Medium Cool: Music Videos from Soundies to Cellphones
Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV-the network that introduced music video to most viewers-is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are...
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| Weitere beteiligte Personen: | , , , , , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
[2007]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 https://doi.org/10.1515/9780822390206 |
| Zusammenfassung: | Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV-the network that introduced music video to most viewers-is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland's developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis's internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in "musical jukeboxes" of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) |
| Umfang: | 1 online resource (360 pages) 51 b&w photos, 4 tables |
| ISBN: | 9780822390206 |
| DOI: | 10.1515/9780822390206 |
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| 520 | |a Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland's developing music video industry. | ||
| 520 | |a Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis's internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in "musical jukeboxes" of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes | ||
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| author2 | Amy, Herzog Antti, Kärjä Beebe, Roger Carol, Vernallis Cynthia, Fuchs Jason, Middleton Kay, Dickinson Kip, Pegley Lisa, Parks Maureen, Turim Melissa, McCartney Middleton, Jason Norma, Coates Philip, Hayward Roger, Beebe Warren, Zanes |
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| dewey-ones | 780 - Music |
| dewey-raw | 780.267 |
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| language | English |
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| spelling | Medium Cool Music Videos from Soundies to Cellphones Roger Beebe, Jason Middleton Durham Duke University Press [2007] © 2007 1 online resource (360 pages) 51 b&w photos, 4 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020) Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV-the network that introduced music video to most viewers-is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland's developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis's internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in "musical jukeboxes" of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes In English MUSIC / General bisacsh Music videos History and criticism Amy, Herzog ctb Antti, Kärjä ctb Beebe, Roger edt Carol, Vernallis ctb Cynthia, Fuchs ctb Dickinson, Kay Sonstige oth Herzog, Amy Sonstige oth Jason, Middleton ctb Kay, Dickinson ctb Kip, Pegley ctb Lisa, Parks ctb Maureen, Turim ctb Melissa, McCartney ctb Middleton, Jason edt Norma, Coates ctb Philip, Hayward ctb Roger, Beebe ctb Warren, Zanes ctb https://doi.org/10.1515/9780822390206 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Medium Cool Music Videos from Soundies to Cellphones MUSIC / General bisacsh Music videos History and criticism |
| title | Medium Cool Music Videos from Soundies to Cellphones |
| title_auth | Medium Cool Music Videos from Soundies to Cellphones |
| title_exact_search | Medium Cool Music Videos from Soundies to Cellphones |
| title_full | Medium Cool Music Videos from Soundies to Cellphones Roger Beebe, Jason Middleton |
| title_fullStr | Medium Cool Music Videos from Soundies to Cellphones Roger Beebe, Jason Middleton |
| title_full_unstemmed | Medium Cool Music Videos from Soundies to Cellphones Roger Beebe, Jason Middleton |
| title_short | Medium Cool |
| title_sort | medium cool music videos from soundies to cellphones |
| title_sub | Music Videos from Soundies to Cellphones |
| topic | MUSIC / General bisacsh Music videos History and criticism |
| topic_facet | MUSIC / General Music videos History and criticism |
| url | https://doi.org/10.1515/9780822390206 |
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