The film cheat: screen artifice and viewing pleasure
"Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. Thi...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Bloomsbury Academic
2020
London Bloomsbury Publishing |
| Schlagwörter: | |
| Links: | https://doi.org/10.5040/9781501364952 https://doi.org/10.5040/9781501364952?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501364952?locatt=label:secondary_bloomsburyCollections https://doi.org/10.5040/9781501364952?locatt=label:secondary_bloomsburyCollections |
| Zusammenfassung: | "Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to ?suspend? or ?disconnect? it in order to allow for the entertainment of the fiction in its own terms. The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown , to more contemporary films like The Revenant and Baby Driver , with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic. Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema." |
| Umfang: | 1 Online-Ressource (xiii, 363 Seiten) Illustrationen |
| ISBN: | 9781501364952 9781501364969 |
| DOI: | 10.5040/9781501364952 |
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| 520 | |a "Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to ?suspend? or ?disconnect? it in order to allow for the entertainment of the fiction in its own terms. The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown , to more contemporary films like The Revenant and Baby Driver , with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic. Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema." | ||
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Datensatz im Suchindex
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| author | Pomerance, Murray 1946- |
| author_GND | (DE-588)131867660 |
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| author_role | aut |
| author_sort | Pomerance, Murray 1946- |
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| bvnumber | BV047067022 |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.45/652 |
| dewey-search | 791.45/652 |
| dewey-sort | 3791.45 3652 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.5040/9781501364952 |
| format | Electronic eBook |
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| isbn | 9781501364952 9781501364969 |
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| spelling | Pomerance, Murray 1946- Verfasser (DE-588)131867660 aut The film cheat screen artifice and viewing pleasure Murray Pomerance London Bloomsbury Academic 2020 London Bloomsbury Publishing 1 Online-Ressource (xiii, 363 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier "Murray Pomerance, venerated film scholar, is the first to take on the 'cheat' in film, where 'cheating' constitutes a collection of production, performance, and structuring maneuvers intended to foster the impression of a screen reality that does not exist as presented. This usually calls for a suspension of disbelief in the viewer, but that rests on the assumption that disbelief is problematic for viewership, and that we must find some way to ?suspend? or ?disconnect? it in order to allow for the entertainment of the fiction in its own terms. The Film Cheat explores forty-five aspects of the 'cheat,' analyzing classic films such as Singin' in the Rain and Chinatown , to more contemporary films like The Revenant and Baby Driver , with Pomerance engaging his encyclopedic knowledge of film history to point out numerous instances of suspensions of disbeliefs. Whether or not Gene Kelly is actually dancin' in the rain, or if Elliott is really flying on his bicycle carrying E.T., these cheats are what make movie magic. Elegantly weaving the narrative for one to dip into at random or to read from cover to cover, Pomerance turns things upside down so that the audience actually finds pleasure in the cheat itself, pleasure in the disbelief. To see the elegant fake, the supremely accomplished simulacrum is a pleasure in its own right, indeed one of the fundamental pleasures of cinema." Film theory & criticism / bicssc Motion pictures Psychological aspects Motion picture audiences Psychology Motion pictures Aesthetics Realism in motion pictures Filmtechnik (DE-588)4017144-9 gnd rswk-swf Filmtrick (DE-588)4194274-7 gnd rswk-swf Filmarchitektur (DE-588)4154353-1 gnd rswk-swf Illusion (DE-588)4161274-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Electronic books (DE-588)7507244-0 Filmografie gnd-content Filmarchitektur (DE-588)4154353-1 s Filmtechnik (DE-588)4017144-9 s Filmtrick (DE-588)4194274-7 s Illusion (DE-588)4161274-7 s DE-604 Film (DE-588)4017102-4 s Erscheint auch als Druck-Ausgabe, Festeinband 9781501364990 Erscheint auch als Druck-Ausgabe, Broschur 9781501364983 Erscheint auch als Druck-Ausgabe, hardback 978-1-5013-6499-0 Erscheint auch als Druck-Ausgabe, paperback 978-1-5013-6498-3 https://doi.org/10.5040/9781501364952?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pomerance, Murray 1946- The film cheat screen artifice and viewing pleasure Film theory & criticism / bicssc Motion pictures Psychological aspects Motion picture audiences Psychology Motion pictures Aesthetics Realism in motion pictures Filmtechnik (DE-588)4017144-9 gnd Filmtrick (DE-588)4194274-7 gnd Filmarchitektur (DE-588)4154353-1 gnd Illusion (DE-588)4161274-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017144-9 (DE-588)4194274-7 (DE-588)4154353-1 (DE-588)4161274-7 (DE-588)4017102-4 (DE-588)7507244-0 |
| title | The film cheat screen artifice and viewing pleasure |
| title_auth | The film cheat screen artifice and viewing pleasure |
| title_exact_search | The film cheat screen artifice and viewing pleasure |
| title_full | The film cheat screen artifice and viewing pleasure Murray Pomerance |
| title_fullStr | The film cheat screen artifice and viewing pleasure Murray Pomerance |
| title_full_unstemmed | The film cheat screen artifice and viewing pleasure Murray Pomerance |
| title_short | The film cheat |
| title_sort | the film cheat screen artifice and viewing pleasure |
| title_sub | screen artifice and viewing pleasure |
| topic | Film theory & criticism / bicssc Motion pictures Psychological aspects Motion picture audiences Psychology Motion pictures Aesthetics Realism in motion pictures Filmtechnik (DE-588)4017144-9 gnd Filmtrick (DE-588)4194274-7 gnd Filmarchitektur (DE-588)4154353-1 gnd Illusion (DE-588)4161274-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film theory & criticism / bicssc Motion pictures Psychological aspects Motion picture audiences Psychology Motion pictures Aesthetics Realism in motion pictures Filmtechnik Filmtrick Filmarchitektur Illusion Film Filmografie |
| url | https://doi.org/10.5040/9781501364952?locatt=label:secondary_bloomsburyCollections |
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