Serial Shakespeare: an infinite variety of appropriations in American TV drama
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Manchester
Manchester University Press
2020
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032339074&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032339074&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | viii, 248 Seiten 18 Illustrationen |
| ISBN: | 9781526142313 1526142317 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents List of figures Acknowledgements page vi viii Introduction: appropriation, dislocation, and crossmapping 1 1 Shakespeare’s spectres: Westworld 26 2 Wearing the crown: The Wire 58 3 Choosing our queen: a series of first female presidents from Commander in Chief to House of Cards 85 4 Rogue queens: Veep, Homeland, and Scandal 120 5 All the frontier’s a stage: Deadwood 155 6 Carnival of spies: The Americans 194 Bibliography Index 227 241 v
Shakespeare is everywhere in contemporary media culture. Serial Shakespeare makes a unique contribution to understanding this dissemination and reassemblage by crossmapping the early modern plays with contemporary serial TV drama, creating a transhistoric conversation that is Illuminating for creative readings of both. By placing one drama, or a series of related dramas, at the centre of each chapter, the book discloses unexpected lines of association to the Bard. A discussion of the use of citations in Westworld and The Wire illustrates how serial TV drama taps Into but also transforms his preferred themes and concerns. A panoply of first female presidents is shown to be modelled on figures of female sovereignty from his plays. What might be called a specifically Shakespearean dramaturgy is analysed in Deadwood and The Americans. Each reading considers the Shakespearean texts again, from a different perspective, but also speaks to the way his plays come back to us from the past. At the same time, the book brings into focus the way serial TV drama keeps appropriating Shakespeare to give voice to the unfinished business of the American cultural imaginary. Both, it claims, share the sense of writing in and for a period of Interim. Elisabeth Bronfen is Professor of English and American Studies at the University of Zurich and Global Distinguished Professor at New York University
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| discipline | Allgemeines Anglistik / Amerikanistik |
| format | Book |
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| title | Serial Shakespeare an infinite variety of appropriations in American TV drama |
| title_auth | Serial Shakespeare an infinite variety of appropriations in American TV drama |
| title_exact_search | Serial Shakespeare an infinite variety of appropriations in American TV drama |
| title_full | Serial Shakespeare an infinite variety of appropriations in American TV drama Elisabeth Bronfen |
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| title_short | Serial Shakespeare |
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