Art in theory: the West in the world: an anthology of changing ideas
Gespeichert in:
| Weitere beteiligte Personen: | , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Hoboken, NJ
Wiley Blackwell
[2021]
|
| Schriftenreihe: | New collection
The Wiley Blackwell art in theory series |
| Schlagwörter: | |
| Links: | http://swbplus.bsz-bw.de/bsz1737289679cov.htm http://swbplus.bsz-bw.de/bsz1737289679inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032621246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Covers not only the chronologically earliest period in the book but also the most extensive timespan of any part of the anthology: the first text dates from c.1204, the latest from c.1690. With the exception, however, of the first four texts, which form a chronologically separate cluster, all the rest date from the mid-fifteenth century to the late seventeenth century, a period of approximately 250 years. In the arts, this includes the Renaissance as well as the later founding of the French Academie Royale, and with it, the inception of the academic system which not only dominated French art for the next two hundred years but also provided the model that fundamentally shaped art practice throughout Europe. In a broader perspective the timespan also covers the late fifteenth- and sixteenth-century Age of Exploration and the seventeenth-century 'scientific revolution'. By any standards, that amounts to a world-historical epoch, and although the existing volumes of Art in Theory do not encompass Renaissance art theory (precisely because it was felt to constitute a subject distinct from our concern with the modern period and its academic predecessor), the present anthology of necessity does seek to address this period of Europe's earliest encounters - since antiquity." |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | xxxix, 1122 Seiten |
| ISBN: | 9781444336313 |
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| 245 | 1 | 0 | |a Art in theory: the West in the world |b an anthology of changing ideas |c edited by Paul Wood and Leon Wainwright with Charles Harrison |
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| 300 | |a xxxix, 1122 Seiten | ||
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| 490 | 0 | |a New collection | |
| 490 | 0 | |a The Wiley Blackwell art in theory series | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a "Covers not only the chronologically earliest period in the book but also the most extensive timespan of any part of the anthology: the first text dates from c.1204, the latest from c.1690. With the exception, however, of the first four texts, which form a chronologically separate cluster, all the rest date from the mid-fifteenth century to the late seventeenth century, a period of approximately 250 years. In the arts, this includes the Renaissance as well as the later founding of the French Academie Royale, and with it, the inception of the academic system which not only dominated French art for the next two hundred years but also provided the model that fundamentally shaped art practice throughout Europe. In a broader perspective the timespan also covers the late fifteenth- and sixteenth-century Age of Exploration and the seventeenth-century 'scientific revolution'. By any standards, that amounts to a world-historical epoch, and although the existing volumes of Art in Theory do not encompass Renaissance art theory (precisely because it was felt to constitute a subject distinct from our concern with the modern period and its academic predecessor), the present anthology of necessity does seek to address this period of Europe's earliest encounters - since antiquity." | |
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| 700 | 1 | |a Harrison, Charles |d 1942-2009 |0 (DE-588)123407443 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1819319839891652608 |
