Classical Hollywood Narrative: The Paradigm Wars
Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthet...
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| Weitere beteiligte Personen: | , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
[1992]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 https://doi.org/10.1515/9780822396345 |
| Zusammenfassung: | Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here-representing the work of some of the most innovative theorists writing today-challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Umfang: | 1 online resource (360 pages) 10 illustrations |
| ISBN: | 9780822396345 |
| DOI: | 10.1515/9780822396345 |
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| 520 | |a Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here-representing the work of some of the most innovative theorists writing today-challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson | ||
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Datensatz im Suchindex
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| author2 | Bill, Nichols Chris, Straayer Christine, Gledhill Fredric, Jameson Gaines, Jane M. Jane, Feuer Jane, Gaines Janet, StaiBer John, Thompson Miriam, Hansen Norman, Holland Rick, Altman |
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| author_facet | Bill, Nichols Chris, Straayer Christine, Gledhill Fredric, Jameson Gaines, Jane M. Jane, Feuer Jane, Gaines Janet, StaiBer John, Thompson Miriam, Hansen Norman, Holland Rick, Altman |
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| dewey-search | 791.43/01 |
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| indexdate | 2025-02-18T19:09:50Z |
| institution | BVB |
| isbn | 9780822396345 |
| language | English |
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| spelling | Classical Hollywood Narrative The Paradigm Wars Jane M. Gaines Durham Duke University Press [1992] © 1992 1 online resource (360 pages) 10 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Since the 1970s film studies has been dominated by a basic paradigm-the concept of classical Hollywood cinema-that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here-representing the work of some of the most innovative theorists writing today-challenge this paradigm.Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty.Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Motion pictures Social aspects Bill, Nichols ctb Chris, Straayer ctb Christine, Gledhill ctb Fredric, Jameson ctb Gaines, Jane M. edt Jane, Feuer ctb Jane, Gaines ctb Janet, StaiBer ctb John, Thompson ctb Miriam, Hansen ctb Norman, Holland ctb Rick, Altman ctb https://doi.org/10.1515/9780822396345 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Classical Hollywood Narrative The Paradigm Wars PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Motion pictures Social aspects |
| title | Classical Hollywood Narrative The Paradigm Wars |
| title_auth | Classical Hollywood Narrative The Paradigm Wars |
| title_exact_search | Classical Hollywood Narrative The Paradigm Wars |
| title_full | Classical Hollywood Narrative The Paradigm Wars Jane M. Gaines |
| title_fullStr | Classical Hollywood Narrative The Paradigm Wars Jane M. Gaines |
| title_full_unstemmed | Classical Hollywood Narrative The Paradigm Wars Jane M. Gaines |
| title_short | Classical Hollywood Narrative |
| title_sort | classical hollywood narrative the paradigm wars |
| title_sub | The Paradigm Wars |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Philosophy Motion pictures Social aspects |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Philosophy Motion pictures Social aspects |
| url | https://doi.org/10.1515/9780822396345 |
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