Experiencing music and visual cultures: threshold, intermediality, synchresis
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Taylor & Francis Group
2021
|
| Schriftenreihe: | Music and Visual Culture
|
| Schlagwörter: | |
| Links: | https://ebookcentral.proquest.com/lib/bsmfidmusic/detail.action?docID=6451955 https://doi.org/10.4324/9780429198366 https://doi.org/10.4324/9780429198366 |
| Umfang: | 1 Online-Ressource (vi, 224 Seiten) Illustrationen |
| ISBN: | 9780429198366 9780429584138 |
| DOI: | 10.4324/9780429198366 |
Internformat
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| 505 | 8 | |a Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Notes on contributors -- Introduction -- PART I: Setting the scene -- 1. Synch: scenes of implication -- 2. Armida in-between: the translation of the affetti -- PART II: Voice as presence and absence -- 3. La voix humaine (1959-2016) and the "epiphany" of the performer's identity -- 4. Puppets that sing or scenery that breathes: Phelim McDermott's Satyagraha -- 5. Manipulating (public) images in the contemporary music documentary -- 6. A new Carmen for a new Spain: nationalism and cinema during the Spanish Civil War -- PART III: Beyond borders -- 7. "Uber opera": the politics of site-specific mobile opera in Los Angeles -- 8. Quel trouble me saisit?: the arrested gaze of Armide in Poussin, Quinault and Lully -- 9. Music in Cuban revolutionary cinema: musical experimentation in the service of revolutionary ideology -- 10. Ken Russell's Mahler: a musical phantasmagoria -- 11. There's meth in the madness: music and incongruence in AMC's Breaking Bad -- PART IV: From silence to sound and back -- 12. Music, painting, cosmos, chaos: flaying and playing in Titian's Marsyas -- 13. Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana -- 14. Listening to space in time -- 15. The allowable voices of silent opera films in 1910s Ireland -- Index | |
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Datensatz im Suchindex
| _version_ | 1818987841148944384 |
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| any_adam_object | |
| author2 | Cascelli, Antonio Condon, Denis |
| author2_role | edt edt |
| author2_variant | a c ac d c dc |
| author_GND | (DE-588)1024922553 (DE-588)1188766937 |
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| building | Verbundindex |
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| contents | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Notes on contributors -- Introduction -- PART I: Setting the scene -- 1. Synch: scenes of implication -- 2. Armida in-between: the translation of the affetti -- PART II: Voice as presence and absence -- 3. La voix humaine (1959-2016) and the "epiphany" of the performer's identity -- 4. Puppets that sing or scenery that breathes: Phelim McDermott's Satyagraha -- 5. Manipulating (public) images in the contemporary music documentary -- 6. A new Carmen for a new Spain: nationalism and cinema during the Spanish Civil War -- PART III: Beyond borders -- 7. "Uber opera": the politics of site-specific mobile opera in Los Angeles -- 8. Quel trouble me saisit?: the arrested gaze of Armide in Poussin, Quinault and Lully -- 9. Music in Cuban revolutionary cinema: musical experimentation in the service of revolutionary ideology -- 10. Ken Russell's Mahler: a musical phantasmagoria -- 11. There's meth in the madness: music and incongruence in AMC's Breaking Bad -- PART IV: From silence to sound and back -- 12. Music, painting, cosmos, chaos: flaying and playing in Titian's Marsyas -- 13. Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana -- 14. Listening to space in time -- 15. The allowable voices of silent opera films in 1910s Ireland -- Index |
| ctrlnum | (ZDB-7-TAR)9780429198366 (OCoLC)1249669434 (DE-599)KEP061055735 |
| doi_str_mv | 10.4324/9780429198366 |
| format | Electronic eBook |
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| institution | BVB |
| isbn | 9780429198366 9780429584138 |
| language | English |
