The pensive image: art as a form of thinking
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
[2020]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032605270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Grootenboer is interested in art as philosophy, that is, art as a consideration of thinking. She insists that early modern art can be viewed through the lenses of contemporary interest and means. She argues that art is capable of articulating thoughts and shaping concepts in visual terms, and thus directly engages with the development of philosophical ideas. In particular, she explores the ways seventeenth-century paintings, in the wake of the Reformation and the rise of humanism, became sites of speculation about the possibilities and limitations of thinking as such. She focuses not on how thought is expressed in pictorial statements but on what remains unspoken in painting, implicit, and inexpressible--a quality that she calls pensiveness. Different from the self-aware images propounded by W. J. T. Mitchell, which seem in control of the interpretations they elicit, pensive images are speculative, pointing beyond mere interpretation. As an alternative pictorial category, akin to narrative or allegorical painting, pensive images can articulate the complexities of philosophical ideas, and thus gain new relevance in more recent debates on the nature of the image in visual culture". |
| Beschreibung: | Bibliographie: Seite 187-200 |
| Umfang: | 211 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| ISBN: | 9780226717951 9780226829449 |
Internformat
MARC
| LEADER | 00000nam a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV047200206 | ||
| 003 | DE-604 | ||
| 005 | 20240617 | ||
| 007 | t| | ||
| 008 | 210317s2020 xx a||| b||| 00||| eng d | ||
| 020 | |a 9780226717951 |c cloth |9 978-0-226-71795-1 | ||
| 020 | |a 9780226829449 |c paper |9 978-0-226-82944-9 | ||
| 035 | |a (OCoLC)1249660193 | ||
| 035 | |a (DE-599)BVBBV047200206 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-255 |a DE-188 |a DE-Y2 |a DE-91 |a DE-Y3 |a DE-19 |a DE-824 |a DE-M341 | ||
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a LH 70060 |0 (DE-625)94791: |2 rvk | ||
| 084 | |a 3 |2 KUBA2 | ||
| 084 | |a KUN 010 |2 stub | ||
| 100 | 1 | |a Grootenboer, Hanneke |e Verfasser |0 (DE-588)133850773 |4 aut | |
| 245 | 1 | 0 | |a The pensive image |b art as a form of thinking |c Hanneke Grootenboer |
| 264 | 1 | |a Chicago ; London |b The University of Chicago Press |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 211 Seiten, 16 ungezählte Seiten Bildtafeln |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Bibliographie: Seite 187-200 | ||
| 505 | 8 | |a Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder | |
| 520 | 3 | |a "Grootenboer is interested in art as philosophy, that is, art as a consideration of thinking. She insists that early modern art can be viewed through the lenses of contemporary interest and means. She argues that art is capable of articulating thoughts and shaping concepts in visual terms, and thus directly engages with the development of philosophical ideas. In particular, she explores the ways seventeenth-century paintings, in the wake of the Reformation and the rise of humanism, became sites of speculation about the possibilities and limitations of thinking as such. She focuses not on how thought is expressed in pictorial statements but on what remains unspoken in painting, implicit, and inexpressible--a quality that she calls pensiveness. Different from the self-aware images propounded by W. J. T. Mitchell, which seem in control of the interpretations they elicit, pensive images are speculative, pointing beyond mere interpretation. As an alternative pictorial category, akin to narrative or allegorical painting, pensive images can articulate the complexities of philosophical ideas, and thus gain new relevance in more recent debates on the nature of the image in visual culture". | |
| 650 | 0 | 7 | |a Philosophie |0 (DE-588)4045791-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Art / Philosophy | |
| 653 | 0 | |a Painting / Philosophy | |
| 653 | 0 | |a Art, Modern / History | |
| 653 | 0 | |a Painting, Modern / History | |
| 689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Philosophie |0 (DE-588)4045791-6 |D s |
| 689 | 0 | 3 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-0-226-71800-2 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032605270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20210623 | |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032605270 | |
Datensatz im Suchindex
| DE-BY-TUM_call_number | 0002 KUN 010 2021 A 3518 |
|---|---|
| DE-BY-TUM_katkey | 2582681 |
| DE-BY-TUM_location | 00 |
| DE-BY-TUM_media_number | 040009522687 |
| _version_ | 1821934458151895041 |
| adam_text | Contents Art as a Form of Thinking · і Part I: Defining the Pensive Image CHAPTER і chapter 2 Theorizing Stillness · 21 Tracing the Denkbild · 46 Part II: Painting as Philosophical Reflection chapter 3 chapter 4 chapter 5 Room for Reflection: Interior and Interiority · The Profundity of Still Life · 110 Painting as a Space for Thought · 134 Painting’s Wonder · 165 Acknowledgments ■ 171 Notes ■ 175 Bibliography · 187 Index · 201 Color illustrations follow page 104.
