Liner notes for the revolution: the intellectual life of black feminist sound
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Massachusetts
The Belknap Press of Harvard University Press
2021
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032523244&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how"-- |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | viii, 598 Seiten Illustrationen |
| ISBN: | 9780674052819 |
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory | |
| 520 | 3 | |a "Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of African American women on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer black feminist critic of modern culture, and Pauline Hopkins as America's first black female cultural intellectual. Brooks tackles the complicated racial politics of blues music recording, collecting, and rock and roll music criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cecile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as serious cultural historians. Above all, Liner Notes for the Revolution reads black female musicians and entertainers as intellectuals. At stake is the question of who gets to tell the story of black women in popular music and how"-- | |
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Datensatz im Suchindex
| _version_ | 1819365546447077376 |
|---|---|
| adam_text | CONTENTS Author’s Note ix Introduction 1 Side A 1 Toward a Black Feminist Intellectual Tradition in Sound 65 2 “Sister, Can You Line It Out?”: Zora Neale Hurston Notes the Sound 125 3 Blues Feminist Lingua Franca: Rosetta Reitz Rewrites the Record 161 4 Thrice Militant Music Criticism: Ellen Willis Lorraine Hansberry’s What Might Be 207 Side В 5 Not Fade Away: Looking After Geeshie Elvie/L. V. 271 6 “If You Should Lose Me”: Of Trunks Record Shops Black Girl Ephemera 310
viii 7 “See My Face from the Other Side”: Catching Up with Geeshie and Լ. V. 348 8 “Slow Fade to Black”: Black Women Archivists Remix the Sounds 369 Epilogue: Going to the Territory 432 NOTES 447 ACKNOWLEDGMENTS 561 CREDITS 567 INDEX 573 CONTENTS
|
| any_adam_object | 1 |
| author | Brooks, Daphne A. 1968- |
| author_GND | (DE-588)102897762X |
| author_facet | Brooks, Daphne A. 1968- |
| author_role | aut |
| author_sort | Brooks, Daphne A. 1968- |
| author_variant | d a b da dab |
| building | Verbundindex |
| bvnumber | BV047116864 |
| classification_rvk | LS 48015 |
| contents | SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory |
| ctrlnum | (OCoLC)1235892113 (DE-599)BVBBV047116864 |
| dewey-full | 780.820973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.820973 |
| dewey-search | 780.820973 |
| dewey-sort | 3780.820973 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| isbn | 9780674052819 |
| language | English |
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| physical | viii, 598 Seiten Illustrationen |
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| publishDateSearch | 2021 |
| publishDateSort | 2021 |
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| spellingShingle | Brooks, Daphne A. 1968- Liner notes for the revolution the intellectual life of black feminist sound SIDE A. Toward a black feminist intellectual tradition in sound -- "Sister, can you line it out?": Zora Neale Hurston notes the sound -- Blues feminist lingua franca: Rosetta Reitz rewrites the record -- Thrice militant music criticism: Ellen Willis & Lorraine Hansberry's What might be -- SIDE B. Not fade away: looking after Geeshie & Elvie / L.V. -- "If you should lose me": of trunks & record shops & black girl ephemera -- "See my face from the other side": catching up with Geeshie and L.V. -- "Slow fade to black": black women archivists remix the sounds -- Epilogue: Going to the territory Afroamerikanische Musik (DE-588)4122767-0 gnd Feminismus (DE-588)4222126-2 gnd Musikkritik (DE-588)4139777-0 gnd |
| subject_GND | (DE-588)4122767-0 (DE-588)4222126-2 (DE-588)4139777-0 (DE-588)4078704-7 |
| title | Liner notes for the revolution the intellectual life of black feminist sound |
| title_auth | Liner notes for the revolution the intellectual life of black feminist sound |
| title_exact_search | Liner notes for the revolution the intellectual life of black feminist sound |
| title_full | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_fullStr | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_full_unstemmed | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_short | Liner notes for the revolution |
| title_sort | liner notes for the revolution the intellectual life of black feminist sound |
| title_sub | the intellectual life of black feminist sound |
| topic | Afroamerikanische Musik (DE-588)4122767-0 gnd Feminismus (DE-588)4222126-2 gnd Musikkritik (DE-588)4139777-0 gnd |
| topic_facet | Afroamerikanische Musik Feminismus Musikkritik USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032523244&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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