Arnolfini's best friend: fellowship and familiarity in Jan van Eyck's Arnolfini portrait
Gespeichert in:
| Beteilige Person: | |
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| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
[2020]
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| Schlagwörter: | |
| Abstract: | Jan van Eyck’s Arnolfini Portrait (1434) has been a battleground of interpretation ever since Erwin Panofsky’s landmark 1934 essay on the painting. This article does not seek to resolve the uncertainties that remain concerning the names of the portrait’s subjects or the function that it served. Instead, it proposes to understand the relationship that the painting establishes between itself and its viewers, and to do so by considering the role of the canine companion at the couple’s feet. The dog in The Arnolfini Portrait is not only fundamental to the fellowship that Van Eyck invites us to feel both with himself and with his work; the dog’s role within the picture also nuances our understanding of Van Eyck’s own self-awareness as an artist and signals an opportunity to reconsider the limitations of traditional art-historical method. |
| Umfang: | Illustrationen |
| ISSN: | 0169-6726 |
Internformat
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| 520 | 3 | |a Jan van Eyck’s Arnolfini Portrait (1434) has been a battleground of interpretation ever since Erwin Panofsky’s landmark 1934 essay on the painting. This article does not seek to resolve the uncertainties that remain concerning the names of the portrait’s subjects or the function that it served. Instead, it proposes to understand the relationship that the painting establishes between itself and its viewers, and to do so by considering the role of the canine companion at the couple’s feet. The dog in The Arnolfini Portrait is not only fundamental to the fellowship that Van Eyck invites us to feel both with himself and with his work; the dog’s role within the picture also nuances our understanding of Van Eyck’s own self-awareness as an artist and signals an opportunity to reconsider the limitations of traditional art-historical method. | |
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Datensatz im Suchindex
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| author | Bass, Marisa Anne 1981- |
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| illustrated | Illustrated |
| indexdate | 2024-12-20T19:11:18Z |
| institution | BVB |
| issn | 0169-6726 |
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| spelling | Bass, Marisa Anne 1981- Verfasser (DE-588)143436635 aut Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait Marisa Anne Bass [2020] Illustrationen txt rdacontent n rdamedia nc rdacarrier Jan van Eyck’s Arnolfini Portrait (1434) has been a battleground of interpretation ever since Erwin Panofsky’s landmark 1934 essay on the painting. This article does not seek to resolve the uncertainties that remain concerning the names of the portrait’s subjects or the function that it served. Instead, it proposes to understand the relationship that the painting establishes between itself and its viewers, and to do so by considering the role of the canine companion at the couple’s feet. The dog in The Arnolfini Portrait is not only fundamental to the fellowship that Van Eyck invites us to feel both with himself and with his work; the dog’s role within the picture also nuances our understanding of Van Eyck’s own self-awareness as an artist and signals an opportunity to reconsider the limitations of traditional art-historical method. Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd rswk-swf Hund Motiv (DE-588)4120466-9 gnd rswk-swf Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 u Hund Motiv (DE-588)4120466-9 s DE-604 volume:70 year:2020 pages:20-47 Nederlands kunsthistorisch jaarboek / red. A. W. Byvanck [u.a.] Zwolle, 2020 Deel 70 (2020), Seite 20-[47] (DE-604)BV002664896 0169-6726 (DE-600)2483-1 |
| spellingShingle | Bass, Marisa Anne 1981- Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd Hund Motiv (DE-588)4120466-9 gnd |
| subject_GND | (DE-588)4284069-7 (DE-588)4120466-9 |
| title | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait |
| title_auth | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait |
| title_exact_search | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait |
| title_full | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait Marisa Anne Bass |
| title_fullStr | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait Marisa Anne Bass |
| title_full_unstemmed | Arnolfini's best friend fellowship and familiarity in Jan van Eyck's Arnolfini portrait Marisa Anne Bass |
| title_short | Arnolfini's best friend |
| title_sort | arnolfini s best friend fellowship and familiarity in jan van eyck s arnolfini portrait |
| title_sub | fellowship and familiarity in Jan van Eyck's Arnolfini portrait |
| topic | Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis (DE-588)4284069-7 gnd Hund Motiv (DE-588)4120466-9 gnd |
| topic_facet | Eyck, Jan van 1390-1441 Arnolfini-Doppelbildnis Hund Motiv |
| work_keys_str_mv | AT bassmarisaanne arnolfinisbestfriendfellowshipandfamiliarityinjanvaneycksarnolfiniportrait |