A Dutch republican baroque: theatricality, dramatization, moment, and event
In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality o...
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| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2017
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| Schriftenreihe: | Amsterdam studies in the Dutch golden age
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9789048532056 https://doi.org/10.1017/9789048532056 https://doi.org/10.1017/9789048532056 |
| Zusammenfassung: | In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic. Our idea of Dutch history will never recover from reading this book. As in Korsten's conception of the Baroque |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 22 Feb 2021) 1 - Republican baroque: a thunderclap, a city hall and two executions -- - 1.1 - Artifice: multiple worlds and one actualized -- - 1.2 - Why a Dutch republican baroque; and why not a Golden Age? -- - 1.3 - City hall: affect -- or what moves and what drives -- - 1.4 - Thunderclap: moment and event -- - 1.5 - Two executions: theatricality and dramatization -- - 1.6 - Republican baroque and slavery -- - 2 - The dramatic potential in history: Rome and the Republic -- Grevius, Vondel, Knupfer, and Job -- - 2.1 - Two incompatible political models: transfer or disruption? -- - 2.2 - Allegory tied into a knot: history's continuity dramatically disrupted -- - 2.3 - Perverse powers, or how to make fun of the theater of torture -- - 2.4 - Catholic Rome and the figure of Job: subjection to the only possible world -- - 3 - The cruel death of worlds and political incompatibility -- the brothers De Witt -- - 3.1 - Foundations of law: the master/father of a political house -- - 3.2 - The lynching of the De Witts: condensation and spectacle -- - 3.3 - The ship of state and the cruel political choice between incompatible worlds -- - 3.4 - Combat, the dramatic logic of cruelty, and the potential of difference -- - 4 - A Happy Split of Worlds or the Comedic Sublime -- Frans Hals -- - 4.1 - Happiness, the comedic, and the sublime -- - 4.2 - From Steen to Vondel: comical and tragic counterpoints to the comedic -- - 4.3 - The sublime intensity of the moment -- - 4.4 - Freedom: necessity and contingency -- - 5 - The seas or the world as scene -- Focquenbroch and Grotius -- - 5.1 - Pre-colonial mise-en-abyme: Focquenbroch and a non-republican baroque -- - 5.2 - Moment of exchange and the non-existent 'proper' -- - 5.3 - Juridical staging: commerce and the seas -- - 5.4 - The precariousness of mise-en-scene -- - 5.5 - Amsterdam: city and sea as world scene -- - 6 - Not a frame but a lens: the touch of knowledge -- Rumphius, Vossius, Spinoza -- - 6.1 - Spectacle or theater: Rumphius as knowledge-trader -- - 6.2 - Nature internalized: res cogitans reconsidered -- - 6.3 - Sensing the world differently: the telescope -- - 6.4 - Reading through a lens: intensity and texture before scripture -- - 7 - Public theater, collective drama and the new -- Van den Enden and Huygens -- - 7.1 - Theatrum mundi, public acting and the plane of collective imagination -- - 7.2 - Speaking for those who understand: a school drama in a theater -- - 7.3 - Dramatization: Theatrum mundi versus mundus dramaticus -- - 7.4 - Fluid borders between theatricality and dramatization: Huygens' 'Sunday' -- - 8 - Interrupting time for the sake of division: history and the tableau vivant -- Rembrandt (Abraham and Isaac), Quast, Vondel, and Vos -- - 8.1 - Abraham and Isaac: the opening of history through the what-if -- - 8.2 - The virtual: narrative versus interruption -- - 8.3 - A Fool Waiting for the Political Moment: Tableau Vivant Between Retrospection and Anticipation -- - 8.4 - The political potential in the tableau and the nature of freedom -- - 8.5 - Moment of closure: spectacle and a revolting tableau |
| Umfang: | 1 Online-Ressource (231 Seiten) |
| ISBN: | 9789048532056 |
| DOI: | 10.1017/9789048532056 |
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| author | Korsten, Frans-Willem 1959- |
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| dewey-ones | 792 - Stage presentations |
