Gender and Power in the Japanese Visual Field:
In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art,&qu...
Gespeichert in:
| Weitere beteiligte Personen: | , , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2003]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 https://doi.org/10.1515/9780824841577 |
| Zusammenfassung: | In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edo-period advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The postwar period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century--the "Super Girls of Art"--is analyzed, followed by a consideration of gender ambiguity and cross-gender identification in contemporary anime and manga. Contributors: Grunhild Borggreen, Norman Bryson, Chino Kaori, Doris Croissant, Ikeda Shinobu, Kim Hye-shin, Chigusa Kimura-Steven, Joshua S. Mostow, Sharalyn Orbaugh, David Pollack |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Umfang: | 1 online resource (320 pages) 108 illus., 8 in color |
| ISBN: | 9780824841577 |
| DOI: | 10.1515/9780824841577 |
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| 520 | |a In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edo-period advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The postwar period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century--the "Super Girls of Art"--is analyzed, followed by a consideration of gender ambiguity and cross-gender identification in contemporary anime and manga. Contributors: Grunhild Borggreen, Norman Bryson, Chino Kaori, Doris Croissant, Ikeda Shinobu, Kim Hye-shin, Chigusa Kimura-Steven, Joshua S. Mostow, Sharalyn Orbaugh, David Pollack | ||
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Datensatz im Suchindex
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| author2 | Borggreen, Gunhild Bryson, Norman Bryson, Norman Croissant, Doris Graybill, Maribeth Hyeshin, Kim Kaori, Chino Kimura-Steven, Chigusa Mostow, Joshua S. Mostow, Joshua S. Orbaugh, Sharalyn Pollack, David Shinobu, Ikeda |
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| dewey-raw | 700/.452042/0952 |
| dewey-search | 700/.452042/0952 |
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| discipline | Kunstgeschichte |
| doi_str_mv | 10.1515/9780824841577 |
| format | Electronic eBook |
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| id | DE-604.BV047415449 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:11:04Z |
| institution | BVB |
| isbn | 9780824841577 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816328 |
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| physical | 1 online resource (320 pages) 108 illus., 8 in color |
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| spelling | Gender and Power in the Japanese Visual Field ed. by Joshua S. Mostow, Maribeth Graybill, Norman Bryson Honolulu University of Hawaii Press [2003] © 2003 1 online resource (320 pages) 108 illus., 8 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art," which introduced feminist theory to Japanese art. This is followed by a closer look at a famous thirteenth-century battle scroll and the production of bijin (beautiful women) prints within the world of Edo-period advertising. A rare homoerotic picture-book is used to extrapolate the "grammar of desire" as represented in late seventeenth-century Edo. In the modern period, contributors consider the introduction to Meiji Japan of the Western nude and oil-painting and examine Nihonga (Japanese-style painting) and the role of one of its famous artists. The book then shifts its focus to an examination of paintings produced for the Japanese-sponsored annual salons held in colonial Korea. The postwar period comes under scrutiny in a study of the novel Woman in the Dunes and its film adaptation. The critical discourse that surrounded women artists of the late twentieth-century--the "Super Girls of Art"--is analyzed, followed by a consideration of gender ambiguity and cross-gender identification in contemporary anime and manga. Contributors: Grunhild Borggreen, Norman Bryson, Chino Kaori, Doris Croissant, Ikeda Shinobu, Kim Hye-shin, Chigusa Kimura-Steven, Joshua S. Mostow, Sharalyn Orbaugh, David Pollack In English ART / General bisacsh Arts, Japanese Feminism and the arts Japan Gender identity in art Women in art Borggreen, Gunhild ctb Bryson, Norman ctb Bryson, Norman edt Croissant, Doris ctb Graybill, Maribeth edt Hyeshin, Kim ctb Kaori, Chino ctb Kimura-Steven, Chigusa ctb Mostow, Joshua S. ctb Mostow, Joshua S. edt Orbaugh, Sharalyn ctb Pollack, David ctb Shinobu, Ikeda ctb https://doi.org/10.1515/9780824841577 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gender and Power in the Japanese Visual Field ART / General bisacsh Arts, Japanese Feminism and the arts Japan Gender identity in art Women in art |
| title | Gender and Power in the Japanese Visual Field |
| title_auth | Gender and Power in the Japanese Visual Field |
| title_exact_search | Gender and Power in the Japanese Visual Field |
| title_full | Gender and Power in the Japanese Visual Field ed. by Joshua S. Mostow, Maribeth Graybill, Norman Bryson |
| title_fullStr | Gender and Power in the Japanese Visual Field ed. by Joshua S. Mostow, Maribeth Graybill, Norman Bryson |
| title_full_unstemmed | Gender and Power in the Japanese Visual Field ed. by Joshua S. Mostow, Maribeth Graybill, Norman Bryson |
| title_short | Gender and Power in the Japanese Visual Field |
| title_sort | gender and power in the japanese visual field |
| topic | ART / General bisacsh Arts, Japanese Feminism and the arts Japan Gender identity in art Women in art |
| topic_facet | ART / General Arts, Japanese Feminism and the arts Japan Gender identity in art Women in art |
| url | https://doi.org/10.1515/9780824841577 |
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