|---|---|
| adam_text | SUMMARY OF CONTENTS
PART I ENCOUNTERING THE WORLD 1
A FIGURES OF WEALTH AND POWER 9
B ACROSS THE OCEAN SEA 40
C SCHOLARLY RESPONSES 66
PART II ENLIGHTENMENT AND EXPANSION 101
A THE ORIENT IN FACT AND FANCY 109
B CURIOSITIES AND COLONIES 137
C CHANGING IDEAS AND VALUES 172
PART III REVOLUTION, ROMANTICISM, REACTION 209
A HISTORY: BETWEEN SPIRIT AND SCIENCE 215
B VISIONS OF THE EXOTIC 253
C MISSIONARIES, MANAGERS AND RESISTANCE 289
PART IV MODERNITY AND EMPIRE 325
A ENDURING FICTIONS AND TRANSFORMED SPACES 329
B SOCIETY, EVOLUTION AND THE IDEA OF RACE 357
C ANTHROPOLOGY, MUSEUMS AND THE ORIGINS OF ART 393
D THE WORLD IN VIEW: TRAVELLERS AND TEACHERS 428
PART V THE SIGNIFICANCE OF THE PRIMITIVE 463
A AUTHENTICITY, FORM AND FEELING 467
B THE REACH OF EMPIRE 494
PART VI IN A WORLD OF COLONIES 529
A MODERN, PRIMITIVE, UNIVERSAL 535
B WESTERN CIVILIZATION: FOR AND AGAINST 565
C THE CHALLENGE OF THE AVANT-GARDE 612
PART VII INDEPENDENCE AND THE POST-COLONIAL 661
A RESITUATING THEORY AND POLITICS 667
B EXHIBITIONS, MUSEUMS AND HISTORIES REIMAGINED 706
C BEYOND MODERNISM 746
D ASSERTING IDENTITY 785
PART VIM THE GLOBAL TURN 821
A CRITICAL REVISIONS: THEORY AND HISTORY 827
B DIVERSITY: TRANSLATION, CREOLIZATION AND IDENTITY 876
C GLOBAL ART AND THE MUSEUM 930
D CONCERNING THE CONTEMPORARY 976
CONTENTS
ACKNOWLEDGEMENTS XXVII
A NOTE ON THE PRESENTATION AND EDITING OF TEXTS XXVIII
GENERAL INTRODUCTION XXXI
I ENCOUNTERING THE WORLD 1
INTRODUCTION 1
IA FIGURES OF WEALTH AND POWER 9
1 ROBERT OF CLARI
FROM THE CONQUEST OF CONSTANTINOPLE HOAILLLG 9
2 GIOVANNI DI PIAN DE CARPINI ( JOHN OF CARPINI )
FROM HIS JOURNEY TO THE COURT OF KUYUK KHAN 1245-7 11
3 MARCO POLO
FROM THE TRAVELS C.L299 13
4 SIR JOHN MANDEVILLE
FROM HIS TRAVELS C.1356 16
5 VARIOUS AUTHORS ON ARTISTIC AND CULTURAL RELATIONS BETWEEN ITALIAN
CITY STATES AND THE OTTOMAN AND MAMLUK EMPIRES DURING THE
LATE FIFTEENTH AND EARLY SIXTEENTH CENTURIES 18
5 (I) SIGISMONDO MALATESTA OF RIMINI
LETTER OF INTRODUCTION FOR MATTEO DE PASTI TO MEHMED II 1461 19
5 (II) MARIN SANUDO
FROM HIS DIARY FOR 1 AUGUST 1479 20
5 (III) MEHMED II
TO THE VENETIAN SENATE 1480 20
5 (IV) THE VENETIAN SENATE
LETTER TO MEHMED II 1480 21
5 (V) LUCA LANDUCCI
FROM HIS FLORENTINE DIARY 1487 21
5 (VI) LEONARDO DA VINCI
FROM A LETTER TO SULTAN BAYEZID II BEFORE 1512 22
5 (VII) TOMMASO DI TOLFO
FROM A LETTER TO MICHELANGELO 1519 22
6 GIOVANNI DA EMPOLI
ON INDIA, CEYLON AND THE SPICE ISLANDS 1514 23
7 JOAO DE CASTRO
FROM ROTEIRO DE GOA ATE DIO 1540S 24
8 SIMAO DE MELO
FROM AN INVENTORY OF HIS GOODS 1570S 26
X CONTENTS
9 JOHANN HUYGHEN VAN LINSCHOTEN
ON INDIAN RELIGIOUS ART 1596 29
10 DUARTE DE SANDE
FROM AN EXCELLENT TREATISE OF THE KINGDOM OF CHINA C.1590 32
11 MATTEO RICCI
FROM HIS JOURNAL C.1582-1610/1615 34
12 JEAN-BAPTISTE TAVERNIER
ON THE PEACOCK THRONE 38
IB ACROSS THE OCEAN SEA 40
1 CHRISTOPHER COLUMBUS
TWO TEXTS FROM HIS FIRST VOYAGE TO AMERICA 1492 40
2 AMERIGO VESPUCCI
LETTER TO LORENZO PIETRO FRANCO DE MEDICI 1503 43
3 HERNDN CORTES
TWO LETTERS FROM MEXICO 1519 AND 1520 45
4 BARTOLOME DE LAS CASAS
FROM APOLOGETIC HISTORY OF THE INDIES C.1542-52 48
5 TORIBIO DE BENAVENTE ( MOTOLINFA )
FROM HISTORY OF THE INDIANS OF NEW SPAIN 1536 51
6 FIRST PROVINCIAL COUNCIL IN LIMA 1551-2
ON. THE DESTRUCTION OF INDIAN SACRED SITES 52
7 JEAN DE LERY
FROM HISTORY OF A VOYAGE TO THE LAND OF BRAZIL C. 1563-80 53
8 THOMAS HARRIOT
FROM A BRIEFE AND TRUE REPORT OF THE NEW FOUND LAND
OF VIRGINIA 1590 54
9 BERNARDO DE BALBUENA
FROM GRANDEZA MEXICANA 1604 57
10 JUAN RODRIGUEZ FREILE
ON THE LEGEND OF EL DORADO 1636 60
11 JOHN LOK
A VOYAGE TO GUINEA IN THE YEAR 1554 61
12 OLFERT DAPPER
ON THE CITY OF BENIN 1668 62
13 WILLIAM DAMPIER
THE FIRST ENCOUNTER WITH INDIGENOUS AUSTRALIAN PEOPLE C.1688/99 64
IC SCHOLARLY RESPONSES 66
1 ANON.
FROM THE INVENTORY OF THE PALAZZO MEDICI 1492 66
2 ALBRECHT DURER
FROM HIS DIARY OF HIS JOURNEY TO THE NETHERLANDS 1520 70
3 THOMAS PLATTER
ON MR COPE S CABINET OF CURIOSITIES 1599 71
4 MICHEL DE MONTAIGNE
ON THE CANNIBALS C.1580S 74
5 CHRISTOPHER MARLOWE
FROM TAMBURLAINE THE GREAT C.1590 76
CONTENTS XI
6 FRANCIS BACON
OF PLANTATIONS C.1597-1625 77
7 FRANCIS BACON
FROM NEW ATLANTIS C.1620-5 79
8 MARTIN DE CHARMOIS
FROM HIS PETITION TO THE KING AND TO THE LORDS OF HIS COUNCIL 1648 81
9 DOROTHY OSBORNE
FROM LETTERS TO SIR WILLIAM TEMPLE 1653 82
10 THOMAS HOBBES
OF THE NATURALL CONDITION OF MANKIND 1651 83
11 JOHN TRADESCANT
FROM THE MUSEUM TRADESCANTIANUM, OR A COLLECTION OF RARITIES 1656 83
12 JOHN DRYDEN
ON THE NOBLE SAVAGE 1670-2 91
13 APHRA BEHN
FROM OROONOKO, OR THE ROYAL SLAVE C.1663-4/1688 91
14 CHARLES PERRAULT
FROM PARALLEL OF THE ANCIENTS AND MODERNS 1688 93
15 WILLIAM TEMPLE
ON THE DISTINCTIVENESS OF CHINESE GARDENS 1690 94
16 GOTTFRIED WILHELM LEIBNIZ
FROM PREFACE TO NOVISSIMA SINICA C.1690 96
