Painting by numbers: data-driven histories of nineteenth-century art
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2021]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=6422438 https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948?locatt=mode:legacy https://doi.org/10.1515/9780691214948 |
| Abstract: | A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited--and potentially biased--sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that--to date--have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London's Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy. |
| Umfang: | 1 Online-Ressource (245 Seiten) Illustrationen, Diagramme |
| ISBN: | 9780691214948 |
| DOI: | 10.1515/9780691214948 |
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| 520 | 3 | |a A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited--and potentially biased--sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that--to date--have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London's Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy. | |
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| id | DE-604.BV047212400 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:10:18Z |
| institution | BVB |
| isbn | 9780691214948 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032617181 |
| oclc_num | 1245332652 |
| open_access_boolean | |
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| physical | 1 Online-Ressource (245 Seiten) Illustrationen, Diagramme |
| psigel | ZDB-23-DGG ZDB-23-DPK ZDB-30-PQE KUBA-MPG-DGG ZDB-23-DPK21 KUBA2-EK-ZDB-30-PQE ZDB-23-DPK BSB_DPK_PrincetonUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG KHI ZDB-30-PQE BZI ZDB-23-DGG BHR ZDB-23-DGG UBG_PDA_DGG_Kauf22 ZDB-23-DGG UBM_Einzelkauf_2022 ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Princeton University Press |
| record_format | marc |
| spelling | Greenwald, Diana Seave 1989- Verfasser (DE-588)115542803X aut Painting by numbers data-driven histories of nineteenth-century art Diana Seave Greenwald Princeton ; Oxford Princeton University Press [2021] © 2021 1 Online-Ressource (245 Seiten) Illustrationen, Diagramme txt rdacontent c rdamedia cr rdacarrier A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited--and potentially biased--sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that--to date--have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London's Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy. Geschichte 1800-1900 gnd rswk-swf Quantitative Methode (DE-588)4232139-6 gnd rswk-swf Kunstwissenschaft (DE-588)4120632-0 gnd rswk-swf Digital Humanities (DE-588)1038714850 gnd rswk-swf Bewertung (DE-588)4006340-9 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kunstsoziologie (DE-588)4033673-6 gnd rswk-swf Kunst (DE-588)4114333-4 s Gesellschaft (DE-588)4020588-5 s Kunstsoziologie (DE-588)4033673-6 s Geschichte 1800-1900 z DE-604 Digital Humanities (DE-588)1038714850 s Kunstproduktion (DE-588)4166043-2 s Kunstwissenschaft (DE-588)4120632-0 s Quantitative Methode (DE-588)4232139-6 s Malerei (DE-588)4037220-0 s Bewertung (DE-588)4006340-9 s Kunsthandel (DE-588)4033647-5 s Erscheint auch als Druck-Ausgabe, Hardcover 978-0-691-19245-1 https://doi.org/10.1515/9780691214948 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Greenwald, Diana Seave 1989- Painting by numbers data-driven histories of nineteenth-century art Quantitative Methode (DE-588)4232139-6 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Digital Humanities (DE-588)1038714850 gnd Bewertung (DE-588)4006340-9 gnd Kunsthandel (DE-588)4033647-5 gnd Malerei (DE-588)4037220-0 gnd Kunstproduktion (DE-588)4166043-2 gnd Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd Kunstsoziologie (DE-588)4033673-6 gnd |
| subject_GND | (DE-588)4232139-6 (DE-588)4120632-0 (DE-588)1038714850 (DE-588)4006340-9 (DE-588)4033647-5 (DE-588)4037220-0 (DE-588)4166043-2 (DE-588)4114333-4 (DE-588)4020588-5 (DE-588)4033673-6 |
| title | Painting by numbers data-driven histories of nineteenth-century art |
| title_auth | Painting by numbers data-driven histories of nineteenth-century art |
| title_exact_search | Painting by numbers data-driven histories of nineteenth-century art |
| title_full | Painting by numbers data-driven histories of nineteenth-century art Diana Seave Greenwald |
| title_fullStr | Painting by numbers data-driven histories of nineteenth-century art Diana Seave Greenwald |
| title_full_unstemmed | Painting by numbers data-driven histories of nineteenth-century art Diana Seave Greenwald |
| title_short | Painting by numbers |
| title_sort | painting by numbers data driven histories of nineteenth century art |
| title_sub | data-driven histories of nineteenth-century art |
| topic | Quantitative Methode (DE-588)4232139-6 gnd Kunstwissenschaft (DE-588)4120632-0 gnd Digital Humanities (DE-588)1038714850 gnd Bewertung (DE-588)4006340-9 gnd Kunsthandel (DE-588)4033647-5 gnd Malerei (DE-588)4037220-0 gnd Kunstproduktion (DE-588)4166043-2 gnd Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd Kunstsoziologie (DE-588)4033673-6 gnd |
| topic_facet | Quantitative Methode Kunstwissenschaft Digital Humanities Bewertung Kunsthandel Malerei Kunstproduktion Kunst Gesellschaft Kunstsoziologie |
| url | https://doi.org/10.1515/9780691214948 |
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