The end of diversity in art historical writing: north atlantic art history and its alternatives
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2021]
|
| Schlagwörter: | |
| Links: | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110681109&searchTitles=true http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032347996&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | 221 Seiten Illustrationen, Diagramme 24 cm x 17 cm |
| ISBN: | 9783110681109 3110681102 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1819278910340202496 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
INTRODUCTION
....................................................................................................................
7
ACKNOWLEDGMENTS
.........................................................................................................
13
1
THE
CONDITIONS
UNDER
WHICH
GLOBAL
ART
HISTORY
IS
STUDIED
..................................
17
2
LEADING
TERMS:
MASTER
NARRATIVE,
WESTERN,
CENTRAL,
PERIPHERAL,
NORTH
ATLANTIC
..........................
39
3
ARE
ART
CRITICISM,
ART
THEORY,
ART
INSTRUCTION,
AND
THE
NOVEL
GLOBAL
PHENOMENA?
..........................................................................
63
4
THE
EXAMPLE
OF
ART
SINCE
1900
..................................................................................
95
5
STATE
OF
THE
FIELD:
SIX
CURRENT
STRATEGIES
113
6
REASONS
WHY
ESCAPE
IS
NOT
POSSIBLE
145
7
FINDING
TERMS
AND
METHODS
FOR
ART
HISTORY
..........................................................
153
8
WRITING
ABOUT
MODERNIST
PAINTING
OUTSIDE
WESTERN
EUROPE
AND
NORTH
AMERICA
.....................................................................................................
165
9
THE
MOST
DIFFICULT
PROBLEM
FOR
GLOBAL
ART
HISTORY
193
ENVOI:
WRITING
ITSELF
...................................................................................................
2
5
MAIN
POINTS
.................................................................................................................
2
9
INDEX
.............................................................................................................................
21
5
|
| any_adam_object | 1 |
| author | Elkins, James 1955- |
| author_GND | (DE-588)128713097 |
| author_facet | Elkins, James 1955- |
| author_role | aut |
| author_sort | Elkins, James 1955- |
| author_variant | j e je |
| building | Verbundindex |
| bvnumber | BV046939244 |
| classification_rvk | LH 61020 |
| ctrlnum | (OCoLC)1241084282 (DE-599)DNB1203984480 |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV046939244 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:05:12Z |
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| isbn | 9783110681109 3110681102 |
| language | English |
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| oclc_num | 1241084282 |
| open_access_boolean | |
| owner | DE-83 DE-255 DE-12 DE-Y2 DE-384 |
| owner_facet | DE-83 DE-255 DE-12 DE-Y2 DE-384 |
| physical | 221 Seiten Illustrationen, Diagramme 24 cm x 17 cm |
| psigel | BSB_NED_20210511 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | De Gruyter |
| record_format | marc |
| spellingShingle | Elkins, James 1955- The end of diversity in art historical writing north atlantic art history and its alternatives Ästhetik (DE-588)4000626-8 gnd Bildwissenschaft (DE-588)4783825-5 gnd Postkolonialismus (DE-588)4566658-1 gnd Globalisierung (DE-588)4557997-0 gnd Eurozentrismus (DE-588)4200132-8 gnd Kunstkritik (DE-588)4033659-1 gnd Methode (DE-588)4038971-6 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4783825-5 (DE-588)4566658-1 (DE-588)4557997-0 (DE-588)4200132-8 (DE-588)4033659-1 (DE-588)4038971-6 (DE-588)4033643-8 |
| title | The end of diversity in art historical writing north atlantic art history and its alternatives |
| title_auth | The end of diversity in art historical writing north atlantic art history and its alternatives |
| title_exact_search | The end of diversity in art historical writing north atlantic art history and its alternatives |
| title_full | The end of diversity in art historical writing north atlantic art history and its alternatives James Elkins |
| title_fullStr | The end of diversity in art historical writing north atlantic art history and its alternatives James Elkins |
| title_full_unstemmed | The end of diversity in art historical writing north atlantic art history and its alternatives James Elkins |
| title_short | The end of diversity in art historical writing |
| title_sort | the end of diversity in art historical writing north atlantic art history and its alternatives |
| title_sub | north atlantic art history and its alternatives |
| topic | Ästhetik (DE-588)4000626-8 gnd Bildwissenschaft (DE-588)4783825-5 gnd Postkolonialismus (DE-588)4566658-1 gnd Globalisierung (DE-588)4557997-0 gnd Eurozentrismus (DE-588)4200132-8 gnd Kunstkritik (DE-588)4033659-1 gnd Methode (DE-588)4038971-6 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd |
| topic_facet | Ästhetik Bildwissenschaft Postkolonialismus Globalisierung Eurozentrismus Kunstkritik Methode Kunstgeschichtsschreibung |
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