Step it up and go: the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Chapel Hill
University of North Carolina Press
[2020]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032396161&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032396161&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This book is a love letter to North Carolina's popular music in all its many-splendored glory, from bluegrass, folk, and country to R & B, rock, and pop. Though the state's diverse music scenes have often operated in the shadows of better-known hubs for popular genres-New York, Los Angeles, Detroit, Nashville, Austin, and Athens, Georgia-David Menconi shows North Carolina's influence on American popular music runs deep. He uses profiles of artists and their role in creating or shaping genres to reveal the richness of the state's musical landscape, with an arc that runs from the origin of recorded music in the state to the digital age"-- |
| Umfang: | 314 Seiten Illustrationen |
| ISBN: | 9781469659350 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Prologue: March 1991 /1 Minstrel of the Appalachians: Bascom Lamar Lunsford / 4 1 Linthead Pop: Charlie Poole, the Father of Mill-Touun Rock (and the First Rock Star) /10 “Orange Blossom Special”: Ervin T. Rouse / 19 2 Step It Up and Go: Blind Boy Fuller, Durham, and the Piedmont Blues / 26 Keeping the Blues Alive: Music Maker Relief Foundation / 29 The First Ladies of Piedmont Blues: Elizabeth Cotten and Etta Baker / 34 The Gospel Truth: Mitchell’s Christian Singers / 42 3 Through the Airuiaues: Arthur Smith in Charlotte / 45 Mountain Man: Wade Mainer / 50 On Tape: Reflection Sound Studios / 55 Կ Rochet Man: Earl Scruggs and the Birth of Bluegrass / 60 The Innovators: George Shuffler and Bobby Hicks / 63 Sidemen to the Stars: Steep Canyon Rangers and Chatham County Line / 72 5 From Gospel to Rhythm and Blues: The 5 Royales and the Rise of a ІМеш African American Sound / 76 “Freek’n You”: Jodeci / 79 “Hold My Mule”: Shirley Caesar / 88 Kinston Calling: Maceo Parker / 90 “Rough Side of the Mountain”: The Reverend F. C. Barnes / 93 6 The American Folh Reuiual Comes to North Carolina: Doc Watson / 94 Carrying It Forward: David Holt / 98 “The Coo Coo Bird”: Clarence “Tom” Ashley / 104 The Spark: Tift Merritt / 109 7 Breaking Color Lines at the Beach: The Embers and Beach Music / m Dominoes to Drifters: Clyde McPhatterand Ben E. King / 113 The Pioneer: Jimmy Cavallo / 122
8 The Eight-Trach Era of Roch and Roll: Nantucket s Long Way to the Top /128 Brothers of the Road: Sidewinder, Cry of Love / 131 “Deliverance : Corrosion of Conformity / 136 Power Ballads: FireHouse / 141 9 Combo Corner: Mitch Easter s Winston-Salem /143 Your Sorry Ever After: The Connells / 144 Time Capsule: Greetings from Comboland, Volumes 1-3 / 154 “Shape Up, Firm Up, Tone Up : The Cosmopolitans / 157 10 Chapel Hill: The Next Seattle Era /160 The New Frontier: WXYC and alt.music.chapel-hill / 162 The University of North Carolina’s Hollywood Outpost: Peyton Reed, Dave Burris / 172 “Carolina in My Mind : James Taylor / 178 11 Нош to Mahe It in the Music Business luithout Really Trying: Colonial, Sugar Hill, and Merge Records /182 “Yep Roc Heresy”: Yep Roc Records / 188 “Tobacco Road”: John D. Loudermilk / 191 12 Y alternatiue: The Rise of Americana / 200 “God Almighty, It’s a Good Feeling: Lowriding as Experience”— Excerpt of Mike Taylor’s 2009 University of North Carolina Thesis / 210 Electronic Music as Campfire Folk: Sylvan Esso / 214 13 Saluation Songs: The Auett Brothers / 216 Greenville Calling: Valient Thorr, Future Islands / 222 “Such Jubilee”: Mandolin Orange / 228 14 Songs of Immigrants and Emigrants: From Nina Simone to the Kruger Brothers / 231 Jazz Men: Thelonious Monk and John Coltrane / 235 “Rumble”: Link Wray / 238 Asheville Calling: Robert Moog / 242 Genius: Rhiannon Giddens / 244 “Mademoiselle Mabry”: Betty Davis / 247 “Take the A Train”: Billy Strayhorn / 248
15 Hip-Hop Goes to College: 9th Wonder and Little Brother / 252 “The Choice Is Yours”: Black Sheep / 254 “Raise Up”: Petey Pablo / 263 Dreamville: J. Cole / 264 16 Famous on Teleuision: Scotty McCreery, Clay Aiken, Fantasia Barrino, and American Idol / 269 Freakonomics: Stephen Duhner, John Darnielle / 277 Epilogue: September 2013 / 284 Acknowledgments / 287 Readings / 289 Selected Discography / 293 Index / 297