17 JOHN LOCKE
OF PROPERTY , FROM TWO TREATISES OF GOVERNMENT C.1690 98
II ENLIGHTENMENT AND EXPANSION 101
INTRODUCTION 101
HA THE ORIENT IN FACT AND FANCY 109
1 ANTOINE GALLAND
PREFACE TO D HERBEIOT S BIBLIOTHEQUE ORIENTALE 1697 109
2 ANON.
FROM THE ARABIAN NIGHTS ENTERTAINMENTS 1713 111
3 LADY MARY WORTLEY MONTAGU
LETTERS FROM THE TURKISH EMPIRE C.1716-18 114
4 CHARLES-LOUIS DE SECONDAT, BARON DE MONTESQUIEU
FROM PERSIAN LETTERS 1721 119
5 JOSEPH ADDISON
FROM THE PLEASURES OF THE IMAGINATION 1712 120
6 JOHN SHEBBEARE
THE TASTE OF ENGLAND AT PRESENT... 1756 121
7 OLIVER GOLDSMITH
FROM THE CITIZEN OF THE WORLD 1765 122
8 SIR WILLIAM CHAMBERS
FROM A DISSERTATION ON ORIENTAL GARDENING 1772 124
9 SIR WILLIAM JONES
FROM HIS DISCOURSES TO THE ASIATICK SOCIETY OF BENGAL 1784
AND 1785 127
XII CONTENTS
10 WILLIAM BECKFORD OF FONTHILL
FROM VATHEK 1786 130
11 SIR GEORGE STAUNTON
FROM HIS ACCOUNT OF THE MACARTNEY EMBASSY TO CHINA 1797 133
IIB CURIOSITIES AND COLONIES 137
1 HANS SLOANE
FROM THE NATURAL HISTORY OF JAMAICA C. 1690/1707 137
2 JONATHAN SWIFT
FROM GULLIVER S TRAVELS 1726 138
3 LOUIS ANTOINE DE BOUGAINVILLE
ON TAHITI 1768/72 140
4 A SELECTION OF TEXTS FROM THE COOK VOYAGES TO THE PACIFIC 1768-80 143
4 (I) JOSEPH BANKS
ON TWO FIGURES AND A MARAE, OR TEMPLE PRECINCT, IN TAHITI JUNE 1769 145
4 (II) JAMES COOK
TWO ACCOUNTS OF THE PRACTICE OF TATTOOING 147
(A) IN TAHITI JULY 1769
(B) IN NEW ZEALAND MARCH 1770
4 (III) JAMES COOK
ON THE PEOPLE OF AUSTRALIA APRIL TO AUGUST 1770 148
4 (IV) WILLIAM WALES
AN ACCOUNT OF MUSIC AND DANCING IN TAHITI 1773 150
4 (V) GEORGE FORSTER
AN ACCOUNT OF ARTEFACTS AT TONGA OCTOBER 1773 152
4 (VI) GEORGE FORSTER
ON THE STONE STATUES AND WOOD CARVINGS OF EASTER ISLAND MARCH 1774 153
5 IGNATIUS SANCHO AND LAURENCE STERNE
AN EXCHANGE OF LETTERS 1766 155
6 MANUEL AMAT Y JUNYENT, VICEROY OF PERU
LETTER ON CASTA PAINTINGS 1770 157
7 IGNATIUS SANCHO
LETTER TO JACK WINGRAVE 1778 158
8 WILLIAM HODGES
FROM TRAVELS IN INDIA 1780-3/1794 159
9 THOMAS JEFFERSON
FROM NOTES ON THE STATE OF VIRGINIA 1787 162
10 OLAUDAH EQUIANO
ON THE MIDDLE PASSAGE 1789 164
11 WILLIAM BECKFORD OF SOMERLEY
FROM A DESCRIPTIVE A CCOUNT OF THE ISLAND OF JAMAICA 1790 167
12 ERASMUS DARWIN (1731-1802)
ON REVOLUTION, SLAVERY AND THE WEDGWOOD MEDALLION 1791 170
LIE CHANGING IDEAS AND VALUES 172
1 DAVID HUME
FROM OF NATIONAL CHARACTERS 1748 172
2 JEAN-JACQUES ROUSSEAU
FROM A DISCOURSE ON THE MORAL EFFECTS OF THE ARTS AND
SCIENCES 1750 174
CONTENTS XIII
3 COMTE DE CAYLUS
FROM A COLLECTION OF THE ANTIQUITIES OF EGYPT 1752 177
4 VOLTAIRE (FRANGOIS-MARIE AROUET)
FROM ESSAY ON THE MANNERS AND SPIRIT OF NATIONS 1756/9 180
5 VOLTAIRE (FRANGOIS-MARIE AROUET)
FROM ESSAY ON TASTE 1759 184
6 IMMANUEL KANT
FROM OBSERVATIONS ON THE FEELING OF THE BEAUTIFUL AND THE
SUBLIME 1763 185
7 JOHANN JOACHIM WINCKELMANN
FROM THE HISTORY OF ANCIENT ART 17 64 188
8 JOHN MILLAR
NOTES ON THE FOUR STAGES THEORY OF HUMAN DEVELOPMENT 1760S 190
9 DENIS DIDEROT
SUPPLEMENT TO THE VOYAGE OF BOUGAINVILLE 1772 191
10 JOHANN GOTTFRIED HERDER
FROM A MONUMENT TO JOHANN WINCKELMANN 1778 194
11 SAMUEL JOHNSON
ON THE STATE OF NATURE 1766-84 197
12 ANTOINE QUATREMERE DE QUINCY
FROM EGYPTIAN ARCHITECTURE 1785 199
13 JOSHUA REYNOLDS
FROM HIS DISCOURSES 1776 AND 1786 202
14 EDWARD GIBBON
REFLECTIONS ON CIVILIZATION AND BARBARISM 1788 205
III REVOLUTION, ROMANTICISM, REACTION 209
INTRODUCTION 209
HIA HISTORY: BETWEEN SPIRIT AND SCIENCE 215
1 JOHANN GOTTFRIED HERDER
FROM OUTLINES OF A PHILOSOPHY OF THE HISTORY OF MAN 1790 215
2 CHARLES BELL
FROM ESSAYS ON THE ANATOMY OF EXPRESSION IN PAINTING 1806 218
3 FRIEDRICH SCHLEGEL
ON THE LANGUAGE AND PHILOSOPHY OF THE INDIANS 1808 221
4 JOSEPH FOURIER
FROM HISTORICAL PREFACE TO THE DESCRIPTION OF EGYPT 1809 224
5 EDWARD MOOR
FROM THE HINDU PANTHEON 1810 226
6 RICHARD PAYNE KNIGHT
FROM AN INQUIRY INTO THE SYMBOLICAL LANGUAGE OF ANCIENT ART
AND MYTHOLOGY1818 230
7 JOHN FLAXMAN
STYLE C. 1810-26 233
8 GEORG WILHELM FRIEDRICH HEGEL
FROM AESTHETICS: LECTURES ON FINE ART 1823-9 235
9 GEORG WILHELM FRIEDRICH HEGEL
FROM LECTURES ON THE PHILOSOPHY OF WORLD HISTORY 1830-1 241
XIV CONTENTS
10 JOHN L. STEPHENS
FROM INCIDENTS OF TRAVEL IN YUCATAN 1843 244
11 ARTHUR SCHOPENHAUER
ON HUMAN NATURE C.1845-50 247
12 GOTTFRIED SEMPER
FROM THE FOUR ELEMENTS OFARCHITECTURE 1851 249
1MB VISIONS OF THE EXOTIC 253
1 SAMUEL TAYLOR COLERIDGE
KUBLA KHAN 1798 253
2 MARIA EDGEWORTH
FROM THE ABSENTEE 1812 255
3 GEORGE GORDON, LORD BYRON
FROM THE GIAOUR 1813 256
4 THOMAS DE QUINCEY
FROM CONFESSIONS OF AN ENGLISH OPIUM-EATER 1821 261
5 JOHANN WOLFGANG GOETHE
FROM THE WEST-EASTERN DIVAN C. 1814-19 264
6 GIACOMO LEOPARDI
FROM ZIBALDONE 1820-3 268
7 ALFRED, LORD TENNYSON
FROM TIMBUCTOO 1829 271
8 EUGENE DELACROIX
LETTERS AND NOTES ON HIS JOURNEY TO NORTH AFRICA 1832 274
