Images of traumatic memories: intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Hochschulschrift/Dissertation Buch |
Sprache: | Englisch |
Veröffentlicht: |
Göttingen
V&R unipress
[2021]
|
Schriftenreihe: | Interfacing science, literature, and the humanities
volume 14 |
Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032493466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Umfang: | 173 Seiten Illustrationen 23.2 cm x 15.5 cm |
ISBN: | 9783847111634 |
Internformat
MARC
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100 | 1 | |a Meyer, Anja |d 1986- |e Verfasser |0 (DE-588)122719966X |4 aut | |
245 | 1 | 0 | |a Images of traumatic memories |b intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert |c Anja Meyer |
264 | 1 | |a Göttingen |b V&R unipress |c [2021] | |
300 | |a 173 Seiten |b Illustrationen |c 23.2 cm x 15.5 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 1 | |a Interfacing science, literature, and the humanities |v volume 14 | |
502 | |b Dissertation |c University of Verona |d 2017 | ||
600 | 1 | 7 | |a Riggs, Ransom |d 1979- |t Miss Peregrine's home for peculiar children |0 (DE-588)123686512X |2 gnd |9 rswk-swf |
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653 | |a English literature | ||
653 | |a Extremely Loud and Incredibly Close | ||
653 | |a Fotografie | ||
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653 | |a Multimediality | ||
653 | |a Multimedialität | ||
653 | |a Photography | ||
653 | |a Riggs, Ransom | ||
653 | |a Safran Foer, Jonathan | ||
653 | |a Seiffert, Rachel | ||
653 | |a The Dark Room | ||
653 | |a Trauma studies | ||
653 | |a Visual studies | ||
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943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032493466 |
Datensatz im Suchindex
_version_ | 1819357257627860992 |
---|---|
adam_text | CONTENTS
ABSTRACT
..........................................................................................................
9
INTRODUCTION
....................................................................................................
11
I.
IMAGE-TEXT
RELATIONSHIP:
AN
INTERDISCIPLINARY
THEORETICAL
FRAMEWORK
..............................................................................................
17
1.
WORD-IMAGE
RELATIONSHIP
...................................................................
17
1.1.
UT
PICTURA
POESIS
............................................................................
17
1.2.
BARTHES
AND
THE
THIRD
MEANING
.................................................
21
1.3.
THE
PICTORIAL
TURN
.........................................................................
23
2.
THE
PHOTOGRAPHIC
LANGUAGE
................................................................
25
2.1.
THE
AGE
OF
LITERARY
REALISM
.......................................................
25
2.2.
BAUDELAIRE
AND
THE
FIRST
CRITICS
....................................................
27
2.3.
PHOTOGRAPHY
AND
NOSTALGIA
..........................................................
29
2.4.
PHOTOGRAPHY
*
S
OPTICAL
UNCONSCIOUS
..........................................
31
3.
TRAUMA:
BETWEEN
SCIENCE
AND
CULTURE
.............................................
34
3.1.
THE
HISTORY
OF
THE
PSYCHIATRIC
AND
PSYCHOLOGICAL
CONCEPT
OF
TRAUMA
...........................................................................................
35
3.2.
NEUROPHYSIOLOGICAL
EFFECTS
OF
TRAUMA
.......................................
40
3.3.
TRAUMA
AND
MEMORY
...................................................................
41
3.4.
CULTURAL
AND
LITERARY
MEMORY
...................................................
44
3.5.
PHOTOGRAPHY
AS
MEMORY
TEXT
...................................................
47
3.6.
THE
GENERATION
OF
POSTMEMORY
................................................
49
4.
INTERMEDIALITY
.....................................................................................
54
4.1.
WHAT
IS
A
MEDIUM?
......................................................................
54
4.2.
THE
LITERARY
MONTAGE
..................................................................
56
4.3.
DEFINING
INTERMEDIALITY
...............................................................
58
4.4.
FICTION-PHOTOGRAPHY
INTERACTION
................................................
63
II.
THE
SPECTRAL
EVIDENCE
OF
PHOTOGRAPHS
:
THE
DARK
ROOM
.....................
67
1.
THEMES
AND
NARRATIVE
STRUCTURE
.......................................................
67
2.
HELMUT:
THE
PHOTOGRAPHIC
PERSPECTIVE
..............................................
72
3.
LORE:
THE
OPTICAL
APERTURE
................................................................
79
4.
MICHA:
THE
PHOTOGRAPHIC
DEVELOPMENT
..............................................
86
III.
A
PECULIAR
NARRATIVE
PHOTO-ALBUM:
MISS
PEREGRINE S
HOME
FOR
PECULIAR
CHILDREN
.....................................................................................
93
1.
TALKING
PICTURES
..................................................................................
93
2.
THEMES
AND
NARRATIVE
STRUCTURE
.......................................................
97
3.
PECULIAR
PHOTOGRAPHS
.........................................................................
99
4.
A
TEMPORAL
LOOP
................................................................................
104
5.
