Jazz and the philosophy of art:
"Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries,...
Gespeichert in:
| Beteiligte Personen: | , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Routledge, Taylor & Francis Group
[2018]
|
| Schlagwörter: | |
| Links: | https://www.taylorfrancis.com/books/9781315280615 |
| Zusammenfassung: | "Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries, and jazz singing, as well as Goodman's allographic/autographic distinction, Adorno's critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the boor's commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation.This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy."--Provided by publisher |
| Umfang: | 1 online resource |
| ISBN: | 9781315280615 1315280612 9781315280592 1315280590 9781315280608 1315280604 9781315280585 1315280582 9781138241350 1138241350 |
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| 520 | |a "Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries, and jazz singing, as well as Goodman's allographic/autographic distinction, Adorno's critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the boor's commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation.This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy."--Provided by publisher | ||
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Datensatz im Suchindex
| _version_ | 1818987475148734464 |
|---|---|
| any_adam_object | |
| author | Brown, Lee B. Goldblatt, David Gracyk, Theodore |
| author_facet | Brown, Lee B. Goldblatt, David Gracyk, Theodore |
| author_role | aut aut aut |
| author_sort | Brown, Lee B. |
| author_variant | l b b lb lbb d g dg t g tg |
| building | Verbundindex |
| bvnumber | BV047012639 |
| collection | ZDB-7-TFC |
| ctrlnum | (ZDB-7-TFC)9781315280615 (DE-599)BVBBV047012639 |
| dewey-full | 781.6509 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6509 |
| dewey-search | 781.6509 |
| dewey-sort | 3781.6509 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV047012639 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:07:16Z |
| institution | BVB |
| isbn | 9781315280615 1315280612 9781315280592 1315280590 9781315280608 1315280604 9781315280585 1315280582 9781138241350 1138241350 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032420175 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-7-TFC |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Brown, Lee B. Verfasser aut Jazz and the philosophy of art Lee B. Brown, David Goldblatt and Theodore Gracyk New York Routledge, Taylor & Francis Group [2018] © 2018 1 online resource txt rdacontent c rdamedia cr rdacarrier "Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography,musical forgeries, and jazz singing, as well as Goodman's allographic/autographic distinction, Adorno's critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the boor's commitment to social-historical contextualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation.This book is a comprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy."--Provided by publisher Jazz / History and criticism Music / Philosophy and aesthetics Goldblatt, David aut Gracyk, Theodore aut https://www.taylorfrancis.com/books/9781315280615 Verlag URL des Erstveroeffentlichers Volltext |
| spellingShingle | Brown, Lee B. Goldblatt, David Gracyk, Theodore Jazz and the philosophy of art Jazz / History and criticism Music / Philosophy and aesthetics |
| title | Jazz and the philosophy of art |
| title_auth | Jazz and the philosophy of art |
| title_exact_search | Jazz and the philosophy of art |
| title_full | Jazz and the philosophy of art Lee B. Brown, David Goldblatt and Theodore Gracyk |
| title_fullStr | Jazz and the philosophy of art Lee B. Brown, David Goldblatt and Theodore Gracyk |
| title_full_unstemmed | Jazz and the philosophy of art Lee B. Brown, David Goldblatt and Theodore Gracyk |
| title_short | Jazz and the philosophy of art |
| title_sort | jazz and the philosophy of art |
| topic | Jazz / History and criticism Music / Philosophy and aesthetics |
| topic_facet | Jazz / History and criticism Music / Philosophy and aesthetics |
| url | https://www.taylorfrancis.com/books/9781315280615 |
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