From Dickinson to Dylan: visions of transcendence in modernist literature
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Columbia, Missouri
University of Missouri Press
2020
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| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032404128&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032404128&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032404128&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Glenn Hughes examines the ways in which six literary modernists-Emily Dickinson, Marcel Proust, T. S. Eliot, Ezra Pound, Samuel Beckett, and Bob Dylan-have explored the human relationship to a transcendent mystery of meaning. Hughes argues that visions of transcendence are, perhaps surprisingly, a significant feature in modernist literature, and that these authors' works account for many of the options for interpreting what transcendent reality might be"-- |
| Physical Description: | vii, 232 Seiten |
| ISBN: | 9780826222206 |
Staff View
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CONTENTS INTRODUCTION 3 CHAPTER ONE Emily Dickinson: Transcendence, Love, and Terror 15 CHAPTER TWO Marcel Proust: In Between World and Eternal Being 45 CHAPTER THREE Unsought Revelations of the Eternal: T S. Eliot’s Four Quartets and Proust 73 CHAPTER FOUR History and Transcendence in Ezra Pound’s Cantos and T S. Eliot’s Four Quartets 99 CHAPTER FIVE Mystic Without Faith: Samuel Beckett and the Ghost of Love in Krapp’s Last Tape chapter 123 six Bob Dylan’s Evocations of Mystery conclusion 145 167 Acknowledgments 173 Notes 177 Bibliography 199 Index 211 Permissions 231
In his remarkable new work, Glenn Hughes examines the ways in which six literary modernists—Emily Dickinson, Marcel Proust, T. S. Eliot, Ezra Pound, Samuel Beckett, and Bob Dylan—have endeavored to symbolize their experi ences and understandings of transcen dent mystery. Hughes argues that visions of transcendence are, perhaps surpris ingly, a significant feature in modernist literature, and that these authors’ works—spanning the last century— account for many of the options for interpreting the possibility and potential of transcendent reality. A comparative study, but unique in its extended focus on the persistence and centrality in modernist literature of the struggle to understand and articulate the dependence of human meaning on the mystery of transcendent meaning, From Dickinson to Dylan shows us that each author considered is a mystic in his or lier way, and that none of them are tempted by the modern inclination to suppose that meaning originates with human beings. Together, their works address oneof the most difficult and important challenges of modern litera ture: how to be a mystic in modernity.
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| author | Hughes, Glenn 1951- |
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| contents | Emily Dickinson : transcendence, love, and terror -- Marcel Proust : in between world and eternal being -- Unsought revelations of the eternal : T.S. Eliot's Four quartets and Proust -- History and transcendence in Ezra Pound's Cantos and T.S. Eliot's Four quartets -- Mystic without faith : Samuel Beckett and the ghost of love in Krapp's last tape -- Bob Dylan's evocations of mystery |
| ctrlnum | (OCoLC)1220925012 (DE-599)BVBBV046996373 |
| discipline | Anglistik / Amerikanistik Romanistik |
| era | Geschichte 1900-1999 gnd |
| era_facet | Geschichte 1900-1999 |
| format | Book |
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| title | From Dickinson to Dylan visions of transcendence in modernist literature |
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