Contents Prologue: March 1991 /1 Minstrel of the Appalachians: Bascom Lamar Lunsford / 4 1 Linthead Pop: Charlie Poole, the Father of Mill-Touun Rock (and the First Rock Star) /10 “Orange Blossom Special”: Ervin T. Rouse / 19 2 Step It Up and Go: Blind Boy Fuller, Durham, and the Piedmont Blues / 26 Keeping the Blues Alive: Music Maker Relief Foundation / 29 The First Ladies of Piedmont Blues: Elizabeth Cotten and Etta Baker / 34 The Gospel Truth: Mitchell’s Christian Singers / 42 3 Through the Airuiaues: Arthur Smith in Charlotte / 45 Mountain Man: Wade Mainer / 50 On Tape: Reflection Sound Studios / 55 Կ Rochet Man: Earl Scruggs and the Birth of Bluegrass / 60 The Innovators: George Shuffler and Bobby Hicks / 63 Sidemen to the Stars: Steep Canyon Rangers and Chatham County Line / 72 5 From Gospel to Rhythm and Blues: The 5 Royales and the Rise of a ІМеш African American Sound / 76 “Freek’n You”: Jodeci / 79 “Hold My Mule”: Shirley Caesar / 88 Kinston Calling: Maceo Parker / 90 “Rough Side of the Mountain”: The Reverend F. C. Barnes / 93 6 The American Folh Reuiual Comes to North Carolina: Doc Watson / 94 Carrying It Forward: David Holt / 98 “The Coo Coo Bird”: Clarence “Tom” Ashley / 104 The Spark: Tift Merritt / 109 7 Breaking Color Lines at the Beach: The Embers and Beach Music / m Dominoes to Drifters: Clyde McPhatterand Ben E. King / 113 The Pioneer: Jimmy Cavallo / 122
8 The Eight-Trach Era of Roch and Roll: Nantucket s Long Way to the Top /128 Brothers of the Road: Sidewinder, Cry of Love / 131 “Deliverance : Corrosion of Conformity / 136 Power Ballads: FireHouse / 141 9 Combo Corner: Mitch Easter s Winston-Salem /143 Your Sorry Ever After: The Connells / 144 Time Capsule: Greetings from Comboland, Volumes 1-3 / 154 “Shape Up, Firm Up, Tone Up : The Cosmopolitans / 157 10 Chapel Hill: The Next Seattle Era /160 The New Frontier: WXYC and alt.music.chapel-hill / 162 The University of North Carolina’s Hollywood Outpost: Peyton Reed, Dave Burris / 172 “Carolina in My Mind : James Taylor / 178 11 Нош to Mahe It in the Music Business luithout Really Trying: Colonial, Sugar Hill, and Merge Records /182 “Yep Roc Heresy”: Yep Roc Records / 188 “Tobacco Road”: John D. Loudermilk / 191 12 Y alternatiue: The Rise of Americana / 200 “God Almighty, It’s a Good Feeling: Lowriding as Experience”— Excerpt of Mike Taylor’s 2009 University of North Carolina Thesis / 210 Electronic Music as Campfire Folk: Sylvan Esso / 214 13 Saluation Songs: The Auett Brothers / 216 Greenville Calling: Valient Thorr, Future Islands / 222 “Such Jubilee”: Mandolin Orange / 228 14 Songs of Immigrants and Emigrants: From Nina Simone to the Kruger Brothers / 231 Jazz Men: Thelonious Monk and John Coltrane / 235 “Rumble”: Link Wray / 238 Asheville Calling: Robert Moog / 242 Genius: Rhiannon Giddens / 244 “Mademoiselle Mabry”: Betty Davis / 247 “Take the A Train”: Billy Strayhorn / 248
15 Hip-Hop Goes to College: 9th Wonder and Little Brother / 252 “The Choice Is Yours”: Black Sheep / 254 “Raise Up”: Petey Pablo / 263 Dreamville: J. Cole / 264 16 Famous on Teleuision: Scotty McCreery, Clay Aiken, Fantasia Barrino, and American Idol / 269 Freakonomics: Stephen Duhner, John Darnielle / 277 Epilogue: September 2013 / 284 Acknowledgments / 287 Readings / 289 Selected Discography / 293 Index / 297
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| spellingShingle | Menconi, David Lawrence Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk Unterhaltungsmusik (DE-588)4061916-3 gnd Unterhaltungsmusiker (DE-588)4284849-0 gnd |
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| title | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk |
| title_auth | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk |
| title_exact_search | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk |
| title_full | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk David Menconi |
| title_fullStr | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk David Menconi |
| title_full_unstemmed | Step it up and go the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk David Menconi |
| title_short | Step it up and go |
| title_sort | step it up and go the story of north carolina popular music from blind boy fuller and doc watson to nina simone and superchunk |
| title_sub | the story of North Carolina popular music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk |
| topic | Unterhaltungsmusik (DE-588)4061916-3 gnd Unterhaltungsmusiker (DE-588)4284849-0 gnd |
| topic_facet | Unterhaltungsmusik Unterhaltungsmusiker North Carolina |
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