9 GEORGE CATLIN
LETTER FROM THE MOUTH OF THE YELLOWSTONE RIVER 1832 279
10 JOHN CONSTABLE
FROM DISCOURSES 1836 281
11 DAVID ROBERTS
FROM HIS TRAVELS TO EGYPT AND THE MIDDLE EAST 1838-9 282
12 JEAN AUGUSTE DOMINIQUE INGRES
NOTES ON THE TURKISH BATHS N.D. 285
WE MISSIONARIES, MANAGERS AND RESISTANCE 289
1 THOMAS PAINE
FROM RIGHTS OF MAN 1792 289
2 WILLIAM BLAKE
FROM AMERICA, A PROPHECY 1793 292
3 MIRZA ABU TALIB (ORTALEB) KHAN
FROM HIS TRAVELS 1799/1800 293
4 LADY MARIA NUGENT
FROM HER JOURNAL 1801-5 297
5 WILLIAM WORDSWORTH
TO TOUSSAINTL OUVERTURE 1802 299
6 JAMES MILL
FROM THE HISTORY OF BRITISH INDIA 1817 300
7 PERCY BYSSHE SHELLEY
OZYMANDIAS 1817 305
CONTENTS XV
8 HENRY SALT AND JOSEPH BANKS
TWO LETTERS 1818-19 306
9 JOHN DAVY
FROM AN ACCOUNT OF THE INTERIOR OF CEYLON 1821 307
10 WILLIAM ELLIS
FROM POLYNESIAN RESEARCHES 1829 309
11 RAM RAZ
FROM ESSAY ON THE ARCHITECTURE OF THE HINDUS 1834 313
12 THOMAS BABINGTON MACAULAY, LORD MACAULAY
MINUTE ON INDIAN EDUCATION 1835 317
13 JAMES MALLORD WILLIAM TURNER, WILLIAM MAKEPEACE THACKERAY
AND JOHN RUSKIN
THREE TEXTS RELATING TO J. M. W. TURNER S SLAVE SHIP 1840 AND 1843 320
IV MODERNITY AND EMPIRE 325
INTRODUCTION 325
IVA ENDURING FICTIONS AND TRANSFORMED SPACES 329
1 THEOPHILE GAUTIER
FROM ART IN 1848 1848 329
2 THEOPHILE GAUTIER
ON GEROME AND ARTISTIC ORIENTALISM 1856 330
3 THEOPHILE THORE, WRITING AS WILLIAM BURGER,
FROM NEW TENDENCIES IN ART 1857 332
4 EDMOND AND JULES DE GONCOURT
ON JAPANESE ART 1861-4 334
5 VARIOUS AUTHORS ON JAPANESE ART AND THE PAINTING OF MODERN LIFE 336
5 (I) CHARLES BAUDELAIRE
FROM A LETTER TO ARSENE HOUSSAYE 1861 336
5 (II) EMILE ZOLA
ON MANET 1867 337
5 (III) EDMOND DURANTY
ON THE NEW PAINTING 1876 338
5 (IV) STEPHANE MALLARME
FROM THE IMPRESSIONISTS AND EDOUARD MANET 1876 339
5 (V) THEODORE DURET
ON JAPAN 1878 340
5 (VI) FELIX FENEON
FROM THE IMPRESSIONISTS IN 1886 1886 340
5 (VII) VINCENT VAN GOGH
ON JAPAN 1888 341
6 PHILIPPE BURTY
ANCIENT JAPAN AND MODERN JAPAN 1878 342
7 JORIS-KARL HUYSMANS
FROM A REBOURS 1884 345
8 PIERRE LOTI
FROM THE MARRIAGE OF LOTI 1872/1878-9 345
XVI CONTENTS
9 A CLUSTER OF TEXTS ON GAUGUIN AND OCEANIA 347
9 (I) PAUL GAUGUIN
FROM THREE LETTERS WRITTEN BEFORE LEAVING FOR POLYNESIA 1890 348
9 (II) PAUL GAUGUIN
FROM NOA NOA C.1894 349
9 (III) AUGUST STRINDBERG AND PAUL GAUGUIN
FROM AN EXCHANGE OF LETTERS 1895 352
9 (IV) PAUL GAUGUIN
FROM AVANT ET APRES, ATUONA, HIVA-OA 1903 353
10 HERMANN BAHR
REVIEW OF THE JAPANESE EXHIBITION AT THE SIXTH EXHIBITION OF THE
VIENNA SECESSION 1900 354
IVB SOCIETY, EVOLUTION AND THE IDEA OF RACE 357
1 ROBERT KNOX
FROM THE RACES OF MEN 1850 357
2 JOSEPH-ARTHUR, COMTE DE GOBINEAU
FROM THE INEQUALITY OF HUMAN RACES 1853-5 361
3 SOLOMON NORTHUP
FROM TWELVE YEARS A SLAVE 1854 364
4 JOHN RUSKIN
FROM THE TWO PATHS 1858-9 . 366
5 ERNEST RENAN
FROM THE POSITION OF THE SHEMITIC NATIONS IN THE HISTORY OF
CIVILIZATION 1862 369
6 KARL MARX AND FRIEDRICH ENGELS
ON THE EMERGENCE OF THE WORLD SYSTEM 1848 372
7 KARL MARX
ON THE ASIATIC MODE OF PRODUCTION AND MODERN CAPITALISM 1853 373
8 THE FIRST INTERNATIONAL
ADDRESS TO THE PEOPLE OF THE UNITED STATES OF AMERICA 1865 376
9 EDMOND DE GONCOURT
FROM THE GONCOURTJOURNAL 1871 377
10 CHARLES DARWIN
FROM THE DESCENT OF MAN 1871/1874 378
11 FRIEDRICH NIETZSCHE
SIGNS OF HIGHER AND LOWER CULTURE 1878 381
12 ENCYCLOPAEDIA BRITANNICA
NINTH EDITION: NEGRO 1884 384
13 W. T. STEAD
TO ALL ENGLISH-SPEAKING FOLK 1891 387
14 R. H. BACON
FROM BENIN: THE CITY OF BLOOD 1897 388
15 RUDYARD KIPLING
THE WHITE MAN S BURDEN 1899 390
IVC ANTHROPOLOGY, MUSEUMS AND THE ORIGINS OF ART 393
1 OWEN JONES
FROM THE GRAMMAR OFORNAMENT1856 393
4
CONTENTS
EDWARD TYLOR
FROM PRIMITIVE CULTURE 1871
AUGUSTUS LANE-FOX PITT-RIVERS
PRINCIPLES OF CLASSIFICATION 1874
J. G. FRAZER
FROM THE GOLDEN BOUGH 1890
ERNST GROSSE
ETHNOLOGY AND AESTHETICS 1891
HENRY BALFOUR
FROM THE EVOLUTION OF DECORATIVE ART 1893
ALFRED HADDON
FROM EVOLUTION IN ART 1895
ALOIS RIEGL
FROM PROBLEMS OF STYLE 1893
ALOIS RIEGL
THE PLACE OF THE VAPHEIO CUPS IN THE HISTORY OF ART 1900
GEORGE BIRDWOOD
CONVENTIONALISM IN PRIMITIVE ART 1903
XVII
398
401
404
407
410
414
417
423
425
10
IVD THE WORLD IN VIEW: TRAVELLERS AND TEACHERS 428
1 GERARD DE NERVAL
FROM SCENES OF LIFE IN THE ORIENT 1843/6-7 428
2 GUSTAVE FLAUBERT
ON THE PYRAMIDS 1850 430
3 HIRAM BINGHAM
FROM A RESIDENCE OF TWENTY-ONE YEARS IN THE SANDWICH
ISLANDS 1847 431
4 SIR COLIN CAMPBEIL
LETTER TO LORD STANLEY 1846 434
5 ANDREW NICOLL
A SKETCHING TOUR OF FIVE WEEKS IN THE FORESTS OF CEYLON 1848/52 436
6 ROBERT FORTUNE
FROM A RESIDENCE AMONG THE CHINESE 1857 438
7 JAMES FERGUSSON
FROM HISTORY OF INDIAN ARCHITECTURE 1876 442
8 RAJENDRALAL MITRA
FROM INDO-ARYANS 1881 447
9 ROBERT LOUIS STEVENSON
ON THE SOUTH SEAS 1889-90 451
10 C. H. READ AND O. M. DALTON
WORKS OF ART FROM BENIN CITY 1898 452
