Verfügbarkeit: Television and precarity | Technische Universität München

Television and precarity: naturalist narratives of poor America

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Bibliographische Detailangaben
Beteilige Person:	Humburg, Jasmin (VerfasserIn)
Format:	Hochschulschrift/Dissertation Buch
Sprache:	Englisch
Veröffentlicht:	Berlin J.B. Metzler [2020]
Schlagwörter:	Geschichte 2002-2018 Literatur Fernsehserie Naturalismus Armut > Motiv USA Representations of Poverty American naturalism Contemporary Television Plot of Decline Concepts of social mobility Television studies American television series Naturalist narrative strategies Literary studies Culture of Poverty Poverty Determinism New Poverty Studies Hochschulschrift
Links:	http://deposit.dnb.de/cgi-bin/dokserv?id=81d3160172ad46aabeabc779cda732d4&prov=M&dok_var=1&dok_ext=htm http://www.springer.com/ https://d-nb.info/1205487514/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032526170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Umfang:	x, 357 Seiten 21 cm, 481 g
ISBN:	9783476056597 3476056597

Internformat

MARC


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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS ABSTRACT ............................................................................... IX INTRODUCTION .......................................................................... 1 PART I: THEORIZING REPRESENTATIONS OF POVERTY ............ 17 1 POVERTY AND CLASS ........................................................... 19 2 SOCIAL STRATIFICATION AND SOCIAL MOBILITY ...................... 25 3 NATURALIST NARRATIVES OF POVERTY .................................... 33 3.1 NATURALISM - AN ELUSIVE TERM ........................................ 35 3.2 PARADOX AND INCONSISTENCY............................................. 51 3.3 DOWNCLASSING AND CLASS TRANSVESTISM ......................... 57 3.4 CLASSED BODIES, CLASSED SPACES ................................... 75 PART II: WATCHING REPRESENTATIONS OF POVERTY ............. 93 4 EXPLORING DETERMINISM ................................................... 95 4.1 THE WIRE ............................................................................ 98 4.1.1 THE WIRE AS A NATURALIST NARRATIVE ......................................... 107 4.1.2 DETERMINISM IN THE WIRE ........................................................ 113 4.1.3 THE DOWNCLASSING OF SYDNOR AND TEMPLETON ....................... 118 4.1.4 CLASSED BODIES, CLASSED SPACES: PROJECTS AND CORNERS.... 124 4.2 TREME ............................................................................... 135 4.2.1 TREME AS A NATURALIST NARRATIVE ............................................. 148 4.2.2 DETERMINISM IN TREME ............................................................ 154 4.2.3 THE DOWNCLASSING OF DAVIS MCALARY ..................................... 159 4.2.4 CLASSED BODIES, CLASSED SPACES: POST-KATRINA HOUSING.... 165 5 INFILTRATING THE CULTURE OF POVERTY ................................ 171 5.1 SHAMELESS ..................................................................... 177 5.1.1 SHAMELESS AS A NATURALIST NARRATIVE ..................................... 182 5.1.2 THE CULTURE OF POVERTY IN SHAMELESS .................................... 190 5.1.3 THE DOWNCLASSING OF JIMMY LISHMAN/STEVE WILTON ............ 200 VIII 5.1.4 CLASSED BODIES, CLASSED SPACES: SOUTH SIDE RULES ....... 206 5.2 OZARK ............................................................................. 211 5.2.1 OZARK AS A NATURALIST NARRATIVE .............................................. 216 5.2.2 THE CULTURE OF POVERTY IN OZARK ............................................. 225 5.2.3 THE DOWNCLASSING OF ROY PETTY ............................................. 231 5.2.4 CLASSED BODIES, CLASSED SPACES: * REDNECK RIVIERA * ......... 237 6 EMBODYING THE PLOT OF DECLINE .................................. 241 6.1 ORANGE IS THE NEW BLACK ................................................ 246 6.1.1 OITNB AS A NATURALIST NARRATIVE ............................................. 252 6.1.2 THE PLOT OF DECLINE IN OITNB ................................................. 256 6.1.3 THE DOWNCLASSING OF PIPER CHAPMAN ................................... 264 6.1.4 CLASSED BODIES, CLASSED SPACES: MICROCOSMS IN PRISON ...272 6.2 2 BROKE GIRLS ................................................................... 279 6.2.1 2 BROKE GIRLS AS A NATURALIST NARRATIVE .................................. 287 6.2.2 THE PLOT OF DECLINE IN 2 BROKE GIRLS ...................................... 292 6.2.3 THE DOWNCLASSING OF CAROLINE CHANNING ................................ 297 6.2.4 CLASSED BODIES, CLASSED SPACES: WILLIAMSBURG DINER ....... 302 CONCLUSIONS ..................................................................... 309 WORKS CITED ...................................................................... 321
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spellingShingle	Humburg, Jasmin Television and precarity naturalist narratives of poor America Literatur (DE-588)4035964-5 gnd Fernsehserie (DE-588)4154072-4 gnd Naturalismus (DE-588)4041365-2 gnd Armut Motiv (DE-588)4265691-6 gnd
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title	Television and precarity naturalist narratives of poor America
title_auth	Television and precarity naturalist narratives of poor America
title_exact_search	Television and precarity naturalist narratives of poor America
title_full	Television and precarity naturalist narratives of poor America Jasmin Humburg
title_fullStr	Television and precarity naturalist narratives of poor America Jasmin Humburg
title_full_unstemmed	Television and precarity naturalist narratives of poor America Jasmin Humburg
title_short	Television and precarity
title_sort	television and precarity naturalist narratives of poor america
title_sub	naturalist narratives of poor America
topic	Literatur (DE-588)4035964-5 gnd Fernsehserie (DE-588)4154072-4 gnd Naturalismus (DE-588)4041365-2 gnd Armut Motiv (DE-588)4265691-6 gnd
topic_facet	Literatur Fernsehserie Naturalismus Armut Motiv USA Hochschulschrift
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