POSTMEMORY
AND
THE
PECULIARS
..........................................................
108
6.
THE
AESTHETIC
OF
PECULIARS
AS
FREAKS
.................................................
114
IV.
THE
CRISIS
OF
MEMORY
IN
THE
VISUAL
ERA:
EXTREMELY
LOUD
AND
INCREDIBLY
CLOSE
........................................................................................
127
1.
THEMES
AND
NARRATIVE
STRUCTURE
.......................................................
127
2.
NARRATIVE
WITNESSING
.........................................................................
129
3.
CODES
OF
COMMUNICATION
...................................................................
131
4.
THE
USE
OF
PHOTOGRAPHS
......................................................................
133
5.
THE
USE
OF
TYPOGRAPHY
......................................................................
139
6.
THE
FALLING
MAN
..................................................................................
143
6.1.
PHOTOGRAPHING
TRAUMA
ON
9/11
.................................................
143
6.2.
TRAUMA
AND
MEDIA
.........................................................
147
6.3.
THE
FLIP
BOOK
...............................................................................
149
REFERENCES
.......................................................................................................
155
NOVELS
AND
PHOTO-COLLECTIONS
................................................................
155
ON
VISUAL
STUDIES,
MEDIA
AND
CULTURE
.................................................
156
ON
PHOTOGRAPHY,
MEMORY
AND
TRAUMA
STUDIES
..................................
159
FURTHER
LITERARY
AND
CULTURAL
REFERENCES
..............................................
165
WEB
RESOURCES
........................................................................................
167
INDEX
OF
NAMES
..............................................................................................
169
SUBJECT
INDEX
.................................................................................................
171
|
any_adam_object | 1 |
author | Meyer, Anja 1986- |
author_GND | (DE-588)122719966X |
author_facet | Meyer, Anja 1986- |
author_role | aut |
author_sort | Meyer, Anja 1986- |
author_variant | a m am |
building | Verbundindex |
bvnumber | BV047086804 |
classification_rvk | AP 95000 |
ctrlnum | (OCoLC)1235888011 (DE-599)DNB1205090878 |
discipline | Allgemeines Anglistik / Amerikanistik |
format | Thesis Book |
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genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV047086804 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:09:20Z |
institution | BVB |
institution_GND | (DE-588)1065212178 |
isbn | 9783847111634 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032493466 |
oclc_num | 1235888011 |
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owner | DE-29 DE-824 DE-12 |
owner_facet | DE-29 DE-824 DE-12 |
physical | 173 Seiten Illustrationen 23.2 cm x 15.5 cm |
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series | Interfacing science, literature, and the humanities |
series2 | Interfacing science, literature, and the humanities |
spellingShingle | Meyer, Anja 1986- Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert Interfacing science, literature, and the humanities Riggs, Ransom 1979- Miss Peregrine's home for peculiar children (DE-588)123686512X gnd Foer, Jonathan Safran 1977- Extremely loud and incredibly close (DE-588)1049228502 gnd Seiffert, Rachel 1971- (DE-588)128792191 gnd Seiffert, Rachel 1971- The dark room (DE-588)1236864980 gnd Riggs, Ransom 1979- (DE-588)1016773838 gnd Fotografie Motiv (DE-588)4351842-4 gnd Literatur (DE-588)4035964-5 gnd Intermedialität (DE-588)4605581-2 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)123686512X (DE-588)1049228502 (DE-588)128792191 (DE-588)1236864980 (DE-588)1016773838 (DE-588)4351842-4 (DE-588)4035964-5 (DE-588)4605581-2 (DE-588)4045895-7 (DE-588)4113937-9 |
title | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert |
title_auth | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert |
title_exact_search | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert |
title_full | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert Anja Meyer |
title_fullStr | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert Anja Meyer |
title_full_unstemmed | Images of traumatic memories intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert Anja Meyer |
title_short | Images of traumatic memories |
title_sort | images of traumatic memories intersections of literature and photography in the novels of riggs safran foer and seiffert |
title_sub | intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert |
topic | Riggs, Ransom 1979- Miss Peregrine's home for peculiar children (DE-588)123686512X gnd Foer, Jonathan Safran 1977- Extremely loud and incredibly close (DE-588)1049228502 gnd Seiffert, Rachel 1971- (DE-588)128792191 gnd Seiffert, Rachel 1971- The dark room (DE-588)1236864980 gnd Riggs, Ransom 1979- (DE-588)1016773838 gnd Fotografie Motiv (DE-588)4351842-4 gnd Literatur (DE-588)4035964-5 gnd Intermedialität (DE-588)4605581-2 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Riggs, Ransom 1979- Miss Peregrine's home for peculiar children Foer, Jonathan Safran 1977- Extremely loud and incredibly close Seiffert, Rachel 1971- Seiffert, Rachel 1971- The dark room Riggs, Ransom 1979- Fotografie Motiv Literatur Intermedialität Fotografie Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032493466&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV038743353 |
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