Staging personhood: costuming in early Qing drama
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
New York
Columbia University Press
[2020]
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Schlagwörter: | |
Abstract: | "Throughout Chinese history, almost all the "conquest" dynasties forced Chinese people to conform to the rulers' ethnic clothing and hairstyle in the wake of the conquests. This was no different in the early Qing period, when Manchu rulers forced their style on the Han majority. However, the theater was one of the only areas of life that was not permeated by Manchu culture and where Han costumes remained. In Exile to the Stage: Costuming and Personhood in Early Qing Drama, Guojun Wang explores clothing and costumes as indices of ethnic and gender identities during the Ming-Qing transition"-- |
Beschreibung: | Revision of author's thesis (doctoral) -- Vanderbilt University (2015) |
Umfang: | xii, 300 Seiten Illustrationen |
ISBN: | 9780231191906 |
Internformat
MARC
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020 | |a 9780231191906 |c (hbk.) |9 978-0-231-19190-6 | ||
035 | |a (OCoLC)1224487588 | ||
035 | |a (DE-599)BVBBV046960749 | ||
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264 | 1 | |a New York |b Columbia University Press |c [2020] | |
264 | 4 | |c ©2020 | |
300 | |a xii, 300 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Revision of author's thesis (doctoral) -- Vanderbilt University (2015) | ||
505 | 8 | |a Introduction: Costuming as method -- Ways to dress and ways to see -- Across genders and ethnicities -- Between family and state -- Seamless goddess or chaste lady -- From state attire to stage prop -- Epilogue: Dressing other and self | |
520 | 3 | |a "Throughout Chinese history, almost all the "conquest" dynasties forced Chinese people to conform to the rulers' ethnic clothing and hairstyle in the wake of the conquests. This was no different in the early Qing period, when Manchu rulers forced their style on the Han majority. However, the theater was one of the only areas of life that was not permeated by Manchu culture and where Han costumes remained. In Exile to the Stage: Costuming and Personhood in Early Qing Drama, Guojun Wang explores clothing and costumes as indices of ethnic and gender identities during the Ming-Qing transition"-- | |
648 | 7 | |a Geschichte 1650-1700 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Ethnische Identität |0 (DE-588)4153096-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Theaterkostüm |0 (DE-588)4136979-8 |2 gnd |9 rswk-swf |
651 | 7 | |a China |0 (DE-588)4009937-4 |2 gnd |9 rswk-swf | |
653 | 0 | |a Chinese drama / Qing dynasty, 1644-1912 / History and criticism | |
653 | 0 | |a Clothing and dress in literature | |
653 | 0 | |a Theater / China / History / 17th century | |
653 | 0 | |a Theater and society / China / 17th century | |
653 | 0 | |a Costume / China / History / Ming-Qing dynasties, 1368-1912 | |
653 | 0 | |a Clothing and dress / China / History / Ming-Qing dynasties, 1368-1912 | |
653 | 0 | |a Chinese drama | |
653 | 0 | |a Clothing and dress in literature | |
653 | 0 | |a Clothing and dress / Ming-Qing dynasties | |
653 | 0 | |a Costume / Ming-Qing dynasties | |
653 | 0 | |a Qing Dynasty (China) | |
653 | 0 | |a Theater | |
653 | 0 | |a Theater and society | |
653 | 2 | |a China | |
653 | 4 | |a 1368-1912 | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a China |0 (DE-588)4009937-4 |D g |
689 | 0 | 1 | |a Theaterkostüm |0 (DE-588)4136979-8 |D s |
689 | 0 | 2 | |a Ethnische Identität |0 (DE-588)4153096-2 |D s |
689 | 0 | 3 | |a Geschichte 1650-1700 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-0-231-54957-8 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032369083 |
Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Wang, Guojun 1982- |
author_GND | (DE-588)1214446396 |
author_facet | Wang, Guojun 1982- |
author_role | aut |
author_sort | Wang, Guojun 1982- |
author_variant | g w gw |
building | Verbundindex |
bvnumber | BV046960749 |
classification_rvk | EG 9575 |