11 HENRY LING ROTH
PRIMITIVE ART FROM BENIN 1899 456
12 MARY KINGSLEY
FROM WEST AFRICAN STUDIES 1899/1901 458
V THE SIGNIFICANCE OF THE PRIMITIVE 463
INTRODUCTION 463
XVIII CONTENTS
VA AUTHENTICITY, FORM AND FEELING 467
1 A CLUSTER OF SHORT TEXTS ON THE INITIAL ENCOUNTER OF THE EUROPEAN
AVANT-GARDE WITH AFRICAN ART IN 1906-7 467
1 (I) ANDRE DERAIN
LETTER TO MAURICE DE VLAMINCK, MARCH 1906 468
1 (II) MAURICE DE VLAMINCK
ON HIS DISCOVERY OF AFRICAN ART IN 1906 469
1 (III) HENRI MATISSE
ON HIS ENCOUNTER WITH AFRICAN ART IN 1906 470
1 (IV) PABLO PICASSO
ON HIS VISIT TO THE TROCADERO MUSEUM IN 1907 471
2 WILHELM WORRINGER
FROM ABSTRACTION AND EMPATHY 1908 473
3 ROGER FRY
THE ART OF THE BUSHMEN 1910 476
4 GUILLAUME APOLLINAIRE
EXOTICISM AND ETHNOGRAPHY 1912 480
5 FRANZ MARC
LETTER TO AUGUST MACKE 1911 482
6 FRANZ MARC
THE SAVAGES OF GERMANY 1912 483
7 AUGUST MACKE
MASKS 1912 484
8 EMILNOLDE
ON PRIMITIVE ART 1912 485
9 ALEXANDERSHEVCHENKO
NEO-PRIMITIVISM 1913 486
10 HENRI MATISSE
ON HIS VISITS TO NORTH AFRICA 1913 489
11 PAULKLEE
ON HIS VISIT TO TUNISIA 1914 491
12 HERMANN BAHR
FROM EXPRESSIONISM 1916 492
VB THE REACH OF EMPIRE 494
1 JAMES A. HOBSON
FROM IMPERIALISM 1902 494
2 CHARLES AUGUSTUS STODDARD
FROM CRUISING AMONG THE CARIBBEES 1895/1903 496
3 EDWARD WILMOT BLYDEN
WEST AFRICA BEFORE EUROPE 1903 499
4 KAKUSO OKAKURA
FROM THE IDEALS OF THE EAST1903 502
5 SISTER NIVEDITA
INTRODUCTION TO OKAKURA S THE IDEALS OF THE EAST 1903 504
6 W. E. B. DU BOIS
FROM THE SOULS OF BLACK FOLK 1903 505
7 FROM THE HARMSWORTH HISTORY OF THE WORLD
ON THE DEGENERATION OF INDIGENOUS AUSTRALIANS 1908 508
CONTENTS XIX
8 ANANDA COOMARASWAMY
THE AIMS OF INDIAN ART 1908 509
9 E. B. HAVELL
THE NEW INDIAN SCHOOL OF PAINTING 1908 512
10 LUCIEN LEVY-BRUHL
FROM HOW NATIVES THINK 1910/26 514
11 LEO FROBENIUS
FROM THE VOICE OF AFRICA 1913 519
12 SIGMUND FREUD
FROM TOTEM AND TABOO 1913 523
VI IN A WORLD OF COLONIES 529
INTRODUCTION 529
VIA MODERN, PRIMITIVE, UNIVERSAL 535
1 GUILLAUME APOLLINAIRE
ON THE ART OF THE BLACKS 1917 535
2 GUILLAUME APOLLINAIRE
ON AFRICAN AND OCEANIC SCULPTURES 1918 537
3 ROGER FRY
NEGRO SCULPTURE 1920 538
4 FLORENT FELS ET AL.
OPINIONS ON NEGRO ART 1920 541
5 HERBERT READ
FROM ART NOW 1933 544
6 JAMES JOHNSON SWEENEY
THE ART OF NEGRO AFRICA 1935 545
7 ALAIN LOCKE
AFRICAN ART: CLASSIC STYLE 1935 549
8 ROBERT GOLDWATER
A DEFINITION OF PRIMITIVISM 1938 551
9 MARGARET PRESTON
PAINTINGS IN ARNHEM LAND 1940 554
10 HENRY MOORE
PRIMITIVE ART 1941 556
11 A CLUSTER OF SHORT TEXTS BY AMERICAN PAINTERS OF THE 1940S
ON PRIMITIVE ART AND MYTH 557
11 (I) ADOLPH GOTTLIEB AND MARK ROTHKO
STATEMENT 1943 558
11 (II) ADOLPH GOTTLIEB AND MARK ROTHKO
FROM THE PORTRAIT AND THE MODERN ARTIST 1943 559
11 (III) JACKSON POLLOCK
ANSWERS TO A QUESTIONNAIRE 1944 560
11 (IV) BARNETT NEWMAN
PRE-COLUMBIAN STONE SCULPTURE 1944 560
11 (V) BARNETT NEWMAN
ART OF THE SOUTH SEAS 1946 561
XX CONTENTS
11 (VI) BARNETT NEWMAN
NORTHWEST COAST INDIAN PAINTING 1946 562
11 (VII) JACKSON POLLOCK
STATEMENT 1947/8 563
11 (VIII) MARK ROTHKO
FROM THE ROMANTICS WERE PROMPTED ... 1947/8 563
VIB WESTERN CIVILIZATION: FOR AND AGAINST 565
1 ROSA LUXEMBURG
FROM THE ACCUMULATION OF CAPITAL - AN ANTI-CRITIQUE 1915 565
2 HERMANN HESSE
THE EUROPEAN 1918 566
3 EZRA POUND
FROM HUGH SELWYN MAUBERLEY 1919 569
4 OSWALD SPENGLER
FROM THE DECLINE OF THE WEST 1218 571
5 RABINDRANATH TAGORE
FRO M CREATIVE UNITY 1922 574
6 THE THIRD INTERNATIONAL
THE BLACK QUESTION 1922 577
7 W. E. B. DU BOIS
CRITERIA OF NEGRO ART 1926 . 579
8 FRANZ BOAS
FROM PRIMITIVE ART 1927 581
9 ALAIN LOCKE
ART OR PROPAGANDA 1928 584
10 SIGMUND FREUD
FROM CIVILIZATION AND ITS DISCONTENTS 1930 586
11 ALFRED ROSENBERG
FROM THE MYTH OF THE TWENTIETH CENTURY 1930 589
12 LEO FROBENIUS
REFLECTIONS ON AFRICAN ART 1931 591
13 WALTER BENJAMIN
EXPERIENCE AND POVERTY 1933 595
14 NARRANYERI (ATTRIBUTED TO DAVID UNAIPON)
A BLACKFELLOW S APPEAL TO WHITE AUSTRALIA 1934 597
15 EDMUND HUSSERL
FROM THE VIENNA LECTURE 1935 599
16 JULIUS LIPS
FROM THE SAVAGE HITS BACK 1937 603
17 FERNANDO ORTIZ
THE SOCIAL PHENOMENON OF TRANSCULTURATION 1940 606
18 ERIC WILLIAMS
FROM CAPITALISM ANDSLAVERY 1944 609
VIC THE CHALLENGE OF THE AVANT-GARDE 612
1 VOLDEMDRS MATVEJAS/ VLADIMIR MARKOV
NEGRO ART 1912-14/19 612
2 CARL EINSTEIN
FRO M NEGERPLASTIK 1915 615
CONTENTS XXJ
3 TRISTAN TZARA
CHANSON DU SERPENT / SONG OF THE SNAKE 1917 619
4 OSWALD DE ANDRADE
CANNIBALIST MANIFESTO 1928 621
5 SERGEI EISENSTEIN
THE CINEMATOGRAPHIC PRINCIPLE AND THE IDEOGRAM 1929 624
6 LEN LYE
TWO LETTERS 1929/30 629
7 THE SURREALIST GROUP IN PARIS
DON T VISIT THE COLONIAL EXHIBITION 1931 631
8 THE SURREALIST GROUP AT THE SORBONNE
FROM LEGITIMATE DEFENCE 1932 633
9 THE SURREALIST GROUP IN PARIS
MURDEROUS HUMANITARIANISM 1934 635
10 MICHEL LEIRIS
FROM L AFRIQUE FANTOME/PHANTOM AFRICA 1934 637
