLACK ARTIST 471 473 475 483 485 496 499 506 512 514 516 1976 19 7 1978 1979 1980 1981 1982 198 AFTERWORD CREDITS AND COPYRIGHTS BURTON WASSERMAN , WHERE THE FLESH ENDS AND THE SPIRIT BEGINS CINDY NEMSER, CONVERSA TION WITH BE TYE SAAR EARL G. GRAVES , THE IMPORTANCE OF ART PATRONAGE DAVID C. DRISKELL , EVOLUTION OF THE BLACK AESTHETIC: 1920-1950 SAMELLA LEWIS AND VAL SPAULDING, EDITORIAL STATEMENT, BLACK ART: AN INTERNATIONAL QUARTERLY BET YE SAAR , JUJU, RECENT WORKS BY HOUSTON E. CONWIL1:]UJU SENGA NENGUDI , STATE MENT ON NYLON MESH WORKS, 1977 BENNY ANDREWS , ~ JAM SESSION ON MADISON AVENUE STUDIO Z, UNTITLED STATEMENTS, STUDIO Z: INDIVIDUAL COLLECTIVE AND OTHER PERFORMANCES AND EVENTS YVONNE PARKS CATCHINGS , IS BLACK ART FOR REAL? LINDA GOODE BRYANT AND MARCY S. PHILIPS, CONTEXTURES APRIL KINGSLEY , BLACK ARTISTS: UP AGAINST THE WALL BENNY ANDREWS, THE BIG BASH , NEW YORK S 21 CLUB, AND BLACK ARTISTS VS. THE BLACK MEDIA LOWERY STOKES SIMS , THI RD WORLD WOMEN SPEAK DAWOUD BEY , REFLECTIONS ON HARLEM U.S.A. LARRY NEAL , PERSPECTIVES / COMMENTARIES ON AFRICOBRA APRIL KINGSLEY , MRO-AMERICAN ABSTRACTION BENNY ANDREWS , C HARLES WHITE WAS A DRAWER , AND M. J. HEWITT , WE GOT THE MESSAGE AND ARE GRATEFUL LORRAINE O GRADY (AS TOLD TO LUCY LIPPARD), PERFORMANCE STATEMENT #1: THOUGHTS ABOUT MYSELF, WHEN SEEN AS A POLITICAL PERFORMANCE ARTIST DAWOUD BEY , DAVI D HAMMONS: PURELY AN ARTIST EMMA AMOS , SOME DO S AND DON TS FOR BLACK WOMEN ARTISTS HUGH M. DAVIES AND HELAINE POSNER , CO N VE RSATIONS WITH MARTIN PURYEAR 521 523 530 533 536 538 540 542 544 546 549 563 567 575 579 581 583 586 591 593 595 598 BENNY ANDREWS , SAM GILLIAM, AI LOVING, FAITH RINGGOLD , JACK WHITTEN, 603 AND WILLIAM T. WILLIAMS , UNTITLED STATEMENTS, SINCE THE HARLEM RENAISSANCE: 50 THA RS OF ALRO-AMERICAN ART ZOE WHITLEY 620 622
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era_facet	Geschichte 1960-1980
format	Book
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Miller & Co.</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">627 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is "Black art"? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what "Black art" meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as "Black art" in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-1980</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstler</subfield><subfield code="0">(DE-588)4033423-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Person of Color</subfield><subfield code="0">(DE-588)4034855-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Black power</subfield><subfield code="0">(DE-588)4145787-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schwarze</subfield><subfield code="0">(DE-588)4116433-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstsoziologie</subfield><subfield code="0">(DE-588)4033673-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American art / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Black power / United States / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Black Arts movement</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts / Political aspects / United States</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">African American artists</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts ; 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geographic	USA (DE-588)4078704-7 gnd
geographic_facet	USA
id	DE-604.BV047560230
illustrated	Illustrated
indexdate	2024-12-20T19:22:13Z
institution	BVB
isbn	9781941366325 1941366325
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-032935674
oclc_num	1258204797
open_access_boolean
owner	DE-255 DE-11
owner_facet	DE-255 DE-11
physical	627 Seiten Illustrationen 23 cm
publishDate	2021
publishDateSearch	2021
publishDateSort	2021
publisher	Gregory R. Miller & Co.
record_format	marc
spellingShingle	The Soul of a nation reader writings by and about Black American artists, 1960-1980 Künstler (DE-588)4033423-5 gnd Person of Color (DE-588)4034855-6 gnd Black power (DE-588)4145787-0 gnd Schwarze (DE-588)4116433-7 gnd Kunstsoziologie (DE-588)4033673-6 gnd
subject_GND	(DE-588)4033423-5 (DE-588)4034855-6 (DE-588)4145787-0 (DE-588)4116433-7 (DE-588)4033673-6 (DE-588)4078704-7 (DE-588)4143413-4
title	The Soul of a nation reader writings by and about Black American artists, 1960-1980
title_auth	The Soul of a nation reader writings by and about Black American artists, 1960-1980
title_exact_search	The Soul of a nation reader writings by and about Black American artists, 1960-1980
title_full	The Soul of a nation reader writings by and about Black American artists, 1960-1980 edited by Mark Godfrey and Allie Biswas
title_fullStr	The Soul of a nation reader writings by and about Black American artists, 1960-1980 edited by Mark Godfrey and Allie Biswas
title_full_unstemmed	The Soul of a nation reader writings by and about Black American artists, 1960-1980 edited by Mark Godfrey and Allie Biswas
title_short	The Soul of a nation reader
title_sort	the soul of a nation reader writings by and about black american artists 1960 1980
title_sub	writings by and about Black American artists, 1960-1980
topic	Künstler (DE-588)4033423-5 gnd Person of Color (DE-588)4034855-6 gnd Black power (DE-588)4145787-0 gnd Schwarze (DE-588)4116433-7 gnd Kunstsoziologie (DE-588)4033673-6 gnd
topic_facet	Künstler Person of Color Black power Schwarze Kunstsoziologie USA Aufsatzsammlung
url	http://swbplus.bsz-bw.de/bsz1764923049inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032935674&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT godfreymark thesoulofanationreaderwritingsbyandaboutblackamericanartists19601980 AT biswasallie thesoulofanationreaderwritingsbyandaboutblackamericanartists19601980

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