The Making of the Sympathetic Imagination: Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction
How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prom...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Hochschulschrift/Dissertation Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2020]
|
| Schriftenreihe: | Transformationen der Antike
61 |
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 https://doi.org/10.1515/9783110625318 |
| Zusammenfassung: | How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) |
| Umfang: | 1 online resource (X, 210 pages) |
| ISBN: | 9783110625318 |
| DOI: | 10.1515/9783110625318 |
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| 520 | |a How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential | ||
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| spelling | Barton, Roman Alexander Verfasser aut The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction Roman Alexander Barton Berlin ; Boston De Gruyter [2020] © 2020 1 online resource (X, 210 pages) txt rdacontent c rdamedia cr rdacarrier Transformationen der Antike 61 Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) Dissertation How is it that we feel with fictional characters and so approve or disapprove of their actions? For many British Enlightenment thinkers writing at a time when sympathy was the pivot of ethics as well as poetics, this question was crucial. Asserting that the notion of the sympathetic imagination prominent in Romantic criticism and poetry originates in Moral Sentimentalism, this study traces the emergence of what became a key concept of intersubjectivity. It shows how, contrary to earlier traditions, Francis Hutcheson and his disciples successively established the imagination rather than reason as the pivotal faculty through which sympathy is rendered morally effective. Writing at the interface of ethics and poetics, Adam Smith, Lord Kames and others explored the sympathetic imagination as a means of both explaining emotional reader response and discovering moral distinctions. As a result, the sentimental novel became the sight of ethical controversy. Arguing against the dominant view of research which claims that the novel of sensibility is mostly uncritically sentimental, the book demonstrates that it is precisely in this genre that the sympathetic imagination is sceptically assessed in terms of its literary and moral potential In English Geschichte 1700-1800 gnd rswk-swf Antike /Rezeption British Enlightenment Englische Aufklärung Imagination Sentimentalism Sympathie Sympathy LITERARY CRITICISM / Ancient & Classical bisacsh Rezeption (DE-588)4049716-1 gnd rswk-swf Leser (DE-588)4035441-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Einfühlung (DE-588)4133262-3 gnd rswk-swf Empfindsamkeit (DE-588)4152096-8 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Empfindsamkeit (DE-588)4152096-8 s Rezeption (DE-588)4049716-1 s Leser (DE-588)4035441-6 s Einfühlung (DE-588)4133262-3 s Geschichte 1700-1800 z DE-604 Erscheint auch als Druck-Ausgabe 9783110624014 https://doi.org/10.1515/9783110625318 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Barton, Roman Alexander The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction Antike /Rezeption British Enlightenment Englische Aufklärung Imagination Sentimentalism Sympathie Sympathy LITERARY CRITICISM / Ancient & Classical bisacsh Rezeption (DE-588)4049716-1 gnd Leser (DE-588)4035441-6 gnd Englisch (DE-588)4014777-0 gnd Einfühlung (DE-588)4133262-3 gnd Empfindsamkeit (DE-588)4152096-8 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4049716-1 (DE-588)4035441-6 (DE-588)4014777-0 (DE-588)4133262-3 (DE-588)4152096-8 (DE-588)4050479-7 (DE-588)4113937-9 |
| title | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction |
| title_auth | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction |
| title_exact_search | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction |
| title_full | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction Roman Alexander Barton |
| title_fullStr | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction Roman Alexander Barton |
| title_full_unstemmed | The Making of the Sympathetic Imagination Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction Roman Alexander Barton |
| title_short | The Making of the Sympathetic Imagination |
| title_sort | the making of the sympathetic imagination transformations of sympathy in british eighteenth century philosophy and fiction |
| title_sub | Transformations of Sympathy in British Eighteenth-Century Philosophy and Fiction |
| topic | Antike /Rezeption British Enlightenment Englische Aufklärung Imagination Sentimentalism Sympathie Sympathy LITERARY CRITICISM / Ancient & Classical bisacsh Rezeption (DE-588)4049716-1 gnd Leser (DE-588)4035441-6 gnd Englisch (DE-588)4014777-0 gnd Einfühlung (DE-588)4133262-3 gnd Empfindsamkeit (DE-588)4152096-8 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Antike /Rezeption British Enlightenment Englische Aufklärung Imagination Sentimentalism Sympathie Sympathy LITERARY CRITICISM / Ancient & Classical Rezeption Leser Englisch Einfühlung Empfindsamkeit Roman Hochschulschrift |
| url | https://doi.org/10.1515/9783110625318 |
| work_keys_str_mv | AT bartonromanalexander themakingofthesympatheticimaginationtransformationsofsympathyinbritisheighteenthcenturyphilosophyandfiction |