Acoustemologies in contact: sounding subjects and modes of listening in early modernity
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, UK
Open Book Publishers
[2021]
|
| Schlagwörter: | |
| Links: | https://directory.doabooks.org/handle/20.500.12854/36950 https://doi.org/10.11647/OBP.0226 |
| Abstract: | "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website |
| Umfang: | 1 Online-Ressource |
| ISBN: | 9781800640375 1800640358 1800640374 1800640382 1800640390 1800640404 9781800640351 9781800640382 9781800640399 9781800640405 |
| DOI: | 10.11647/OBP.0226 |
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| 245 | 1 | 0 | |a Acoustemologies in contact |b sounding subjects and modes of listening in early modernity |c edited by Emily Wilbourne and Suzanne G. Cusick |
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| 505 | 8 | |a Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index | |
| 520 | 3 | |a "In this fascinating collection of essays, an international group of scholars explores the sonic consequences of transcultural contact in the early modern period. They examine how cultural configurations of sound impacted communication, comprehension, and the categorisation of people. Addressing questions of identity, difference, sound, and subjectivity in global early modernity, these authors share the conviction that the body itself is the most intimate of contact zones, and that the culturally contingent systems by which sounds made sense could be foreign to early modern listeners and to present day scholars. Drawing on a global range of archival evidence--from New France and New Spain, to the slave ships of the Middle Passage, to China, Europe, and the Mediterranean court environment--this collection challenges the privileged position of European acoustical practices within the discipline of global-historical musicology. The discussion of Black and non-European experiences demonstrates how the production of 'the canon' in the cosmopolitan centres of colonial empires was underpinned by processes of human exploitation and extraction of resources. As such, this text is a timely response to calls within the discipline to decolonise music history and to contextualise the canonical works of the European past. This volume is accessible to a wide and interdisciplinary audience, not only within musicology, but also to those interested in early modern global history, sound studies, race, and slavery."--Publisher's website | |
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Datensatz im Suchindex
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| adam_text | |
| any_adam_object | |
| author2 | Wilbourne, Emily ca. 20./21. Jh Cusick, Suzanne G. ca. 20./21. Jh |
| author2_role | edt edt |
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| author_GND | (DE-588)1081572787 (DE-588)138596565 |
| author_facet | Wilbourne, Emily ca. 20./21. Jh Cusick, Suzanne G. ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV047351832 |
| collection | ZDB-94-OAB ZDB-4-EOAC ebook |
| contents | Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index |
| ctrlnum | (OCoLC)1258963444 (DE-599)BVBBV047351832 |
| doi_str_mv | 10.11647/OBP.0226 |
| format | Electronic eBook |
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| spellingShingle | Acoustemologies in contact sounding subjects and modes of listening in early modernity Notes on Contributors -- Introduction / Emily Wilbourne and Suzanne G. Cusick -- 1. Listening as an Innu-French Contact Zone in the Jesuit Relations / Olivia Bloechl -- 2. Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain / Ireri E. Chávez Bárcenas -- 3. Performance in the Periphery: Colonial Encounters and Entertainments / Patricia Akhimie -- 4. 'Hideous Acclamations' / Glenda Goodman -- 5. Black Atlantic Acoustemologies and the Maritime Archive / Danielle Skeehan -- 6. Little Black Giovanni's Dream / Emily Wilbourne -- 7. A Global Phonographic Revolution / Zhuqing (Lester) S. Hu -- 8. 'La stiava dolente in suono di canto' / Suzanne G. Cusick -- 9. 'Now Despised, a Servant, Abandoned' / Nina Treadwell -- 10. 'Non basta il suono, e la voce' / Jane Tylus -- Bibliography -- List of illustrations -- Index |
| subject_GND | (DE-588)4143413-4 |
| title | Acoustemologies in contact sounding subjects and modes of listening in early modernity |
| title_auth | Acoustemologies in contact sounding subjects and modes of listening in early modernity |
| title_exact_search | Acoustemologies in contact sounding subjects and modes of listening in early modernity |
| title_full | Acoustemologies in contact sounding subjects and modes of listening in early modernity edited by Emily Wilbourne and Suzanne G. Cusick |
| title_fullStr | Acoustemologies in contact sounding subjects and modes of listening in early modernity edited by Emily Wilbourne and Suzanne G. Cusick |
| title_full_unstemmed | Acoustemologies in contact sounding subjects and modes of listening in early modernity edited by Emily Wilbourne and Suzanne G. Cusick |
| title_short | Acoustemologies in contact |
| title_sort | acoustemologies in contact sounding subjects and modes of listening in early modernity |
| title_sub | sounding subjects and modes of listening in early modernity |
| topic_facet | Aufsatzsammlung |
| url | https://directory.doabooks.org/handle/20.500.12854/36950 https://doi.org/10.11647/OBP.0226 |
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