11 ANTONIN ARTAUD
WHAT I CAME TO MEXICO TO DO 1936 641
12 JOSEF ALBERS
TRUTHFULNESS IN ART 1937 643
13 ART ET LIBERTE GROUP, CAIRO
LONG LIVE DEGENERATE ART 1938 647
14 AIME CESAIRE
FROM NOTEBOOK OF A RETURN TO MY NATIVE LAND 1939 648
15 CLAUDE LEVI-STRAUSS
THE ART OF THE NORTHWEST COAST 1943 653
16 PIERRE MABILLE
THE JUNGLE 1945 656
VII INDEPENDENCE AND THE POST-COLONIAL 661
INTRODUCTION 661
VIIA
RESITUATING THEORY AND POLITICS 667
1 JEAN-PAUL SARTRE
FROM BLACK ORPHEUS 1948 667
2 AIME CESAIRE
FROM DISCOURSE ON COLONIALISM 1950/5 670
3 CLAUDE LEVI-STRAUSS
FROM TRISTES TROPIQUES 1955 675
4 ROLAND BARTHES
AFRICAN GRAMMAR 1955/7 679
5 FRANTZ FANON
FROM ON NATIONAL CULTURE 1959 683
6 GEORGE KUBLER
FROM THE SHAPE OF TIME 1962 686
7 MICHEL FOUCAULT
FROM THE ORDER OF THINGS 1966 690
8 EDWARD SAID
FROM ORIENTALISM 1978 694
XXI I CONTENTS
9 GILLES DELEUZE AND FELIX GUATTARI
FRO M MILLE PLATEAUX 1980 698
10 JOHANNES FABIAN
FROM TIME AND THE OTHER 1983 702
VIIB EXHIBITIONS, MUSEUMS AND HISTORIES REIMAGINED 706
1 ANDRE MALRAUX
FROM MUSEUM WITHOUT WALLS 1954 706
2 AIME CESAIRE
ON THE INSTITUTION OF THE MUSEUM 1955 709
3 CARL SANDBURG AND EDWARD STEICHEN
FROM THE FAMILY OF MAN 1955 710
4 ROLAND BARTHES
THE GREAT FAMILY OF MAN 1956/7 713
5 GEORGES BATAILLE
THE CRADLE OF HUMANITY 1959 715
6 LEOPOLD SEDARSENGHOR
FROM THE FIRST WORLD FESTIVAL OF BLACK ARTS 1966 719
7 ROBERT FARRIS THOMPSON
YORUBA ARTISTIC CRITICISM 1973 722
8 IAN BURN
ART IS WHAT WE DO, CULTURE IS WHAT WE DO TO OTHER
ARTISTS 1973 725
9 LINDA NOCHLIN
FROM THE IMAGINARY ORIENT 1982 729
10 LUIS CAMNITZER
REPORT FROM HAVANA: THE FIRST BIENNIAL OF LATIN AMERICAN
ART 1984 731
11 WILLIAM RUBIN
FROM PRIMITIVISM IN 20TH CENTURY ART 1984 734
12 JAMES CLIFFORD
HISTORIES OF THE TRIBAL AND THE MODERN 1985 738
13 MARTIN BERNAL
FROM BLACK ATHENA 1987 742
VILE BEYOND MODERNISM 746
1 DAVID A. SIQUEIROS
TOWARDS A NEW INTEGRAL ART 1948 746
2 KAZUO SHIRAGA
THE SHAPING OF THE INDIVIDUAL 1956 748
3 AD REINHARDT
TIMELESS IN ASIA 1960 750
4 GEORGE MACIUNAS
FLUXUS MANIFESTO 1962 751
5 ANNI ALBERS
TAPESTRY 1965 752
6 HELIO OITICICA
FROM GENERAL SCHEME OF THE NEW OBJECTIVITY 1967
AND TROPICALIA 1968 754
CONTENTS XXIII
7 MARIA TERESA GRAMUGLIO AND NICOLAS ROSA
TUCUMDN BURNS 1968 758
8 MARSHALL MCLUHAN AND QUENTIN FIORE
FROM WAR AND PEACE IN THE GLOBAL VILLAGE 1968 761
9 ROBERT SMITHSON
INCIDENTS OF MIRROR-TRAVEL IN THE YUCATAN 1969 764
10 NAM JUNE PAIK
GLOBAL GROOVE AND THE VIDEO COMMON MARKET 1970 767
11 JOSEPH BEUYS
MANIFESTO ON THE FOUNDATION OF A FREE INTERNATIONAL SCHOOL
FOR CREATIVITY AND INTERDISCIPLINARY RESEARCH 1973 770
12 TERRY SMITH
THE PROVINCIALISM PROBLEM 1974 773
13 ROBERT MORRIS
ALIGNED WITH NAZCA 1975 776
14 LOTHAR BAUMGARTEN
FROM CONQUERING THE SOUTHERN CONTINENT IN THE HAZE OF A
SIXPENNY CIGAR 1978/2010 780
15 ALFREDO JAAR
STATEMENT 1984 783
VIID ASSERTING IDENTITY 785
1 F. N. SOUZA
NIRVANA OF A MAGGOT 1955 785
2 JAMES BALDWIN
PRINCES AND POWERS 1957 788
3 UCHE OKEKE
GROWTH OF AN IDEA 1959 AND NATURAL SYNTHESIS 1960 792
4 AUBREY WILLIAMS
THE PREDICAMENT OF THE ARTIST IN THE CARIBBEAN 1968 794
5 LARRY NEAL
FROM THE BLACK ARTS MOVEMENT 1968 796
6 FRANK BOWLING
IT S NOT ENOUGH TO SAY BLACK IS BEAUTIFUL 1971 798
7 FAITH RINGGOLD
INTERVIEW ON FOR THE WOMEN S HOUSE 1972 802
8 PAPA IBRA TALL
NEGRITUDE AND CONTEMPORARY PLASTIC ART 1972 806
9 EDWARD KAMAU BRATHWAITE
FROM CONTRADICTORY OMENS 197 4 808
10 RASHEED ARAEEN
PRELIMINARY NOTES FOR A BLACK MANIFESTO 1978 813
11 ANA MENDIETA
INTRODUCTION TO DIALECTICS OF ISOLATION 1980 816
12 ISAAC JULIEN AND KOBENA MERCER
DE MARGIN AND DE CENTRE 1988 817
VIII THE GLOBAL TURN 821
INTRODUCTION 821
XXIV CONTENTS
VIIIA
CRITICAL REVISIONS: THEORY AND HISTORY 827
1 RASHEED ARAEEN
WHY THIRD TEXT? 1987 827
2 PETER WOLLEN
TOURISM, LANGUAGE AND ART 1990 830
3 HOMI K. BHABHA
THE POSTCOLONIAL AND THE POSTMODERN 1992/4 833
4 ARJUN APPADURAI
FROM MODERNITY AT LARGE 1996 836
5 MICHAEL HARDT AND ANTONIO NEGRI
FROM EMPIRE 2000 840
6 IRIT ROGOFF
ON VISUAL CULTURE 2000 844
7 RICHARD BELL
BELL S THEOREM: ABORIGINAL ART - IT S A WHITE THING 2003 847
8 DIPESH CHAKRABARTY
FROM PROVINCIALIZING EUROPE 2000 852
9 IMMANUEL WALLERSTEIN
FROM WORLD-SYSTEMS ANALYSIS 2Q0A 855
10 JAMES ELKINS
FROM IS ART HISTORY GLOBAL? 2007 858
11 PARTHA MITTER
DECENTERING MODERNISM 2008 862
12 FREDRIC JAMESON
FROM A SINGULAR MODERNITY 2012 865
13 ARUNA D SOUZA
INTRODUCTION TO IN THE WAKE OF THE GLOBAL TURN 2014 869
14 PETER WEIBEL
MODERNITY RESET: RENAISSANCE 2.0 2016 872
VIMB DIVERSITY, TRANSLATION, CREOLIZATION AND IDENTITY 876
1 STUART HALL
NEW ETHNICITIES 1988 876
2 EDOUARD GLISSANT
CREOLISATION AND THE AMERICAS 1992 880
3 SONIA BOYCE AND MANTHIA DIAWARA
THE ART OF IDENTITY: A CONVERSATION 1996 883
4 PAUL GILROY
FROM THE BLACK ATLANTIC 1993 888
5 COCO FUSCO AND GUILLERMO GOMEZ-PEHA
