Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings:
Gespeichert in:
| Beteiligte Personen: | , , , |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2020
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| Umfang: | Illustrationen, 1 Diagramm |
| ISBN: | 978-1-909492-79-0 |
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| 245 | 1 | 0 | |a Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |c Joanna Russell, Marta Melchiorre Di Crescenzo, Joseph Padfield and Marika Spring |
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Datensatz im Suchindex
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| author | Russell, Joanna Melchiorre Di Crescenzo, Marta Padfield, Joseph Spring, Marika |
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| indexdate | 2024-12-20T19:21:25Z |
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| isbn | 978-1-909492-79-0 |
| language | English |
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| spelling | Russell, Joanna Verfasser (DE-588)1125379103 aut Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings Joanna Russell, Marta Melchiorre Di Crescenzo, Joseph Padfield and Marika Spring 2020 Illustrationen, 1 Diagramm txt rdacontent n rdamedia nc rdacarrier Melchiorre Di Crescenzo, Marta Verfasser (DE-588)142534501 aut Padfield, Joseph Verfasser aut Spring, Marika Verfasser (DE-588)133343928 aut pages:10-20 Ground layers in European painting 1550-1750 / edited by Anne Haack Christensen, Angela Jager and Joyce H. Townsend London, 2020 Seite 10-20 (DE-604)BV047294058 978-1-909492-79-0 |
| spellingShingle | Russell, Joanna Melchiorre Di Crescenzo, Marta Padfield, Joseph Spring, Marika Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |
| title | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |
| title_auth | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |
| title_exact_search | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |
| title_full | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings Joanna Russell, Marta Melchiorre Di Crescenzo, Joseph Padfield and Marika Spring |
| title_fullStr | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings Joanna Russell, Marta Melchiorre Di Crescenzo, Joseph Padfield and Marika Spring |
| title_full_unstemmed | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings Joanna Russell, Marta Melchiorre Di Crescenzo, Joseph Padfield and Marika Spring |
| title_short | Experiments using image processing software (Nip2) to define the colour of preparatory layers in 16th-century Italian paintings |
| title_sort | experiments using image processing software nip2 to define the colour of preparatory layers in 16th century italian paintings |
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