Agency and imagination in the films of David Lynch: philosophical perspectives
Gespeichert in:
| Beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Lanham, Maryland
Lexington Books
[2020]
|
| Schriftenreihe: | Cine-aesthetics : new directions in film and philosophy
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032551585&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032551585&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xi, 267 Seiten 23 cm |
| ISBN: | 9781498555937 9781498555951 |
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Datensatz im Suchindex
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Contents Acknowledgments vii A Note on Authorship xi Introduction 1 1 “I Wanna Finish This One My Own Way”: Strong Agency in The Straight Story 17 From Pasture to Hellhole: Weak Agency and Industry in Eraserhead 39 Imaginative Recognition and Transfiguration in The Elephant Man 67 4 Knowledge, Agency, and Violence in Blue Velvet 95 5 Agency and Identity in Wild at Heart 121 6 “You’ll Never Have Me”: Agents Apart in Խտէ Highway 151 2 3 7 8 9 “It’s No Longer Your Film”: Fantasy, Fate, and Agency in Mulholland Dr. 175 “My Wife is Not a Free Agent”: Agency Lost in INLAND EMPIRE 201 Agency Regained in Twin Peaks: The Return or Myths of Overreaching 217 v
Contents Epilogue 237 Bibliography 241 Index 251 About the Authors 267
Agency and Imagination in the Films of David Lynch: Philosophical Perspectives offers a sustained philosophical interpretation of the filmmaker's work in light of classic and contemporary discus sions of human agency and the complex relations between our capacity to act and our ability to imagine. With the help of the pathological characters that so often leave their unforgettable mark on Lynch's films, this book reveals several important ways in which human beings fail to achieve fuller embodiments of agency or seek substitute satisfactions in spaces of fantasy. In keeping with Lynch's penchant for unconventional narrative techniques, James D. Reid and Candace R, Craig explore the possibility, scope, and limits of the very idea of agency itself and what it might be like to renounce concepts of agency altogether in the depiction and inter pretation of human life. In a series of interlocking readings of eight feature-length films and Twin Peaks: The Return that combine suggestive philosophical analysis with close attention to cinematic detail, Reid and Craig make a convincing case for the importance of David Lynch's work in the philosophical examination of agency, the vagaries of the human imagination, and the relevance of film for the philosophy of human action. Scholars of film studies and philosophy will find this book particularly useful. |
| any_adam_object | 1 |
| author | Reid, James D. Craig, Candace R. |
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| contents | "I wanna finish this one my own way": strong agency in The straight story -- From pasture to hellhole: weak agency and industry in Erasurehead -- Imaginative recognition and transfiguration in The elephant man -- Knowledge, agency, and violence in Blue velvet -- Agency and identity in Wild at heart -- "You'll never have me": agents apart in Lost highway -- "It's no longer your film": fantasy, fate, and agency in Mulholland Dr. -- "My wife is not a free agent": agency lost in INLAND EMPIRE -- Agency regained in Twin Peaks: the return or myths of overreaching |
| ctrlnum | (OCoLC)1249680360 (DE-599)BVBBV047145754 |
| discipline | Allgemeines Philosophie |
| format | Book |
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| isbn | 9781498555937 9781498555951 |
| language | English |
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| physical | xi, 267 Seiten 23 cm |
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| series2 | Cine-aesthetics : new directions in film and philosophy |
| spelling | Reid, James D. Verfasser (DE-588)1081254793 aut Agency and imagination in the films of David Lynch philosophical perspectives James D. Reid and Candace R. Craig Lanham, Maryland Lexington Books [2020] xi, 267 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Cine-aesthetics : new directions in film and philosophy "I wanna finish this one my own way": strong agency in The straight story -- From pasture to hellhole: weak agency and industry in Erasurehead -- Imaginative recognition and transfiguration in The elephant man -- Knowledge, agency, and violence in Blue velvet -- Agency and identity in Wild at heart -- "You'll never have me": agents apart in Lost highway -- "It's no longer your film": fantasy, fate, and agency in Mulholland Dr. -- "My wife is not a free agent": agency lost in INLAND EMPIRE -- Agency regained in Twin Peaks: the return or myths of overreaching Lynch, David 1946-2025 (DE-588)119035316 gnd rswk-swf Imagination (DE-588)4072730-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Lynch, David / 1946- / Criticism and interpretation Imagination in motion pictures Lynch, David / 1946- Criticism, interpretation, etc Lynch, David 1946-2025 (DE-588)119035316 p Imagination (DE-588)4072730-0 s Film (DE-588)4017102-4 s DE-604 Craig, Candace R. Verfasser (DE-588)1227510454 aut Erscheint auch als Online-Ausgabe 978-1-4985-5594-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032551585&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032551585&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Reid, James D. Craig, Candace R. Agency and imagination in the films of David Lynch philosophical perspectives "I wanna finish this one my own way": strong agency in The straight story -- From pasture to hellhole: weak agency and industry in Erasurehead -- Imaginative recognition and transfiguration in The elephant man -- Knowledge, agency, and violence in Blue velvet -- Agency and identity in Wild at heart -- "You'll never have me": agents apart in Lost highway -- "It's no longer your film": fantasy, fate, and agency in Mulholland Dr. -- "My wife is not a free agent": agency lost in INLAND EMPIRE -- Agency regained in Twin Peaks: the return or myths of overreaching Lynch, David 1946-2025 (DE-588)119035316 gnd Imagination (DE-588)4072730-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)119035316 (DE-588)4072730-0 (DE-588)4017102-4 |
| title | Agency and imagination in the films of David Lynch philosophical perspectives |
| title_auth | Agency and imagination in the films of David Lynch philosophical perspectives |
| title_exact_search | Agency and imagination in the films of David Lynch philosophical perspectives |
| title_full | Agency and imagination in the films of David Lynch philosophical perspectives James D. Reid and Candace R. Craig |
| title_fullStr | Agency and imagination in the films of David Lynch philosophical perspectives James D. Reid and Candace R. Craig |
| title_full_unstemmed | Agency and imagination in the films of David Lynch philosophical perspectives James D. Reid and Candace R. Craig |
| title_short | Agency and imagination in the films of David Lynch |
| title_sort | agency and imagination in the films of david lynch philosophical perspectives |
| title_sub | philosophical perspectives |
| topic | Lynch, David 1946-2025 (DE-588)119035316 gnd Imagination (DE-588)4072730-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Lynch, David 1946-2025 Imagination Film |
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