Facing the Colours of Roman Portraiture: Exploring the Materiality of Ancient Polychrome Forms
The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not be...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2020]
|
| Schriftenreihe: | Image & Context
19 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 https://doi.org/10.1515/9783110585520 |
| Zusammenfassung: | The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) |
| Umfang: | 1 online resource (XI, 361 pages) |
| ISBN: | 9783110585520 |
| DOI: | 10.1515/9783110585520 |
Internformat
MARC
| LEADER | 00000nam a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV046948460 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 201020s2020 xx o|||| 00||| eng d | ||
| 020 | |a 9783110585520 |9 978-3-11-058552-0 | ||
| 024 | 7 | |a 10.1515/9783110585520 |2 doi | |
| 035 | |a (ZDB-23-DGG)9783110585520 | ||
| 035 | |a (OCoLC)1220912684 | ||
| 035 | |a (DE-599)BVBBV046948460 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1043 |a DE-858 | ||
| 084 | |a LG 2500 |0 (DE-625)92104: |2 rvk | ||
| 100 | 1 | |a Skovmøller, Amalie |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Facing the Colours of Roman Portraiture |b Exploring the Materiality of Ancient Polychrome Forms |c Amalie Skovmøller |
| 264 | 1 | |a Berlin ; Boston |b De Gruyter |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 1 online resource (XI, 361 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Image & Context |v 19 | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) | ||
| 520 | |a The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future | ||
| 546 | |a In English | ||
| 648 | 7 | |a Geschichte 1-300 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Polychromie | |
| 650 | 4 | |a Roman portraiture | |
| 650 | 4 | |a Skulptur | |
| 650 | 4 | |a ancient marble | |
| 650 | 4 | |a antiker Marmor | |
| 650 | 4 | |a polychromy | |
| 650 | 4 | |a römisches Porträt | |
| 650 | 4 | |a sculpture | |
| 650 | 0 | 7 | |a Polychromie |0 (DE-588)4175135-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fassmalerei |0 (DE-588)4153775-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bildnis |0 (DE-588)4006627-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Bildnisplastik |0 (DE-588)4406095-6 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Römisches Reich |0 (DE-588)4076778-4 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Römisches Reich |0 (DE-588)4076778-4 |D g |
| 689 | 0 | 1 | |a Bildnisplastik |0 (DE-588)4406095-6 |D s |
| 689 | 0 | 2 | |a Bildnis |0 (DE-588)4006627-7 |D s |
| 689 | 0 | 3 | |a Polychromie |0 (DE-588)4175135-8 |D s |
| 689 | 0 | 4 | |a Geschichte 1-300 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Römisches Reich |0 (DE-588)4076778-4 |D g |
| 689 | 1 | 1 | |a Bildnisplastik |0 (DE-588)4406095-6 |D s |
| 689 | 1 | 2 | |a Fassmalerei |0 (DE-588)4153775-0 |D s |
| 689 | 1 | 3 | |a Polychromie |0 (DE-588)4175135-8 |D s |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 9783110563665 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9783110585520 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-032357015 | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9783110585520 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824416215309746176 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Skovmøller, Amalie |
| author_facet | Skovmøller, Amalie |
| author_role | aut |
| author_sort | Skovmøller, Amalie |
| author_variant | a s as |
| building | Verbundindex |
| bvnumber | BV046948460 |
| classification_rvk | LG 2500 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9783110585520 (OCoLC)1220912684 (DE-599)BVBBV046948460 |
| discipline | Klassische Archäologie |
| doi_str_mv | 10.1515/9783110585520 |
| era | Geschichte 1-300 gnd |
| era_facet | Geschichte 1-300 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zcb4500</leader><controlfield tag="001">BV046948460</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">201020s2020 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783110585520</subfield><subfield code="9">978-3-11-058552-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783110585520</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9783110585520</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1220912684</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046948460</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LG 2500</subfield><subfield code="0">(DE-625)92104:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Skovmøller, Amalie</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Facing the Colours of Roman Portraiture</subfield><subfield code="b">Exploring the Materiality of Ancient Polychrome Forms</subfield><subfield code="c">Amalie Skovmøller</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Berlin ; Boston</subfield><subfield code="b">De Gruyter</subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (XI, 361 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Image & Context</subfield><subfield code="v">19</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1-300</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Polychromie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Roman portraiture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Skulptur</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ancient