When history intersects with spaces of indigenous self-representation: on the trail of the artists Zacharie Vincent and Pierre Sioui
Gespeichert in:
Beteilige Person: | |
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Format: | Paper |
Sprache: | Englisch |
Veröffentlicht: |
2021
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Schlagwörter: | |
Abstract: | Like someone journeying in a canoe who must learn when to pilot and when to be carried along, when to give a stroke of the paddle and when to lift their arms, when to resist the wave or yield to its power, the practice of research alternates between highly planned undertakings and undirected drifting. Because an underlying work is always subtly taking place, the latter approach is only seemingly passive. In this subtle meditation on her own research practice, Louise Vigneault recalls her personal and professional experiences studying the Huron-Wendat artist Zacharie Tehariolin Vincent (1815–1886). Through the research she became better acquainted with the history of the Wendake community, located 15 km to the north-west of Québec City, and also the work of more recent artists, most notably Pierre Sioui. Her studies on Vincent changed her idea of research and of North American historical memory. She came to realize, more than ever, how imperative it is that researchers engage collaboratively with academic and cultural Indigenous stakeholders in order to affect ethical and methodological changes in the form of approaches adapted to their epistemologies. She also recognized the necessity of acknowledging that history is plural and that enrichment comes from admitting the existence of multiple historical perspectives. |
Umfang: | Illustrationen |
ISBN: | 978-0-367-25601-2 |
Internformat
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520 | 3 | |a Like someone journeying in a canoe who must learn when to pilot and when to be carried along, when to give a stroke of the paddle and when to lift their arms, when to resist the wave or yield to its power, the practice of research alternates between highly planned undertakings and undirected drifting. Because an underlying work is always subtly taking place, the latter approach is only seemingly passive. In this subtle meditation on her own research practice, Louise Vigneault recalls her personal and professional experiences studying the Huron-Wendat artist Zacharie Tehariolin Vincent (1815–1886). Through the research she became better acquainted with the history of the Wendake community, located 15 km to the north-west of Québec City, and also the work of more recent artists, most notably Pierre Sioui. Her studies on Vincent changed her idea of research and of North American historical memory. She came to realize, more than ever, how imperative it is that researchers engage collaboratively with academic and cultural Indigenous stakeholders in order to affect ethical and methodological changes in the form of approaches adapted to their epistemologies. She also recognized the necessity of acknowledging that history is plural and that enrichment comes from admitting the existence of multiple historical perspectives. | |
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spelling | Vigneault, Louise Verfasser aut When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui Louise Vigneault 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier Like someone journeying in a canoe who must learn when to pilot and when to be carried along, when to give a stroke of the paddle and when to lift their arms, when to resist the wave or yield to its power, the practice of research alternates between highly planned undertakings and undirected drifting. Because an underlying work is always subtly taking place, the latter approach is only seemingly passive. In this subtle meditation on her own research practice, Louise Vigneault recalls her personal and professional experiences studying the Huron-Wendat artist Zacharie Tehariolin Vincent (1815–1886). Through the research she became better acquainted with the history of the Wendake community, located 15 km to the north-west of Québec City, and also the work of more recent artists, most notably Pierre Sioui. Her studies on Vincent changed her idea of research and of North American historical memory. She came to realize, more than ever, how imperative it is that researchers engage collaboratively with academic and cultural Indigenous stakeholders in order to affect ethical and methodological changes in the form of approaches adapted to their epistemologies. She also recognized the necessity of acknowledging that history is plural and that enrichment comes from admitting the existence of multiple historical perspectives. Sioui, Pierre 1950- (DE-588)1234190524 gnd rswk-swf Vincent, Zacharie 1815-1886 (DE-588)1234190249 gnd rswk-swf Geschichte 1840-2020 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Geschichtswissenschaft (DE-588)4020535-6 gnd rswk-swf Interkulturalität (DE-588)4519498-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Nordamerika (DE-588)4042483-2 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 s Geschichtswissenschaft (DE-588)4020535-6 s Methode (DE-588)4038971-6 s Interkulturalität (DE-588)4519498-1 s DE-604 Nordamerika (DE-588)4042483-2 g Kunst (DE-588)4114333-4 s Geschichte 1840-2020 z Sioui, Pierre 1950- (DE-588)1234190524 p Vincent, Zacharie 1815-1886 (DE-588)1234190249 p year:2021 pages:200-212 History and art history / edited by Nicholas Chare and Mitchell B. Frank New York ; London, 2021 Seite 200-212 Routledge research in art history (DE-604)BV047123575 978-0-367-25601-2 |
spellingShingle | Vigneault, Louise When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui Sioui, Pierre 1950- (DE-588)1234190524 gnd Vincent, Zacharie 1815-1886 (DE-588)1234190249 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Methode (DE-588)4038971-6 gnd Geschichtswissenschaft (DE-588)4020535-6 gnd Interkulturalität (DE-588)4519498-1 gnd Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)1234190524 (DE-588)1234190249 (DE-588)4120632-0 (DE-588)4038971-6 (DE-588)4020535-6 (DE-588)4519498-1 (DE-588)4114333-4 (DE-588)4042483-2 |
title | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui |
title_auth | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui |
title_exact_search | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui |
title_full | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui Louise Vigneault |
title_fullStr | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui Louise Vigneault |
title_full_unstemmed | When history intersects with spaces of indigenous self-representation on the trail of the artists Zacharie Vincent and Pierre Sioui Louise Vigneault |
title_short | When history intersects with spaces of indigenous self-representation |
title_sort | when history intersects with spaces of indigenous self representation on the trail of the artists zacharie vincent and pierre sioui |
title_sub | on the trail of the artists Zacharie Vincent and Pierre Sioui |
topic | Sioui, Pierre 1950- (DE-588)1234190524 gnd Vincent, Zacharie 1815-1886 (DE-588)1234190249 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Methode (DE-588)4038971-6 gnd Geschichtswissenschaft (DE-588)4020535-6 gnd Interkulturalität (DE-588)4519498-1 gnd Kunst (DE-588)4114333-4 gnd |
topic_facet | Sioui, Pierre 1950- Vincent, Zacharie 1815-1886 Kunstwissenschaft Methode Geschichtswissenschaft Interkulturalität Kunst Nordamerika |
work_keys_str_mv | AT vigneaultlouise whenhistoryintersectswithspacesofindigenousselfrepresentationonthetrailoftheartistszacharievincentandpierresioui |