Tempus/Modus: Candida Höfer, Türken in Deutschland 1979
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch Paper |
| Sprache: | Deutsch |
| Veröffentlicht: |
2021-07-08
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| Schlagwörter: | |
| Links: | https://doi.org/10.11588/xxi.2021.2.82003 |
| Abstract: | This article explores Candida Höfer’s photographic slide-show Türken in Deutschland (1979) and its 2011 digital version with the new title Türken in Deutschland 1979. It analyzes temporality, changes in media installation and their effects on the artwork’s meanings. Attention focuses on the historic and medial differences – between the 1970s and the 2010s as well as between analogue and digital projection – that are the results of processes of translation. It is argued that by reworking the piece, Höfer undertakes an actualization as well as a historicization of her work, first realized as a series of slides, then of digital copies. The artistic gesture of changing media and title are mutually dependent on and constitutive of each other. They productively disrupt the coherence of the work and emphasize the time passed between the two versions as well as the artwork’s mode of expression |
| Umfang: | 1 Online-Ressource 9 Illustrationen |
| ISSN: | 2701-1550 |
| DOI: | 10.11588/xxi.2021.2.82003 |
Internformat
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| 520 | 3 | |a This article explores Candida Höfer’s photographic slide-show Türken in Deutschland (1979) and its 2011 digital version with the new title Türken in Deutschland 1979. It analyzes temporality, changes in media installation and their effects on the artwork’s meanings. Attention focuses on the historic and medial differences – between the 1970s and the 2010s as well as between analogue and digital projection – that are the results of processes of translation. It is argued that by reworking the piece, Höfer undertakes an actualization as well as a historicization of her work, first realized as a series of slides, then of digital copies. The artistic gesture of changing media and title are mutually dependent on and constitutive of each other. They productively disrupt the coherence of the work and emphasize the time passed between the two versions as well as the artwork’s mode of expression | |
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Datensatz im Suchindex
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| author | Matyssek, Angela 1971- |
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| building | Verbundindex |
| bvnumber | BV047367605 |
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| doi_str_mv | 10.11588/xxi.2021.2.82003 |
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| format | Electronic Article |
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| id | DE-604.BV047367605 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:17:29Z |
| institution | BVB |
| issn | 2701-1550 |
| language | German |
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| spelling | Matyssek, Angela 1971- Verfasser (DE-588)138088004 aut Tempus/Modus Candida Höfer, Türken in Deutschland 1979 Angela Matyssek 2021-07-08 1 Online-Ressource 9 Illustrationen txt rdacontent c rdamedia cr rdacarrier This article explores Candida Höfer’s photographic slide-show Türken in Deutschland (1979) and its 2011 digital version with the new title Türken in Deutschland 1979. It analyzes temporality, changes in media installation and their effects on the artwork’s meanings. Attention focuses on the historic and medial differences – between the 1970s and the 2010s as well as between analogue and digital projection – that are the results of processes of translation. It is argued that by reworking the piece, Höfer undertakes an actualization as well as a historicization of her work, first realized as a series of slides, then of digital copies. The artistic gesture of changing media and title are mutually dependent on and constitutive of each other. They productively disrupt the coherence of the work and emphasize the time passed between the two versions as well as the artwork’s mode of expression Höfer, Candida 1944- (DE-588)118702823 gnd rswk-swf Geschichte 1979-2011 gnd rswk-swf Konservierung (DE-588)4114279-2 gnd rswk-swf Aktualisierung (DE-588)4224604-0 gnd rswk-swf Präsentation (DE-588)4135231-2 gnd rswk-swf Bearbeitung (DE-588)4120981-3 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Medienkunst Konservierung Diaprojektion Digitale Projektion Wiederholung Übersetzung Aktualisierung Temporalität Anachronie Anachronismus Candida Höfer Künstlerische Neubearbeitung Höfer, Candida 1944- (DE-588)118702823 p Medienkunst (DE-588)4113418-7 s Konservierung (DE-588)4114279-2 s Bearbeitung (DE-588)4120981-3 s Aktualisierung (DE-588)4224604-0 s Präsentation (DE-588)4135231-2 s Geschichte 1979-2011 z DE-604 volume:2 number:2 year:2021 pages:97-124 21: inquiries into art, history, and the visual Heidelberg, 2021 Vol. 2, No. 2 (2021), Seite 97-124 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4 https://doi.org/10.11588/xxi.2021.2.82003 Resolving-System kostenfrei Volltext |
| spellingShingle | Matyssek, Angela 1971- Tempus/Modus Candida Höfer, Türken in Deutschland 1979 Höfer, Candida 1944- (DE-588)118702823 gnd Konservierung (DE-588)4114279-2 gnd Aktualisierung (DE-588)4224604-0 gnd Präsentation (DE-588)4135231-2 gnd Bearbeitung (DE-588)4120981-3 gnd Medienkunst (DE-588)4113418-7 gnd |
| subject_GND | (DE-588)118702823 (DE-588)4114279-2 (DE-588)4224604-0 (DE-588)4135231-2 (DE-588)4120981-3 (DE-588)4113418-7 |
| title | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 |
| title_auth | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 |
| title_exact_search | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 |
| title_full | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 Angela Matyssek |
| title_fullStr | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 Angela Matyssek |
| title_full_unstemmed | Tempus/Modus Candida Höfer, Türken in Deutschland 1979 Angela Matyssek |
| title_short | Tempus/Modus |
| title_sort | tempus modus candida hofer turken in deutschland 1979 |
| title_sub | Candida Höfer, Türken in Deutschland 1979 |
| topic | Höfer, Candida 1944- (DE-588)118702823 gnd Konservierung (DE-588)4114279-2 gnd Aktualisierung (DE-588)4224604-0 gnd Präsentation (DE-588)4135231-2 gnd Bearbeitung (DE-588)4120981-3 gnd Medienkunst (DE-588)4113418-7 gnd |
| topic_facet | Höfer, Candida 1944- Konservierung Aktualisierung Präsentation Bearbeitung Medienkunst |
| url | https://doi.org/10.11588/xxi.2021.2.82003 |
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