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| spelling | Experiencing music and visual cultures threshold, intermediality, synchresis edited by Antonio Cascelli and Denis Condon London ; New York Taylor & Francis Group 2021 1 Online-Ressource (vi, 224 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Music and Visual Culture Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Notes on contributors -- Introduction -- PART I: Setting the scene -- 1. Synch: scenes of implication -- 2. Armida in-between: the translation of the affetti -- PART II: Voice as presence and absence -- 3. La voix humaine (1959-2016) and the "epiphany" of the performer's identity -- 4. Puppets that sing or scenery that breathes: Phelim McDermott's Satyagraha -- 5. Manipulating (public) images in the contemporary music documentary -- 6. A new Carmen for a new Spain: nationalism and cinema during the Spanish Civil War -- PART III: Beyond borders -- 7. "Uber opera": the politics of site-specific mobile opera in Los Angeles -- 8. Quel trouble me saisit?: the arrested gaze of Armide in Poussin, Quinault and Lully -- 9. Music in Cuban revolutionary cinema: musical experimentation in the service of revolutionary ideology -- 10. Ken Russell's Mahler: a musical phantasmagoria -- 11. There's meth in the madness: music and incongruence in AMC's Breaking Bad -- PART IV: From silence to sound and back -- 12. Music, painting, cosmos, chaos: flaying and playing in Titian's Marsyas -- 13. Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana -- 14. Listening to space in time -- 15. The allowable voices of silent opera films in 1910s Ireland -- Index Film (DE-588)4017102-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf Electronic books Art and music MUSIC / General MUSIC / History & Criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Kunst (DE-588)4114333-4 s Film (DE-588)4017102-4 s Theater (DE-588)4059702-7 s Intermedialität (DE-588)4605581-2 s DE-604 Cascelli, Antonio (DE-588)1024922553 edt Condon, Denis (DE-588)1188766937 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-367-18804-7 https://doi.org/10.4324/9780429198366 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Experiencing music and visual cultures threshold, intermediality, synchresis Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- Notes on contributors -- Introduction -- PART I: Setting the scene -- 1. Synch: scenes of implication -- 2. Armida in-between: the translation of the affetti -- PART II: Voice as presence and absence -- 3. La voix humaine (1959-2016) and the "epiphany" of the performer's identity -- 4. Puppets that sing or scenery that breathes: Phelim McDermott's Satyagraha -- 5. Manipulating (public) images in the contemporary music documentary -- 6. A new Carmen for a new Spain: nationalism and cinema during the Spanish Civil War -- PART III: Beyond borders -- 7. "Uber opera": the politics of site-specific mobile opera in Los Angeles -- 8. Quel trouble me saisit?: the arrested gaze of Armide in Poussin, Quinault and Lully -- 9. Music in Cuban revolutionary cinema: musical experimentation in the service of revolutionary ideology -- 10. Ken Russell's Mahler: a musical phantasmagoria -- 11. There's meth in the madness: music and incongruence in AMC's Breaking Bad -- PART IV: From silence to sound and back -- 12. Music, painting, cosmos, chaos: flaying and playing in Titian's Marsyas -- 13. Armonia, seeing and hearing in Paolo Veronese's Le nozze di Cana -- 14. Listening to space in time -- 15. The allowable voices of silent opera films in 1910s Ireland -- Index Film (DE-588)4017102-4 gnd Musik (DE-588)4040802-4 gnd Kunst (DE-588)4114333-4 gnd Theater (DE-588)4059702-7 gnd Intermedialität (DE-588)4605581-2 gnd |
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| title | Experiencing music and visual cultures threshold, intermediality, synchresis |
| title_auth | Experiencing music and visual cultures threshold, intermediality, synchresis |
| title_exact_search | Experiencing music and visual cultures threshold, intermediality, synchresis |
| title_full | Experiencing music and visual cultures threshold, intermediality, synchresis edited by Antonio Cascelli and Denis Condon |
| title_fullStr | Experiencing music and visual cultures threshold, intermediality, synchresis edited by Antonio Cascelli and Denis Condon |
| title_full_unstemmed | Experiencing music and visual cultures threshold, intermediality, synchresis edited by Antonio Cascelli and Denis Condon |
| title_short | Experiencing music and visual cultures |
| title_sort | experiencing music and visual cultures threshold intermediality synchresis |
| title_sub | threshold, intermediality, synchresis |
| topic | Film (DE-588)4017102-4 gnd Musik (DE-588)4040802-4 gnd Kunst (DE-588)4114333-4 gnd Theater (DE-588)4059702-7 gnd Intermedialität (DE-588)4605581-2 gnd |
| topic_facet | Film Musik Kunst Theater Intermedialität Aufsatzsammlung |
| url | https://doi.org/10.4324/9780429198366 |
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