Spoken word in the UK:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032700883&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Spoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK - its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The book's six sections cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies"-- |
| Umfang: | xiii, 473 Seiten Illustrationen 24 cm |
| ISBN: | 9780367352530 9780367352523 |
Internformat
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| 520 | 3 | |a "Spoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK - its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The book's six sections cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of contributors Foreword by Luke Kennard Introduction: setting the stage: an introduction to spoken word in the UK X xii 1 Jack McGowan and Lucy English SECTION 1 Background to spoken word in the UK 1 Biting back against the Fascist Octopus: the story of Apples and Snakes 15 17 Russell Thompson 2 Suffering fools: the survival and adaptation of British absurd, comic, and satirical traditions in the era of poetry slams 27 Steve Larkin 3 Black Country, Ay We — voices from post-industrial Britain 41 Emma Purshouse and R. M. Francis 4 The New October Poets Adrian Johnson 51
vi Contents 5 Glasgow, Scotland and spoken word from 1986 to 2018 Jim Ferguson 6 A critical account of the development of spoken word events and settings in Wales in collaboration with partners in Sweden and Ireland Mel Perry and Dominic Williams 1 The democracy of poetry: the Bristol spoken word scene Lucy English 63 75 88 SECTION 2 Audience and performer 107 8 The spoken word experience: affect transmission in contemporary performance poetry Jack McGowan 109 9 The limitations of the page/stage dichotomy: examining the page/stage divide Niatt O’Sullivan 122 10 Exploring the relationship between audience and performer, the implications of the affective turn in reader-response and the emancipation of the passive spectator Scott Martingell 11 ‘Speak your truth’: authenticity in UK spoken word poetry Katie Ailes 133 142 12 Audience as co-author: poet—audience relationship in performance poetry Lauren McNamara 154 13 Listen to me! The moral value of the poetry performance space Karen Simecek 166 14 Audience and performer responses to performing 1—2—1 and intimate poetry Debra Watson 178
Contents vii SECTION З Cultural exchange 191 15 Poetic Orality in working-class culture 1840—1870 Simon Rennie 193 16 She Grrrowls: feminism in contemporary spoken word Carmina Masoliver 207 17 Playing for affect in counterpublics: an interdisciplinary investigation into the transformative potential of spoken word hybridity Katy Wareham Morris 221 18 The metie experience of the Black British Writer: challenging the margins Nick Makoha 235 19 Overthrowing societal norms through the spoken word: Benjamin Zephaniah’sdubpoetry in City Psalms Ian Hickey 246 20 The impact of Malika’s Poetry Kitchen on the UK poetry scene Sundra Lawrence 260 SECTION 4 Styles and techniques 277 21 Fish out of water or creative chameleon? Spoken word as a form of social mobility Kate Fox 279 22 Style and technique in spokenword David Hubble 292 23 British spoken word voice Hannah Silva 306 24 I thought I was just coming to watch: audience participation in spoken word performance Rose Condo 322
viii Contents SECTION 5 Pedagogy of spoken word 335 25 How can developing an Overarching Pedagogical Metaphor defining my own poetics, aid my teaching of creative writing and ‘Spoken Word Education’? 337 Amy Neilson Smith 26 Spoken word education: the role of a spoken word educator: pitfalls and possibilities 351 Sara Hirsch 27 Searching for consistency: applying Reflective Equilibrium to performance poetry criticism 363 Ross McFarlane and Bibi June Schwithal 28 Spoken word as therapy and power 375 Jhilmil Breckenridge 29 Intersections between spoken word in the UK and US: a nexus in dialogue 383 Helen Johnson and Jacob Sam-La Rose SECTION 6 Publicity and distribution 397 30 Speaking with machines and machines that speak: spoken word and digital performance poetry 399 David Devanny 31 The capital of culture and the culture of capital: the controversy of commerce in spoken word 411 Peter Bearder 32 Poetry slam in the UK Toby Campion 423
Contents ix 33 More show, less tell? How do we talk about spoken word now that it is working on a theatre stage? 437 Sharon Clark and Ruth Stacey 34 Spoken word in print: instant coffee: a conversation with Clive Birnie from Burning Eye Books 449 Clive Birnie (interviewed by Lucy English) Index 456
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| indexdate | 2024-12-20T19:15:26Z |
| institution | BVB |
| isbn | 9780367352530 9780367352523 |
| language | English |
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| publishDate | 2021 |
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| title | Spoken word in the UK |
| title_auth | Spoken word in the UK |
| title_exact_search | Spoken word in the UK |
| title_full | Spoken word in the UK edited by Lucy English and Jack McGowan |
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| title_short | Spoken word in the UK |
| title_sort | spoken word in the uk |
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