Walker Evans: starting from scratch
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
[2020]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780691210896?locatt=mode:legacy https://doi.org/10.1515/9780691210896?locatt=mode:legacy https://doi.org/10.1515/9780691210896 https://www.jstor.org/stable/10.2307/j.ctv10kmfhq https://www.jstor.org/stable/10.2307/j.ctv10kmfhq https://doi.org/10.1515/9780691210896 |
| Abstract: | A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time |
| Umfang: | 1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln) Illustrationen |
| ISBN: | 9780691210896 |
| DOI: | 10.1515/9780691210896 |
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| 520 | 3 | |a A magisterial study of celebrated photographer Walker EvansWalker Evans (1903–75) was a great American artist photographing people and places in the United States in unforgettable ways. He is known for his work for the Farm Security Administration, addressing the Great Depression, but what he actually saw was the diversity of people and the damage of the long Civil War. In Walker Evans, renowned art historian Svetlana Alpers explores how Evans made his distinctive photographs. Delving into a lavish selection of Evans’s work, Alpers uncovers rich parallels between his creative approach and those of numerous literary and cultural figures, locating Evans within the wide context of a truly international circle.Alpers demonstrates that Evans’s practice relied on his camera choices and willingness to edit multiple versions of a shot, as well as his keen eye and his distant straight-on view of visual objects. Illustrating the vital role of Evans’s dual love of text and images, Alpers places his writings in conversation with his photographs. She brings his techniques into dialogue with the work of a global cast of important artists—from Flaubert and Baudelaire to Elizabeth Bishop and William Faulkner—underscoring how Evans’s travels abroad in such places as France and Cuba, along with his expansive literary and artistic tastes, informed his quintessentially American photographic style.A magisterial account of a great twentieth-century artist, Walker Evans urges us to look anew at the act of seeing the world—to reconsider how Evans saw his subjects, how he saw his photographs, and how we can see his images as if for the first time | |
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| indexdate | 2025-04-07T14:01:14Z |
| institution | BVB |
| isbn | 9780691210896 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032400677 |
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| physical | 1 Online-Ressource (x, 257 Seiten, 143 Seiten Tafeln) Illustrationen |
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| publisher | Princeton University Press |
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| spellingShingle | Alpers, Svetlana 1936- Walker Evans starting from scratch Evans, Walker 1903-1975 (DE-588)118682806 gnd African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books bisacsh Documentary photography United States Photography, Artistic Dokumentarfotografie (DE-588)4142019-6 gnd |
| subject_GND | (DE-588)118682806 (DE-588)4142019-6 |
| title | Walker Evans starting from scratch |
| title_auth | Walker Evans starting from scratch |
| title_exact_search | Walker Evans starting from scratch |
| title_full | Walker Evans starting from scratch Svetlana Alpers |
| title_fullStr | Walker Evans starting from scratch Svetlana Alpers |
| title_full_unstemmed | Walker Evans starting from scratch Svetlana Alpers |
| title_short | Walker Evans |
| title_sort | walker evans starting from scratch |
| title_sub | starting from scratch |
| topic | Evans, Walker 1903-1975 (DE-588)118682806 gnd African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books bisacsh Documentary photography United States Photography, Artistic Dokumentarfotografie (DE-588)4142019-6 gnd |
| topic_facet | Evans, Walker 1903-1975 African 1935 sculpture exhibition Alabama tenant farmers American photographs Bob Dylan Century Association Cuba David Campany;Luc Sante;Clement Cheroux;John T. Hill;Lincoln Kirstein;John Szarkowski;James Mellow;Belinda Rathbone;Clement Greenberg;Berenice Abbott;William Carlos Williams;Elizabeth Bishop;Gustave Flaubert;Edmund Wilson;Charles Baudelaire;Paul Cezanne;Civil War;Lawrence Gowing;Eugene Atget;documentary photography;abstraction;surrealism;Man Ray Fortune France Fred Astaire Henri Cartier-Bresson James Agee Let Us Now Praise Famous Men Lyric Documentary MOMA. Museum of Modern Art Nicéphore Niépce Swing Time Time Inc Vicksburg National Military Park W. S. Hartshorn William Faulkner Yale daguerreotype minstrelsy passenger portraits polaroid SX 70 subway portraits transcendence white tenant farmers Photography / Individual Photographers / Artists' Books Documentary photography United States Photography, Artistic Dokumentarfotografie |
| url | https://doi.org/10.1515/9780691210896 |
| work_keys_str_mv | AT alperssvetlana walkerevansstartingfromscratch |