Colonialism and slavery in performance: theatre and the Eighteenth-Century French Caribbean
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Liverpool
Liverpool University Press
[2021]
|
| Schriftenreihe: | Oxford University studies in the Enlightenment
2021:03 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808345&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032808345&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xii, 391 Seiten Illustrationen |
| ISBN: | 9781800348042 |
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Datensatz im Suchindex
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| adam_text | Contents List of figures ix Acknowledgments xi JEFFREY M. LEICHMAN and KARINE BÉNAC-GIROUX, Introduction 1 I. Performance cultures of Saint-Domingue LOGAN J. CONNORS, The military-theatrical event in French Saint-Domingue 21 JULIA PREST, The familiar other: blackface performance in Creole works from 1780s Saint-Domingue 41 BÉATRICE FERRIER, From the abbé Raynal to César Ribié: L’Héroïne américaine on the stages of Saint-Domingue (1787-1788) 65 BERNARD CAMIER, Jeannot et Thérèse (Clément, Cap-Français, 1758): a question of Creole identity 89 SEAN ANDERSON, They ‘rolled their eyes, swayed their heads’: criminality, trance and embedded politics in the calenda performances of colonial Saint-Domingue 113 LAURENCE MARIE, Writing about theatre in Saint-Domingue (1766-1791): a public voice on a public space? 139 vii
viii Contents II. Antillean slaves on European stages CATHERINE RÁMOND, Slavery and the colonies on the French stage in the eighteenth century: the emergence of a critical gaze 169 JEFFREY M. LEICHMAN, On the gratitude of slaves in the theatre of the Revolution 189 PIERRE SAINT-AMAND, Finishing off the Revolution: La Liberté générale of Citoyen В. 213 FREDRIK THOMASSON, Moors in the Caribbean, Sámi in the seraglio: Swedish theatre and slavery around 1800 225 PASCALE PELLERIN, The image of slavery in the theatre during the Egypt expedition 247 III. Reperforming Caribbean histories LAURENT DUBOIS and KAIAMA L. GLOVER, Staging revolution: Jean Fouchard, Marie Vieux-Chauvet and writing the theatre of eighteenth-century Saint-Domingue 259 EMILY SAHAKIAN, LénaBlou and Gilbert Laumord: reactivating history through contemporary Caribbean performance 293 KARINE BÉNAC-GIROUX, Can one fully grasp history? Some reflections on Histoires de valets, a play performed on 31 May 2017, in Fort-de-France 311 NADIA CHONVILLE, The experience of gender performativity in the staging of Daniely Francisque’s Ladjablès 329 Summaries 351 Bibliography 359 Index 383
Colonialism and slavery in performance brings together original archival research with recent critical perspectives to argue for the importance of theatrical culture to the understanding of the French Caribbean sugar colonies in the eighteenth century. Fifteen English-language essays from both established and emerging scholars apply insights and methodologies from performance studies and theatre history in order to propose a new understanding of Old Regime culture and identity as a transatlantic continuum that includes the Antillean possessions whose slave labour provided enormous wealth to the metropole. Carefully documented studies of performances in Saint-Domingue, the most prosperous French colony, illustrate how the crucible of a brutally racialised colonial space gave rise to a new French identity by adapting many of the cherished theatrical traditions that colonists imported directly from the mainland, resulting in a Creole performance culture that reflected the strong influence of African practices brought to the islands by plantation slaves. Other essays focus on how European theatregoers reconciled the contradiction inherent in the eighteenth century’s progressive embrace of human rights, with an increasing dependence on the economic spoils of slavery, thus illustrating how the stage served as a means to negotiate new tensions within ‘French’ identity, in the metropole as well as in the colonies. In the final section of the volume, essays explore the place of performance in representations of the Old Regime Antilles, from the Haitian literary diaspora to
contemporary performing artists from Martinique and Guadeloupe, as the stage remains central to understanding history and identity in France’s former Atlantic slave colonies. Jeffrey M. Leichman is Jacques .Arnaud Associate Professor in the Department of French Studies at Louisiana State University, w here his research and teaching focus on French theatrical literature and culture. He is also project director for the NEHsupported VES РАС К project, an international digital humanities collaboration building an interactive VR model of an eighteenthcentury Paris Fair theatre. Karine Bénac-Giroux is Maître de confćrcnces-HDR at the Université des Antilles. As an artist-researcher, she has staged research-creation pieces with her students on manioc.org. She has developed a new field of study on racial and gender stereotypes in contemporary dance and littérature in the Caribbean. Karine is the team leader in Martinique of the international МААС project funded by the AUF, the DAC, and the Ministry of Overseas France. Her latest book is Poétique et politique ele ľaltérité. Colonialisme, esclavagisme, exotisme, 18 21՛ siècles (Paris, Classiques Garnier, 2019).
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| spellingShingle | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean Oxford University studies in the Enlightenment bicssc / Slavery & abolition of slavery bisacsh / SOCIAL SCIENCE / Slavery bisacsh / HISTORY / Modern / 18th Century Theater and society - History - 18th century - Caribbean Area Theater - History - 18th century - Caribbean Area French drama - History and criticism - 18th century Imperialism in literature Slavery in literature France - Colonies - History - 18th century - America Sklaverei (DE-588)4055260-3 gnd Kolonialismus (DE-588)4073624-6 gnd Theater (DE-588)4059702-7 gnd |
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| title | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean |
| title_auth | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean |
| title_exact_search | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean |
| title_full | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean edited by Jeffrey M. Leichman and Karine Béac-Giroux |
| title_fullStr | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean edited by Jeffrey M. Leichman and Karine Béac-Giroux |
| title_full_unstemmed | Colonialism and slavery in performance theatre and the Eighteenth-Century French Caribbean edited by Jeffrey M. Leichman and Karine Béac-Giroux |
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| title_sort | colonialism and slavery in performance theatre and the eighteenth century french caribbean |
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