INTERVIEW WITH ANNA JOHNSON 1993 891
6 SARAT MAHARAJ
PERFIDIOUS FIDELITY; THE UNTRANSLATABILITY OF THE OTHER 1994 894
7 GORDON BENNETT
LETTER TO JEAN-MICHEL BASQUIAT 1998 897
8 ANTONIO BENITEZ-ROJO
THREE WORDS TOWARD CREOLIZATION 1998 899
9 EDWARD SAID
THE ART OF DISPLACEMENT 2000 902
CONTENTS XXV
10 FRED WILSON AND KWAME ANTHONY APPIAH
FRAGMENTS OF A CONVERSATION 2006 905
11 HOMIK. BHABHA
ANOTHER COUNTRY 2006 909
12 YINKA SHONIBARE
INTERVIEW WITH BERNARD MULLER 2007 913
13 FIONA TAN
OTHER FACETS OF THE SAME GLOBE 2009 916
14 LUBAINA HIMID
WE ARE US NOT OTHER 2012 919
15 KARA WALKER
A SONOROUS SUBTLETY : AN INTERVIEW WITH KARA ROONEY 2014 922
16 FRED MOTEN
ON THE ART OF CHRIS OFILI, FROM BLUE VESPERS 2017 925
VLLLC GLOBAL ART AND THE MUSEUM 930
1 JEAN-HUBERT MARTIN
PREFACE TO MAG/DENS DE LA TERRE 1989 930
2 RASHEED ARAEEN
FROM THE OTHER STORY 1989 933
3 LLILIAN LLANES GODOY
INTRODUCTION TO THE THIRD HAVANA BIENNIAL 1989 937
4 LUIS CAMNITZER, JANE FARVER AND RACHEL WEISS
FOREWORD TO GLOBAL CONCEPTUALISM 1999 941
5 SALAH M. HASSAN AND OLU OGUIBE
FROM AUTHENTIC/EX-CENTRIC 2002 945
6 OKWUI ENWEZOR
THE BLACK BOX 2002 948
7 ART FORUM
ROUNDTABLE DISCUSSION ON GLOBAL TENDENCIES 2003 953
8 KWAME ANTHONY APPIAH
WHOSE CULTURE IS IT ANYWAY? 2006 957
9 CHIN-TAO WU
BIENNIALS WITHOUT BORDERS? 2009 961
10 GAYATRI CHAKRAVORTY SPIVAK 2012
SIGN AND TRACE 965
11 HANS BELTING AND ANDREA BUDDENSIEG
FROM ART WORLD TO ART WORLDS 2013 969
12 CLEMENTINE DELISS
STORED CODE AND FOREIGN EXCHANGE 2012/14 972
VIIID
CONCERNING THE CONTEMPORARY 976
1 GEETA KAPUR
CONTEMPORARY CULTURAL PRACTICE: SOME POLEMICAL
CATEGORIES 1990 976
2 SLAVOJ ZIZEK
MULTICULTURALISM, OR, THE CULTURAL LOGIC OF MULTINATIONAL
CAPITALISM 1997 979
XXVI CONTENTS
3
4
5
6
7
8
9
10
11
12
13
14
15
NICOLAS BOURNAUD
FROM RELATIONAL AESTHETICS 1998/2002
WILLIAM KENTRIDGE
INTERVIEW WITH DAN CAMERON 2000/1
GRANT KESTER
A CRITICAL FRAMEWORK FOR DIALOGICAL PRACTICE 2004
TERRY SMITH
FROM WHAT IS CONTEMPORARY /L/T?2009
HAL FOSTER, MIWON KWON, CHIKA OKEKE-AGULU, ALEXANDER
ALBERRO, CHRISTOPHER P. HEUER, MATTHEW JESSE JACKSON AND
ANDREW PERCHUK,
RESPONSES TO A QUESTIONNAIRE ON THE CONTEMPORARY 2009
AI WEIWEI
EPILOGUE TO HIS BLOG 2006-9
FRANCIS ALYS
FRANCIS ALYS: A TO Z 2010
ROMUALD HAZOUME
CARGO/AND 2012
GERARDO MOSQUERA
BEYOND ANTHROPOPHAGY 2013
XU BING
ON HOLDING A RETROSPECTIVE 2014
DORIS SALCEDO
A WORK IN MOURNING 2014/15
HITO STEYERL
IF YOU DON T HAVE BREAD, EAT ART! 2017
ART & LANGUAGE
FROM FLAGS FOR ORGANISATIONS 2018
BIBLIOGRAPHY
COPYRIGHT ACKNOWLEDGEMENTS
LNDE
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|
| any_adam_object | 1 |
| author2 | Wood, Paul 1949- Wainwright, Leon Harrison, Charles 1942-2009 |
| author2_role | edt edt edt |
| author2_variant | p w pw l w lw c h ch |
| author_GND | (DE-588)188386807 (DE-588)1022012193 (DE-588)123407443 |
| author_facet | Wood, Paul 1949- Wainwright, Leon Harrison, Charles 1942-2009 |
| building | Verbundindex |
| bvnumber | BV047216537 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N5300 |
| callnumber-raw | N5300 |
| callnumber-search | N5300 |
| callnumber-sort | N 45300 |
| callnumber-subject | N - Visual Arts |
| ctrlnum | (OCoLC)1245934032 (DE-599)KXP1737289679 |
| dewey-full | 709 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709 |
| dewey-search | 709 |
| dewey-sort | 3709 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1200-2017 gnd |
| era_facet | Geschichte 1200-2017 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03635nam a2200553 c 4500</leader><controlfield tag="001">BV047216537</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20210707 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">210329s2021 xxu |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781444336313</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4443-3631-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1245934032</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1737289679</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N5300</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-16</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Art in theory: the West in the world</subfield><subfield code="b">an anthology of changing ideas</subfield><subfield code="c">edited by Paul Wood and Leon Wainwright with Charles Harrison</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Hoboken, NJ</subfield><subfield code="b">Wiley Blackwell</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxxix, 1122 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">New collection</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">The Wiley Blackwell art in theory series</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Covers not only the chronologically earliest period in the book but also the most extensive timespan of any