marble</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">antiker Marmor</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">polychromy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">römisches Porträt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">sculpture</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Polychromie</subfield><subfield code="0">(DE-588)4175135-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fassmalerei</subfield><subfield code="0">(DE-588)4153775-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnisplastik</subfield><subfield code="0">(DE-588)4406095-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Römisches Reich</subfield><subfield code="0">(DE-588)4076778-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Römisches Reich</subfield><subfield code="0">(DE-588)4076778-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Bildnisplastik</subfield><subfield code="0">(DE-588)4406095-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Polychromie</subfield><subfield code="0">(DE-588)4175135-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1-300</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Römisches Reich</subfield><subfield code="0">(DE-588)4076778-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Bildnisplastik</subfield><subfield code="0">(DE-588)4406095-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Fassmalerei</subfield><subfield code="0">(DE-588)4153775-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Polychromie</subfield><subfield code="0">(DE-588)4175135-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9783110563665</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032357015</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9783110585520</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Römisches Reich (DE-588)4076778-4 gnd |
| geographic_facet | Römisches Reich |
| id | DE-604.BV046948460 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T17:14:46Z |
| institution | BVB |
| isbn | 9783110585520 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032357015 |
| oclc_num | 1220912684 |
| open_access_boolean | |
| owner | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| owner_facet | DE-1046 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1043 DE-858 |
| physical | 1 online resource (XI, 361 pages) |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | De Gruyter |
| record_format | marc |
| series2 | Image & Context |
| spelling | Skovmøller, Amalie Verfasser aut Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms Amalie Skovmøller Berlin ; Boston De Gruyter [2020] © 2020 1 online resource (XI, 361 pages) txt rdacontent c rdamedia cr rdacarrier Image & Context 19 Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020) The fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future In English Geschichte 1-300 gnd rswk-swf Polychromie Roman portraiture Skulptur ancient marble antiker Marmor polychromy römisches Porträt sculpture Polychromie (DE-588)4175135-8 gnd rswk-swf Fassmalerei (DE-588)4153775-0 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Bildnisplastik (DE-588)4406095-6 gnd rswk-swf Römisches Reich (DE-588)4076778-4 gnd rswk-swf Römisches Reich (DE-588)4076778-4 g Bildnisplastik (DE-588)4406095-6 s Bildnis (DE-588)4006627-7 s Polychromie (DE-588)4175135-8 s Geschichte 1-300 z DE-604 Fassmalerei (DE-588)4153775-0 s Erscheint auch als Druck-Ausgabe 9783110563665 https://doi.org/10.1515/9783110585520 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Skovmøller, Amalie Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms Polychromie Roman portraiture Skulptur ancient marble antiker Marmor polychromy römisches Porträt sculpture Polychromie (DE-588)4175135-8 gnd Fassmalerei (DE-588)4153775-0 gnd Bildnis (DE-588)4006627-7 gnd Bildnisplastik (DE-588)4406095-6 gnd |
| subject_GND | (DE-588)4175135-8 (DE-588)4153775-0 (DE-588)4006627-7 (DE-588)4406095-6 (DE-588)4076778-4 |
| title | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms |
| title_auth | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms |
| title_exact_search | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms |
| title_full | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms Amalie Skovmøller |
| title_fullStr | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms Amalie Skovmøller |
| title_full_unstemmed | Facing the Colours of Roman Portraiture Exploring the Materiality of Ancient Polychrome Forms Amalie Skovmøller |
| title_short | Facing the Colours of Roman Portraiture |
| title_sort | facing the colours of roman portraiture exploring the materiality of ancient polychrome forms |
| title_sub | Exploring the Materiality of Ancient Polychrome Forms |
| topic | Polychromie Roman portraiture Skulptur ancient marble antiker Marmor polychromy römisches Porträt sculpture Polychromie (DE-588)4175135-8 gnd Fassmalerei (DE-588)4153775-0 gnd Bildnis (DE-588)4006627-7 gnd Bildnisplastik (DE-588)4406095-6 gnd |
| topic_facet | Polychromie Roman portraiture Skulptur ancient marble antiker Marmor polychromy römisches Porträt sculpture Fassmalerei Bildnis Bildnisplastik Römisches Reich |
| url | https://doi.org/10.1515/9783110585520 |
| work_keys_str_mv | AT skovmølleramalie facingthecoloursofromanportraitureexploringthematerialityofancientpolychromeforms |