|
| any_adam_object | 1 |
| author | Grootenboer, Hanneke |
| author_GND | (DE-588)133850773 |
| author_facet | Grootenboer, Hanneke |
| author_role | aut |
| author_sort | Grootenboer, Hanneke |
| author_variant | h g hg |
| building | Verbundindex |
| bvnumber | BV047200206 |
| classification_rvk | CC 6900 LH 70060 |
| classification_tum | KUN 010 |
| contents | Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder |
| ctrlnum | (OCoLC)1249660193 (DE-599)BVBBV047200206 |
| discipline | Kunstgeschichte Allgemeines Philosophie |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03712nam a22005778c 4500</leader><controlfield tag="001">BV047200206</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240617 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">210317s2020 xx a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226717951</subfield><subfield code="c">cloth</subfield><subfield code="9">978-0-226-71795-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226829449</subfield><subfield code="c">paper</subfield><subfield code="9">978-0-226-82944-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1249660193</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047200206</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-M341</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 70060</subfield><subfield code="0">(DE-625)94791:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUN 010</subfield><subfield code="2">stub</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Grootenboer, Hanneke</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133850773</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The pensive image</subfield><subfield code="b">art as a form of thinking</subfield><subfield code="c">Hanneke Grootenboer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago ; London</subfield><subfield code="b">The University of Chicago Press</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">211 Seiten, 16 ungezählte Seiten Bildtafeln</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Bibliographie: Seite 187-200</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Grootenboer is interested in art as philosophy, that is, art as a consideration of thinking. She insists that early modern art can be viewed through the lenses of contemporary interest and means. She argues that art is capable of articulating thoughts and shaping concepts in visual terms, and thus directly engages with the development of philosophical ideas. In particular, she explores the ways seventeenth-century paintings, in the wake of the Reformation and the rise of humanism, became sites of speculation about the possibilities and limitations of thinking as such. She focuses not on how thought is expressed in pictorial statements but on what remains unspoken in painting, implicit, and inexpressible--a quality that she calls pensiveness. Different from the self-aware images propounded by W. J. T. Mitchell, which seem in control of the interpretations they elicit, pensive images are speculative, pointing beyond mere interpretation. As an alternative pictorial category, akin to narrative or allegorical painting, pensive images can articulate the complexities of philosophical ideas, and thus gain new relevance in more recent debates on the nature of the image in visual culture".</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting / Philosophy</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Modern / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting, Modern / History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Philosophie</subfield><subfield code="0">(DE-588)4045791-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk</subfield><subfield code="z">978-0-226-71800-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032605270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20210623</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032605270</subfield></datafield></record></collection> |
| id | DE-604.BV047200206 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:12:37Z |
| institution | BVB |
| isbn | 9780226717951 9780226829449 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032605270 |
| oclc_num | 1249660193 |
| open_access_boolean | |
| owner | DE-12 DE-255 DE-188 DE-Y2 DE-91 DE-BY-TUM DE-Y3 DE-19 DE-BY-UBM DE-824 DE-M341 |
| owner_facet | DE-12 DE-255 DE-188 DE-Y2 DE-91 DE-BY-TUM DE-Y3 DE-19 DE-BY-UBM DE-824 DE-M341 |
| physical | 211 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
| psigel | BSB_NED_20210623 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | The University of Chicago Press |
| record_format | marc |
| spellingShingle | Grootenboer, Hanneke The pensive image art as a form of thinking Art as a form of thinking -- Defining the pensive image. Theorizing stillness ; tracing the Denkbild -- Painting as philosophical reflection. Room for reflection : interior and interiority; The profundity of still life; Painting as a space for thought -- Painting's wonder Philosophie (DE-588)4045791-6 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4045791-6 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4037220-0 |
| title | The pensive image art as a form of thinking |
| title_auth | The pensive image art as a form of thinking |
| title_exact_search | The pensive image art as a form of thinking |
| title_full | The pensive image art as a form of thinking Hanneke Grootenboer |
| title_fullStr | The pensive image art as a form of thinking Hanneke Grootenboer |
| title_full_unstemmed | The pensive image art as a form of thinking Hanneke Grootenboer |
| title_short | The pensive image |
| title_sort | the pensive image art as a form of thinking |
| title_sub | art as a form of thinking |
| topic | Philosophie (DE-588)4045791-6 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Philosophie Kunst Ästhetik Malerei |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032605270&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT grootenboerhanneke thepensiveimageartasaformofthinking |
Inhaltsverzeichnis
Paper/Kapitel scannen lassen
Paper/Kapitel scannen lassen
Teilbibliothek Stammgelände
| Signatur: |
0002 KUN 010 2021 A 3518 Lageplan |
|---|---|
| Exemplar 1 | Ausleihbar Am Standort |