part of the anthology: the first text dates from c.1204, the latest from c.1690. With the exception, however, of the first four texts, which form a chronologically separate cluster, all the rest date from the mid-fifteenth century to the late seventeenth century, a period of approximately 250 years. In the arts, this includes the Renaissance as well as the later founding of the French Academie Royale, and with it, the inception of the academic system which not only dominated French art for the next two hundred years but also provided the model that fundamentally shaped art practice throughout Europe. In a broader perspective the timespan also covers the late fifteenth- and sixteenth-century Age of Exploration and the seventeenth-century 'scientific revolution'. By any standards, that amounts to a world-historical epoch, and although the existing volumes of Art in Theory do not encompass Renaissance art theory (precisely because it was felt to constitute a subject distinct from our concern with the modern period and its academic predecessor), the present anthology of necessity does seek to address this period of Europe's earliest encounters - since antiquity."</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1200-2017</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / History</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135952-5</subfield><subfield code="a">Quelle</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1200-2017</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wood, Paul</subfield><subfield code="d">1949-</subfield><subfield code="0">(DE-588)188386807</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wainwright, Leon</subfield><subfield code="0">(DE-588)1022012193</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harrison, Charles</subfield><subfield code="d">1942-2009</subfield><subfield code="0">(DE-588)123407443</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">9781119591412</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="t">Art in theory</subfield><subfield code="d">Hoboken, NJ : Wiley-Blackwell, 2021</subfield><subfield code="z">9781119591399</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;X:WILEY</subfield><subfield code="q">image/jpeg</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz1737289679cov.htm</subfield><subfield code="v">20201112180238</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;B:DE-16</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz1737289679inh.htm</subfield><subfield code="v">20210312193348</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">SWB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032621246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032621246</subfield></datafield></record></collection> |
| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| id | DE-604.BV047216537 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:13:05Z |
| institution | BVB |
| isbn | 9781444336313 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032621246 |
| oclc_num | 1245934032 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y2 DE-255 DE-188 |
| owner_facet | DE-Y3 DE-Y2 DE-255 DE-188 |
| physical | xxxix, 1122 Seiten |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Wiley Blackwell |
| record_format | marc |
| series2 | New collection The Wiley Blackwell art in theory series |
| spellingShingle | Art in theory: the West in the world an anthology of changing ideas Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4114333-4 (DE-588)4135952-5 |
| title | Art in theory: the West in the world an anthology of changing ideas |
| title_auth | Art in theory: the West in the world an anthology of changing ideas |
| title_exact_search | Art in theory: the West in the world an anthology of changing ideas |
| title_full | Art in theory: the West in the world an anthology of changing ideas edited by Paul Wood and Leon Wainwright with Charles Harrison |
| title_fullStr | Art in theory: the West in the world an anthology of changing ideas edited by Paul Wood and Leon Wainwright with Charles Harrison |
| title_full_unstemmed | Art in theory: the West in the world an anthology of changing ideas edited by Paul Wood and Leon Wainwright with Charles Harrison |
| title_short | Art in theory: the West in the world |
| title_sort | art in theory the west in the world an anthology of changing ideas |
| title_sub | an anthology of changing ideas |
| topic | Ästhetik (DE-588)4000626-8 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Ästhetik Kunst Quelle |
| url | http://swbplus.bsz-bw.de/bsz1737289679cov.htm http://swbplus.bsz-bw.de/bsz1737289679inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032621246&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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