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| dewey-search | 792.0949209/032 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.1017/9789048532056 |
| era | Geschichte 1600-1700 gnd |
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| geographic | Netherlands / Politics and government / 1648-1714 Niederlande (DE-588)4042203-3 gnd |
| geographic_facet | Netherlands / Politics and government / 1648-1714 Niederlande |
| id | DE-604.BV047267937 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:14:33Z |
| institution | BVB |
| isbn | 9789048532056 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032671677 |
| oclc_num | 1249668500 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG |
| owner_facet | DE-12 DE-473 DE-BY-UBG |
| physical | 1 Online-Ressource (231 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2017 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Amsterdam studies in the Dutch golden age |
| spelling | Korsten, Frans-Willem 1959- (DE-588)173892485 aut A Dutch republican baroque theatricality, dramatization, moment, and event Frans-Willem Korsten Amsterdam Amsterdam University Press 2017 1 Online-Ressource (231 Seiten) txt rdacontent c rdamedia cr rdacarrier Amsterdam studies in the Dutch golden age Title from publisher's bibliographic system (viewed on 22 Feb 2021) 1 - Republican baroque: a thunderclap, a city hall and two executions -- - 1.1 - Artifice: multiple worlds and one actualized -- - 1.2 - Why a Dutch republican baroque; and why not a Golden Age? -- - 1.3 - City hall: affect -- or what moves and what drives -- - 1.4 - Thunderclap: moment and event -- - 1.5 - Two executions: theatricality and dramatization -- - 1.6 - Republican baroque and slavery -- - 2 - The dramatic potential in history: Rome and the Republic -- Grevius, Vondel, Knupfer, and Job -- - 2.1 - Two incompatible political models: transfer or disruption? -- - 2.2 - Allegory tied into a knot: history's continuity dramatically disrupted -- - 2.3 - Perverse powers, or how to make fun of the theater of torture -- - 2.4 - Catholic Rome and the figure of Job: subjection to the only possible world -- - 3 - The cruel death of worlds and political incompatibility -- the brothers De Witt -- - 3.1 - Foundations of law: the master/father of a political house -- - 3.2 - The lynching of the De Witts: condensation and spectacle -- - 3.3 - The ship of state and the cruel political choice between incompatible worlds -- - 3.4 - Combat, the dramatic logic of cruelty, and the potential of difference -- - 4 - A Happy Split of Worlds or the Comedic Sublime -- Frans Hals -- - 4.1 - Happiness, the comedic, and the sublime -- - 4.2 - From Steen to Vondel: comical and tragic counterpoints to the comedic -- - 4.3 - The sublime intensity of the moment -- - 4.4 - Freedom: necessity and contingency -- - 5 - The seas or the world as scene -- Focquenbroch and Grotius -- - 5.1 - Pre-colonial mise-en-abyme: Focquenbroch and a non-republican baroque -- - 5.2 - Moment of exchange and the non-existent 'proper' -- - 5.3 - Juridical staging: commerce and the seas -- - 5.4 - The precariousness of mise-en-scene -- - 5.5 - Amsterdam: city and sea as world scene -- - 6 - Not a frame but a lens: the touch of knowledge -- Rumphius, Vossius, Spinoza -- - 6.1 - Spectacle or theater: Rumphius as knowledge-trader -- - 6.2 - Nature internalized: res cogitans reconsidered -- - 6.3 - Sensing the world differently: the telescope -- - 6.4 - Reading through a lens: intensity and texture before scripture -- - 7 - Public theater, collective drama and the new -- Van den Enden and Huygens -- - 7.1 - Theatrum mundi, public acting and the plane of collective imagination -- - 7.2 - Speaking for those who understand: a school drama in a theater -- - 7.3 - Dramatization: Theatrum mundi versus mundus dramaticus -- - 7.4 - Fluid borders between theatricality and dramatization: Huygens' 'Sunday' -- - 8 - Interrupting time for the sake of division: history and the tableau vivant -- Rembrandt (Abraham and Isaac), Quast, Vondel, and Vos -- - 8.1 - Abraham and Isaac: the opening of history through