contents | Introduction: Costuming as method -- Ways to dress and ways to see -- Across genders and ethnicities -- Between family and state -- Seamless goddess or chaste lady -- From state attire to stage prop -- Epilogue: Dressing other and self |
ctrlnum | (OCoLC)1224487588 (DE-599)BVBBV046960749 |
discipline | Außereuropäische Sprachen und Literaturen Literaturwissenschaft |
era | Geschichte 1650-1700 gnd |
era_facet | Geschichte 1650-1700 |
format | Book |
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id | DE-604.BV046960749 |
illustrated | Illustrated |
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institution | BVB |
isbn | 9780231191906 |
language | English |
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physical | xii, 300 Seiten Illustrationen |
publishDate | 2020 |
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spelling | Wang, Guojun 1982- Verfasser (DE-588)1214446396 aut Staging personhood costuming in early Qing drama Guojun Wang New York Columbia University Press [2020] ©2020 xii, 300 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Revision of author's thesis (doctoral) -- Vanderbilt University (2015) Introduction: Costuming as method -- Ways to dress and ways to see -- Across genders and ethnicities -- Between family and state -- Seamless goddess or chaste lady -- From state attire to stage prop -- Epilogue: Dressing other and self "Throughout Chinese history, almost all the "conquest" dynasties forced Chinese people to conform to the rulers' ethnic clothing and hairstyle in the wake of the conquests. This was no different in the early Qing period, when Manchu rulers forced their style on the Han majority. However, the theater was one of the only areas of life that was not permeated by Manchu culture and where Han costumes remained. In Exile to the Stage: Costuming and Personhood in Early Qing Drama, Guojun Wang explores clothing and costumes as indices of ethnic and gender identities during the Ming-Qing transition"-- Geschichte 1650-1700 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Theaterkostüm (DE-588)4136979-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Chinese drama / Qing dynasty, 1644-1912 / History and criticism Clothing and dress in literature Theater / China / History / 17th century Theater and society / China / 17th century Costume / China / History / Ming-Qing dynasties, 1368-1912 Clothing and dress / China / History / Ming-Qing dynasties, 1368-1912 Chinese drama Clothing and dress / Ming-Qing dynasties Costume / Ming-Qing dynasties Qing Dynasty (China) Theater Theater and society China 1368-1912 Criticism, interpretation, etc History (DE-588)4113937-9 Hochschulschrift gnd-content China (DE-588)4009937-4 g Theaterkostüm (DE-588)4136979-8 s Ethnische Identität (DE-588)4153096-2 s Geschichte 1650-1700 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-231-54957-8 |
spellingShingle | Wang, Guojun 1982- Staging personhood costuming in early Qing drama Introduction: Costuming as method -- Ways to dress and ways to see -- Across genders and ethnicities -- Between family and state -- Seamless goddess or chaste lady -- From state attire to stage prop -- Epilogue: Dressing other and self Ethnische Identität (DE-588)4153096-2 gnd Theaterkostüm (DE-588)4136979-8 gnd |
subject_GND | (DE-588)4153096-2 (DE-588)4136979-8 (DE-588)4009937-4 (DE-588)4113937-9 |
title | Staging personhood costuming in early Qing drama |
title_auth | Staging personhood costuming in early Qing drama |
title_exact_search | Staging personhood costuming in early Qing drama |
title_full | Staging personhood costuming in early Qing drama Guojun Wang |
title_fullStr | Staging personhood costuming in early Qing drama Guojun Wang |
title_full_unstemmed | Staging personhood costuming in early Qing drama Guojun Wang |
title_short | Staging personhood |
title_sort | staging personhood costuming in early qing drama |
title_sub | costuming in early Qing drama |
topic | Ethnische Identität (DE-588)4153096-2 gnd Theaterkostüm (DE-588)4136979-8 gnd |
topic_facet | Ethnische Identität Theaterkostüm China Hochschulschrift |
work_keys_str_mv | AT wangguojun stagingpersonhoodcostuminginearlyqingdrama |