The colour fantastic: chromatic worlds of silent cinema
Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this ant...
Gespeichert in:
| Weitere beteiligte Personen: | , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2020
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| Schriftenreihe: | Framing film (Amsterdam, Netherlands)
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| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9789048532988 https://doi.org/10.1017/9789048532988 https://doi.org/10.1017/9789048532988 |
| Zusammenfassung: | Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on colour in silent film. Taking an interdisciplinary approach, the book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 28 Dec 2020) Nonfiction and amateur cinema -- 1. Fireworks and Carnivals: Applied and Natural Colours in Italian Home Movies / Elena Gipponi -- 2. Liminal Perceptions: Intermediality and the Exhibition of Nonfiction Film / Liz Watkins -- 3. Rough Seas: The Blue Waters of Early Nonfiction Film / Jennifer Peterson -- Naturel-colour processes: theory and practice -- 4. 'Taking the color out of color': Two-Colour Technicolor, The Black Pirate, and Blackened Dyes / John Belton -- 5. Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology / Benoit Turquety -- 6. Ziegfeldized Slapstick, Useful Comedy: Mack Sennett's Slapstick Comedies under the Influence of Natural Colour / Hilde D'Haeyere -- 7. Kinemacolor and Kodak: The Enterprise of Colour / Frank Gray -- Intermediality and advertising -- 8. Rainbow Ravine: Colour and Animated Advertising in Times Square / Kirsten Moana Thompson -- 9. Kodachrome's Hope: The Making and Promotion of McCall Colour Fashion News / Natalie Snoyman -- 10. Chromatic Objects: Colour Advertising and French Avant-garde Films of the 1920s / Federico Pierotti -- Archiving and restoration: early debates and current practices -- 11. La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926 -- 1927 / Bregt Lameris -- 12. A Material-Based Approach to the Digitization of Early Film Colours / David Pfluger |
| Umfang: | 1 Online-Ressource (311 Seiten) |
| ISBN: | 9789048532988 |
| DOI: | 10.1017/9789048532988 |
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Datensatz im Suchindex
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| author2 | Fossati, Giovanna 1971- Yumibe, Joshua 1974- Street, Sarah 1958- Rongen-Kaynakçi, Elif Lameris, Bregt 1973- Jackson, Victoria ca. 20./21. Jh |
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| discipline | Allgemeines |
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| era | Geschichte Anfänge-1930 gnd |
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| isbn | 9789048532988 |
| language | English |
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| spelling | The colour fantastic chromatic worlds of silent cinema Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street, Joshua Yumibe Color fantastic Amsterdam Amsterdam University Press 2020 1 Online-Ressource (311 Seiten) txt rdacontent c rdamedia cr rdacarrier Framing film (Amsterdam, Netherlands) Title from publisher's bibliographic system (viewed on 28 Dec 2020) Nonfiction and amateur cinema -- 1. Fireworks and Carnivals: Applied and Natural Colours in Italian Home Movies / Elena Gipponi -- 2. Liminal Perceptions: Intermediality and the Exhibition of Nonfiction Film / Liz Watkins -- 3. Rough Seas: The Blue Waters of Early Nonfiction Film / Jennifer Peterson -- Naturel-colour processes: theory and practice -- 4. 'Taking the color out of color': Two-Colour Technicolor, The Black Pirate, and Blackened Dyes / John Belton -- 5. Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology / Benoit Turquety -- 6. Ziegfeldized Slapstick, Useful Comedy: Mack Sennett's Slapstick Comedies under the Influence of Natural Colour / Hilde D'Haeyere -- 7. Kinemacolor and Kodak: The Enterprise of Colour / Frank Gray -- Intermediality and advertising -- 8. Rainbow Ravine: Colour and Animated Advertising in Times Square / Kirsten Moana Thompson -- 9. Kodachrome's Hope: The Making and Promotion of McCall Colour Fashion News / Natalie Snoyman -- 10. Chromatic Objects: Colour Advertising and French Avant-garde Films of the 1920s / Federico Pierotti -- Archiving and restoration: early debates and current practices -- 11. La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926 -- 1927 / Bregt Lameris -- 12. A Material-Based Approach to the Digitization of Early Film Colours / David Pfluger Sparked by a groundbreaking Amsterdam workshop titled "Disorderly Order: Colours in Silent Film," scholarly and archival interest in colour as a crucial aspect of film form, technology and aesthetics has enjoyed a resurgence in the past twenty years. In the spirit of the workshop, this anthology brings together international experts to explore a diverse range of themes that they hope will inspire the next twenty years of research on colour in silent film. Taking an interdisciplinary approach, the book explores archival restoration, colour film technology, colour theory, and experimental film alongside beautifully saturated images of silent cinema Geschichte Anfänge-1930 gnd rswk-swf Color motion pictures / History and criticism Silent films / History and criticism Farbe (DE-588)4016443-3 gnd rswk-swf Stummfilm (DE-588)4058257-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2015 Amsterdam gnd-content Stummfilm (DE-588)4058257-7 s Farbe (DE-588)4016443-3 s Geschichte Anfänge-1930 z DE-604 Fossati, Giovanna 1971- (DE-588)1132255201 edt Yumibe, Joshua 1974- (DE-588)1025438221 edt Street, Sarah 1958- (DE-588)1168067391 edt Rongen-Kaynakçi, Elif (DE-588)1167812883 edt Lameris, Bregt 1973- (DE-588)1135171009 edt Jackson, Victoria ca. 20./21. Jh. (DE-588)1226966888 edt Erscheint auch als Druck-Ausgabe 978-94-629-8301-4 https://doi.org/10.1017/9789048532988 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | The colour fantastic chromatic worlds of silent cinema Color motion pictures / History and criticism Silent films / History and criticism Farbe (DE-588)4016443-3 gnd Stummfilm (DE-588)4058257-7 gnd |
| subject_GND | (DE-588)4016443-3 (DE-588)4058257-7 (DE-588)1071861417 |
| title | The colour fantastic chromatic worlds of silent cinema |
| title_alt | Color fantastic |
| title_auth | The colour fantastic chromatic worlds of silent cinema |
| title_exact_search | The colour fantastic chromatic worlds of silent cinema |
| title_full | The colour fantastic chromatic worlds of silent cinema Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street, Joshua Yumibe |
| title_fullStr | The colour fantastic chromatic worlds of silent cinema Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street, Joshua Yumibe |
| title_full_unstemmed | The colour fantastic chromatic worlds of silent cinema Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakçi, Sarah Street, Joshua Yumibe |
| title_short | The colour fantastic |
| title_sort | the colour fantastic chromatic worlds of silent cinema |
| title_sub | chromatic worlds of silent cinema |
| topic | Color motion pictures / History and criticism Silent films / History and criticism Farbe (DE-588)4016443-3 gnd Stummfilm (DE-588)4058257-7 gnd |
| topic_facet | Color motion pictures / History and criticism Silent films / History and criticism Farbe Stummfilm Konferenzschrift 2015 Amsterdam |
| url | https://doi.org/10.1017/9789048532988 |
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