the what-if -- - 8.2 - The virtual: narrative versus interruption -- - 8.3 - A Fool Waiting for the Political Moment: Tableau Vivant Between Retrospection and Anticipation -- - 8.4 - The political potential in the tableau and the nature of freedom -- - 8.5 - Moment of closure: spectacle and a revolting tableau In the Dutch Republic, in its Baroque forms of art, two aesthetic formal modes, theatre and drama, were dynamically related to two political concepts, event and moment. The Dutch version of the Baroque is characterised by a fascination with this world regarded as one possibility out of a plurality of potential worlds. It is this fascination that explains the coincidence in the Dutch Republic, strange at first sight, of Baroque exuberance, irregularity, paradox, and vertigo with scientific rigor, regularity, mathematical logic, and rational distance. In giving a new historical perspective on the Baroque as a specifically Dutch republican one, this study also offers a new and systematic approach towards the interactions among the notions of theatricality, dramatisation, moment, and event: concepts that are currently at the centre of philosophical and political debates but the modern articulation of which can best be considered in the explorations of history and world in the Dutch Republic. Our idea of Dutch history will never recover from reading this book. As in Korsten's conception of the Baroque Geschichte 1600-1700 gnd rswk-swf Art, Baroque / Netherlands / Themes, motives Art, Dutch / 17th century / Themes, motives Art, Dutch / 16th century / Themes, motives Politik (DE-588)4046514-7 gnd rswk-swf Barock (DE-588)4004541-9 gnd rswk-swf Sozialgeschichte (DE-588)4055772-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Netherlands / Politics and government / 1648-1714 Niederlande (DE-588)4042203-3 gnd rswk-swf Niederlande (DE-588)4042203-3 g Malerei (DE-588)4037220-0 s Politik (DE-588)4046514-7 s Sozialgeschichte (DE-588)4055772-8 s Geschichte 1600-1700 z DE-604 Barock (DE-588)4004541-9 s Erscheint auch als Druck-Ausgabe 978-94-629-8212-3 https://doi.org/10.1017/9789048532056 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Korsten, Frans-Willem 1959- A Dutch republican baroque theatricality, dramatization, moment, and event Art, Baroque / Netherlands / Themes, motives Art, Dutch / 17th century / Themes, motives Art, Dutch / 16th century / Themes, motives Politik (DE-588)4046514-7 gnd Barock (DE-588)4004541-9 gnd Sozialgeschichte (DE-588)4055772-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4046514-7 (DE-588)4004541-9 (DE-588)4055772-8 (DE-588)4037220-0 (DE-588)4042203-3 |
| title | A Dutch republican baroque theatricality, dramatization, moment, and event |
| title_auth | A Dutch republican baroque theatricality, dramatization, moment, and event |
| title_exact_search | A Dutch republican baroque theatricality, dramatization, moment, and event |
| title_full | A Dutch republican baroque theatricality, dramatization, moment, and event Frans-Willem Korsten |
| title_fullStr | A Dutch republican baroque theatricality, dramatization, moment, and event Frans-Willem Korsten |
| title_full_unstemmed | A Dutch republican baroque theatricality, dramatization, moment, and event Frans-Willem Korsten |
| title_short | A Dutch republican baroque |
| title_sort | a dutch republican baroque theatricality dramatization moment and event |
| title_sub | theatricality, dramatization, moment, and event |
| topic | Art, Baroque / Netherlands / Themes, motives Art, Dutch / 17th century / Themes, motives Art, Dutch / 16th century / Themes, motives Politik (DE-588)4046514-7 gnd Barock (DE-588)4004541-9 gnd Sozialgeschichte (DE-588)4055772-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Art, Baroque / Netherlands / Themes, motives Art, Dutch / 17th century / Themes, motives Art, Dutch / 16th century / Themes, motives Politik Barock Sozialgeschichte Malerei Netherlands / Politics and government / 1648-1714 Niederlande |
| url | https://doi.org/10.1017/9789048532056 |
| work_keys_str_mv | AT korstenfranswillem adutchrepublicanbaroquetheatricalitydramatizationmomentandevent |